Sunday, August 21, 2016

It will find you




     Both boys are home, briefly, in the interim between the end of their summer internships and the beginning of classes. Which explains what I was doing on the 2nd floor of Nordstrom's downtown Thursday—shopping—though, in our defense, we did all our buying at the far more reasonable H & M and Macy's.
     We blundered in, I suppose under the theory that it is somehow connected to Nordstrom's Rack, looked at the prices, then ran out shrieking as if the place were on fire, the boys in the lead. My wife and I felt we had raised them well.
     There just long enough for me to notice this big ass bar set up in the middle of Nordstrom's men's department. That's something of a trend—every supermarket worth the name has a wine bar, if not a full bar, and guys can be seen pushing their carts with one hand and drawing off their sloshing cup of brew in the other. It makes sense. The stores are desperate to make shopping in bricks-and-mortar retailers more of a destination experience, and what sweetens any destination like alcohol? Let's see Amazon do that.
     This would have been ideal for me, back in the day, and now just leaves me I suppose slightly amused, my reaction to those cruise ship ads that show the boat plying a giant martini, as if you can't drink at home but need to go to Norway to do it properly. Bars cropping up in unexpected places does echo, in my mind, back to those people I see on Twitter urging that liquor advertising be banned from the airwaves, under the See-No-Evil/Do-No-Evil rule. 
     I find that naive. When I gave up drinking, a decade ago, I immediately understood that you can't base your sobriety on not knowing where the booze is or how to find it. It's everywhere, and having a mini-Bennigan's pop up in the middle of the shirt department is a perfect example.  Even if you don't set out to find it, it will find you, so you had better be ready, particularly in this era when so many people can't sip a cocktail without first delightedly sharing a photo of it on Facebook. You can't wallpaper the world; you have to armor yourself. 

Saturday, August 20, 2016

Saturday fun activity: Where IS this?



     Now this is an odd structure. I had never seen it before, but stumbled upon it during my wanderings around Chicago this week.  I'm hoping it puzzles you for a few minutes; I had a tough time figuring out what it was when I was standing before it, but eventually I saw a plaque that gave away the game.
    What is this beige-pinkish thing and where might we find it? The winner gets ... oh hell ... one of my endless supply of 2015 blog posters, complete in its own Chicago Mailing Tube cardboard tube, along with my best wishes.
     Remember to place your guesses below. Good luck. 

Friday, August 19, 2016

Mayor Daley's book


      My colleague Mike Sneed reports that former Mayor Richard M. Daley is interested in writing a book about "running an American city." 
      My immediate thought was, "didn't he leave off the 'into the ground' part?" Running an American city into the ground?
      The next thought was identical to the one I had five years ago when Daley previously mentioned writing a book: the man lacks the necessary candor, the self-criticism gear essential to writing a book. 
      A good book, I mean.
      Oh sure, he could no doubt, with help of the ghostwriter he's supposedly fishing around for, manage a clip job recapitulation of his 22 years at the helm of Chicago, something along the lines of First Son, by Keith Koeneman.  At the risk of being unkind to a fellow University of Chicago Press author, let's just say that those of us who soldiered through the 2013 biography were left with the conviction that Robert Caro's trilogy on Lyndon Johnson was not in risk of being nudged off the summit of the biographer's art. 
     The fault is not the author's. Daley is so oblique—trying to understand him, one Chicago wag once quipped, is like trying to peel a ball bearing with your thumbnail—that there is the whisper of a chance he could surprise us. That the book will be titled, How I Ruined Chicago and detail, with charts, how the scion of America's biggest boss swept into office in a blaze of tradition and self-regard and created a financial time bomb, by lack of planning and greasing his army of allies, that is now hollowing out the city so it becomes a fragile pension program that also fights fires.
    That is possible.
    But I severely doubt it. More likely is the outcome of the vast majority of people who intend to write books: nothing. Because writing books is hard. Besides, as my agent would say, "And who is going to buy this book?" Tap any of Daley's former cringing underlings on the shoulder, after they've toweled his spittle off their faces, and ask them: "Do you really want to know what's going inside that man?" I'm not sure they do, or I do, or anybody does. Not that Daley could disgorge it, even the help of a ghostwriter, a team of amanuenses and Sigmund Freud.
    Jane Byrne wrote a surprisingly good book, My Chicago, about growing up in the city and the rise to the only elective office she ever held. But Byrne was a voluble party gal who couldn't shut up, who would phone newspapers randomly, in the bag, late at night just to talk more. She was candid, to the degree of admitting she was often out-to-sea once she got her hands on the levers of power.
    Daley is a stone who admits nothing, who had a hard enough time squeaking out three sentences that made sense at a press conference, with a bank of microphones in front of him.  The idea of a book is tempting, as a way to airily suggest you have something important to say, that you aren't merely gadding around the shoebox's worth of Chicago where you feel comfortable, hoping you don't get indicted. But the reality of a book is hard—take it from a guy who's written eight. That's why most people who would like to write one never do. And a good thing too. 


     

Chicago Shapes #4: The triangle






    Since last October, when I examined the parabola, the circle and the square through the lens of Chicago, readers have been besieging me with requests to continue the series, the obvious next candidate being the triangle. So I....
     Oh, that's a lie. Nobody cared whether the series continued or not. Now you can see how very disappointing life can be, at times, for a guy who could even imagine they might. Zeroing in on shapes is the kind of esoteric investigation that I seem to do for my own amusement, at best tolerated by you, my very indulgent readers. I've been meaning to push forward for months and now, theoretically on vacation, seemed the perfect moment to pull my triangle notes together. Though I hit a hitch right out the gate, as you will see if you make it to the end of this.



     Let's start with the Triangle Package Machinery Company.
    —"Why a Triangle?"
     "You'd have to talk to our marketing department. Kim Magon. But she's not in today, so you'll have to call back on Monday."
      —"Can I have her telephone number?"
     "I can't give that out. Call the main number."
     —"Okay."

    So let's not start with the Triangle Package Machinery Company. Though we'll get back to them. Let's start with something else.    

     Let's start with Chicago architect Harry Weese.
    "Harry Weese seems to have been obsessed with triangles," Jay Pridmore notes in "A View from the River." Indeed, there are two buildings in downtown Chicago with pure triangular bases—the Metropolitan Correctional Center, at 71 W. Van Buren, and the Swissotel, 323 East Wacker Drive—and Weese designed both. 
    The MCC's floor plan is an isosceles right triangle, meaning it has two equal sides, one 90 degree angle and two 45 degree angles.
(Triangles, for those slow on the uptake, have three sides and three angles, from whence they get their name: "tri-angle," a word some 600 years old).
      Such a triangle is seen in the floor plan for the MCC at right, which is a cross section of the building above.  A quick glance will remind you of the drawbacks of triangular buildings: instead of big square corner suites you get these narrow points. The ratio of linear wall to floor square footage of such a building is .... nnggg, doing the math .... 34/50. On a square building it is 20/50. So you need 70 percent more wall to enclose the same about of floor. Quite extravagant, really.
   The Swissotel is an equilateral triangle, meaning it has three sides equal length and three angles of 60 degrees.  A cross section of its floor space looks like this. 
     At first I thought Weese was being pigeonholed based on two buildings out of the hundreds his firm designed. But when you look at what they are, Pridmore's use of the word "obsession" seems apt. 
      Take a gander inside Weese's First Baptist Church of Columbus, Indiana. Notice anything? He also designed the distinctive, if not in my mind pretty, Seventeenth Church of Christ Scientist, on Wacker Drive, which is not triangular, but very round, though even that has a hidden irony: it sits on an unwieldy, triangular site which Weese masks with its circular auditorium. 
First Baptist Church, Columbus, Indiana
   His 200 S. Wacker Drive is a conventional square building, but Weese made it two conjoined triangular buildings, one seven stories taller than the other.
    And then there are his River Cottages which you may have seen and wondered about, just north of Wolf Point on the River. Ugly buildings, without question, that look both dated and out-of-place: I'd expect to find this kind of thing on the Sava River in Zagreb. 
    Why a triangle? Some see them as pushing back against the grid brutalism of the modernists.
     "If the Weese vs. Mies opposition is to be believed, this would seem Weese’s clearest rebuttal: triangular instead of square," Ian Baldwin wrote in "Places" journal   
     Not to suggest that Harry Weese is the only thing triangular about Chicago.  There is the "Viagra Triangle," referring to the bars on Chicago Avenue and State Street, with Rush serving as the hypotenuse.  The "Polonia Triangle" formed by Ashland and Division, with Milwaukee Avenue as the hypotenuse. This is the Triangle that shows up in Nelson Algren stories, such as this, from Never Come Morning:
    Udo had been restrained and credit restored, subtly, to the poolrooms and taverns of the Triangle.
    Chicago proved unable to rename a street for Algren (those honorary brown signs don't really count) because residents complained they would need new stationery. So the Triangle seemed an apt spot for a fountain honoring Chicago's bard of the night court. When it was unveiled in 1998, some wondered how the famously-bitter Algren would react. Though if representatives of the Polish Roman Catholic Union could declare no hard feelings and show up (when Algren's books were first published, some in the Polish leadership felt his books painted a dim picture of their community and tried to ban them) I assume Algren would have found it in his aggrieved heart to show up as well, particularly if there were hors d'oeuvres and cocktails after. 
     There's more: the Old Town Triangle,  bounded by North Avenue, Clark Street, and what is charmingly referred to as "the Ghost of Ogden Avenue." There is the "Triangle Offense," used with great effect by head coach Phil Jackson during the Bulls championship runs in the 1990s (the triangle is created by the center, who stands at the low post, the forward at the wing, and the guard at the corner, and if you know what that means, you're a better man than I).
Won't return phone calls.
     We haven't even touched on the symbolic aspects of triangles, when it comes to trinities and love triangles, plus their sturdiness when it comes to supporting loads, as seen in the cross-bracing on buildings like the very non-Weese John Hancock.  I wish there were some folklore aspect triangles suggesting bad faith or laziness, so I could circle back to the beginning, but I can't find any, so we'll have to just grab the lever and pull hard.
    Returning, reluctantly, to Triangle Package Machinery. I must have called them six times over a span of days. Maybe more. Kim Magon-Haller, their supposed marketing representative, never picked up the phone. Never called back, or returned emails. I tried a David Mustiel and he never answered either. Even left a message for the Triangle president, Bryan Muskat—the Full Boy Scout Try, I call it. I just wanted to know, though at some point I suppose it became a quest, a point of honor. No reporter wants to be thwarted by the Triangle Package Machinery Co. Eventually, I thought, "The hell with them" Though they're a fairly large company. I shudder to think what their dissatisfied customers go through. And based on my experience, my guess is that there must be a bunch of dissatisfied customers.   







Thursday, August 18, 2016

Reader flashback: Snappled




     One more visit to the trove of spiked pieces that ended up in the Reader in the late 1990s. This was an assignment from Esquire, which asked me to look at how Quaker Oats killed Snapple. In between the time they asked me to write it, and when I turned it in, most of the magazine staff was canned. When I showed up with the article, they just sort of looked at me strangely. But the kill fee was considerable, so I wasn't too broken up, and the Reader was happy to step in and print it. The story won the Peter Lisagor award for business writing. It originally ran May 29, 1997.

     In the basement of Quaker Tower, a mundane office building on Clark Street at the Chicago River, sits a kettle of hot oatmeal. The other Quaker items in the employee cafeteria--the Gatorade and the granola bars and, until recently, the Snapple—cost the employees money.
     But the oatmeal is free. Just grab a ladle and load up as much as you can. Oatmeal is one of the cheapest foodstuffs around. Remember the slogan "Just pennies a serving"? It's even cheaper to make, and a huge profit maker to sell. Hot oatmeal built the company into what it is today.
     Selling it to the employees, well, just somehow wouldn't seem right.
     If the free oatmeal is a nod to the company's distant past, it is just that—a nod. Oatmeal is kind of boring, and not the sort of product that fires up the blood in corporate veins nowadays. Quaker is not about oatmeal anymore. Like most companies today, it is not even about profits, in and of themselves. It's about growth, and stock, and stock prices, and keeping shareholders happy.
     A common enough philosophy lately, but one that led Quaker Oats into one of the great business disasters of the 20th century: the purchase of the Snapple Beverage Company for $1.7 billion in November 1994. When Quaker finally dumped the company this past March, for $300 million, it lost a cool $1.4 billion on the transaction, not to mention the hundreds of millions frittered away on ill-conceived advertising, distribution restructuring, and fat severance contracts gagging executives who know the embarrassing details of the fiasco.
     The mind gropes in vain for a similar calamity in Chicago corporate history. The collapse of Continental Bank, maybe, but that didn't sink with the banners flying and the orchestra at full crescendo, the way Snapple did.
     It's over now. The dust from the explosion is still hanging in the air, and as it settles a question takes shape:

     What happened?

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Wednesday, August 17, 2016

Puffing words like soap bubbles



     On Monday mornings, along with the traffic and weather, the AM radio news station presents the butcher’s bill from the preceding weekend of violence: 40 shot, nine killed, most recently.
     An average summer weekend in Chicago.
     And those listening, getting dressed, process that information or, most likely, don’t. Which is why the reporters at the station pull a few individuals out of those stats — a 6-year-old girl, shot exiting a car. The 19-year-old son of a police officer, home from college, killed on his front step — in an attempt to raise a tingle in the audience’s anthracite hearts.
     Because I have my own 19-year-old, also home from college, sleeping upstairs, I thought about that particular victim more than the rest. We all draw the circle of concern, with ourselves at the center. We encompass our family. Our neighborhood. Then the circle closes. Who includes the whole city? Chicago is a big place.
     It’s such a fraught subject I can see why most shun it. I usually do, first, because who wants to make a point, even a valid point, using the death of someone’s child? I wouldn’t even try, except for the certainty that, in the wake of such heartbreak, the parents couldn’t care what some fool says or doesn’t say in the newspaper.

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Tuesday, August 16, 2016

Reader flashback: Swiss Gold

     
     On Sunday I posted a column from the late 1990s that had been spiked by the Sun-Times and rescued by the Reader, which happened on several occasions back then. Another was this one — newspaper journalism has a certain Kabuki quality, and I think the following was just too personal, too forceful for the Sun-Times' audience, but fit right into the Reader's looser vibe.  It originally ran Dec. 25, 1997. 

     The tomato soup was delightful. The quail, neither greasy nor dry. Though I preferred the white wine served with the appetizer to the following red--which seemed a bit casky--I wasn't about to mention this to my host, the ambassador.
     If this sounds like something out of a Henry James novel, well, it felt pretty weird to me too. I was squirming in my elegant chair in a private dining room at the Four Seasons Hotel this past September, snared in a roundup of Jewish journalists and delivered before Alfred Defago, the Swiss ambassador to the United States, so he could tell us how sorry his government is for having played banker to the Nazis during World War II. How much it regrets that for half a century afterward Swiss banks kept the money from thousands of accounts belonging to Holocaust victims, their heirs turned away empty-handed with bureaucratic dodges: I'm sorry, but you'll need to get an official death certificate from the Nazis confirming that they shot your parents in the head and dumped their bodies in a slit trench in some forest in Poland....
     Not that Defago used these words. Everything the ambassador said was correctness itself. Polished. Poised. His words would look good engraved on a coin. And his timing was perfect--a little late in the grand scheme of things, but right in keeping with 1997. This was the year for making nice with history. The Brits apologized for the Irish potato famine. The squeaky-clean Norwegians apologized to the Laplanders for past indiscretions. Even the French, who never apologize for anything, were lining up to say how sorry they were about their various lapses, misdeeds, and crimes during World War II.
     Jews were the favorite object of public contrition but not the only one. President Clinton gathered the few surviving victims of the infamous Tuskegee experiment and invited them over to the White House so he could look them in the eye and repent from the bottom of his heart. Clinton's good at that--from the sincere look of dolor slapped all over his mug, you'd think he was there at the clinic, pretending to treat syphilis and lying to patients. He even trembled on the brink of issuing a mea culpa for slavery but then pulled back, perhaps because there are no ex-slaves still around to summon for a photo op....


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