Friday, August 11, 2017

Camp makes cancer "stink less."

Joe Moylan

     Mid-August, nearly. Back-to-school sales starting and summer camps ending. Friday is the last day of Camp Kids Are Kids Chicago.
     Just as at camps everywhere, the last day of Camp Kids Are Kids Chicago will have songs and  hugs and tears.
     Though this is different than most summer camps for two reasons.

   First, all 30 campers attending this week either have or had cancer.
     "Most of them, fortunately, are on the good side of their therapy," said Dr. Charles Hemenway, a pediatric oncologist at Loyola University Medical Center, volunteering as the camp doctor. "They've largely completed, the worst is behind them."
The worst is behind second-year camper Joe Moylan, doing much better this year.
     "I was bald," said the 14-year-old. "I was going through really hard times, going through treatment. It was amazing to do things like any kid could do."
     Moylan joined other campers making strips of fresh pasta under the eye of trained chefs, a reminder of the second unusual aspect of this camp -- it is not held in some distant Michigan woods, but in the heart of the Chicago Loop, at the Palmer House Hilton.

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Thursday, August 10, 2017

Book man



Roger Carlson at Bookman's Alley (photo by Marc Perlish)

    Roger Carlson died earlier this week, at age 89. For decades he ran Bookman's Alley, an oasis of used books tucked in the alley behind Sherman Avenue in Evanston. He was an amused, twinkling presence, and I loved his store, and found some of my favorite books there. 
    Maureen O'Donnell gave him a fine send off. 
    I wrote about him a number of times, first in the Daily Northwestern, most recently when I had a signing at the new bookstore in the old Bookman's Alley space in September. This story ran over 30 years ago, and captures a little of his spirit, I hope. Then again, it should: it's very long. That's how we did it in those days. Ironic, now that the internet allows stories to run as long as we please, we keep them very short, because attention spans have shrunk, stunted by the siren call of the infinite variety awaiting us. 
     Notice toward the end how the 26-year-old me handled the fact that Mr. Carlson—as I always called him—was an alcoholic, who began the store as a way to get himself away from the temptations of the magazine ad industry and start life anew. I suppose I thought I was being subtle. 

     A young couple once wandered into Bookman's Alley and spent a half hour or so looking at the shelves filled with old books, walls covered with art and etchings, and displays of antiques, curios and collectibles. On their way out, they stopped by the cluttered desk of owner Roger Carlson and asked if he would ever consider selling any of his books.
     "They must have thought I was some low-rent museum run by the city of Evanston," laughed Carlson.
     Carlson does indeed sell his books, though it's easy to see how the store could be mistaken for something else. Part of the confusion comes from its unusual location. Bookman's Alley is not just a colorful name designed to evoke images of Paris bookstalls. The store actually is in an alley, off Sherman Avenue just north of Evanston's shuttered Varsity Theater. Carlson puts out a green flag in the alley to let people know when the store is open.
     Another reason Bookman's Alley might be mistaken for something else is its decidedly unstorelike atmosphere. Unlike most bookstores, Bookman's Alley has plenty of places to sit: 23 chairs, four couches and three stools, to be exact, not counting the stacks of folding chairs to handle the excess crowd when Carlson hosts occasional live musical events—usually string quartets or ensembles from Northwestern University's music school. Bowls of gumdrops and mints are set out for those who might be taking their lunch hour to pore over "many a quaint and curious volume of forgotten lore," to quote Edgar Allan Poe.
     The ambience is no accident nor an act of eccentricity, but part of a carefully thought-out plan.
     "It makes me feel comfortable; I like to work in attractive circumstances. I'm doing it quite consciously because I want people who are in here to feel comfortable. I want them to know that I enjoy their being in here. I don't want them to feel pressured. I want this to be an oasis for them. The end product of all this benevolence is I want to make a living and that requires some of them sometimes to buy books."
     The bookstore's location is the result of a compromise between Carlson's vision of what a bookstore should be and his severely restricted financial situation when he opened the store six years ago.
     "I wanted a lot of space. I envisioned using space essentially in the way I've done it - an open space, uncrowded, with lots of opportunity for people to sit down and think about things. I had, in essence, no money; that made it certain I had to find a garage or warehouse building where the rent was in my reach."
     What Carlson found was an old, windowless warehouse that was, ironically, completely isolated and within a half block of Evanston's central business district.
     "There are disadvantages to the location. The kind of person who needs to leave a trail of birdseed to get home has trouble finding this place and, beyond that, being in an alley is not good in a time when people have fears. Alleys do not conjure up the best associations. I once thought of putting an insurance machine at the entrance of the alley, for the small percentage of persons reluctant to enter an alley."
     Interspersed among the rows of books is a Victorian clutter of antiques, collectibles and near-junk plucked from Carlson's collection and cleverly tied in with the books' subjects. Near the shelf marked "Adventure Books" is a snowshoe, a harpoon, an antique model of a kayak, an Eskimo doll, a compass and a framed map from a Byrd Antarctic expedition. In the "Old West" section is a full-sized saddle resting on a sawhorse, along with chaps and several Stetsons hanging from hooks. An old map of Africa and a zebra skin watch over the African books. A detailed model of a three-masted ship, a wooden pulley and an iron double pulley act as bookends on shelves devoted to ships. An ancient Corona portable typewriter holds up books on the Paris Herald, Villard and Chicago press. Tucked in among books in the crafts section is a miniature loom.
     Not all the tableaus are connected to books. Some are just pleasant to look at. Near the blue piano is a small oval empire table. On the table is a silverplate Champagne cooler, filled with fresh-cut flowers, a Japanese enamel bowl, a carved wooden Mexican statuette and an eight-volume set of Gibbon's Decline and Fall of the Roman Empire, published in 1825.
     Carlson says he does not expend any particularly great effort assembling his little displays. "They just sort of happen. They're constructed of things either that I was seemingly born with or that I ran into at estate sales or auctions."
     Carlson's personal opinions also manifest themselves in displays. For years, while James Watt was secretary of the U.S. Department of Interior, Carlson hung a sign that announced the expected arrival of Watt's The Endangered Species Cookbook. At the back of the store he posts a "Best Seller's List." It is not the standard list made up of what Carlson sneeringly refers to as "all these popular things on how to make money and analyze yourself." Rather, it is a list of authors Carlson would like to see as best sellers among today's public, names like Hemingway, Wodehouse, Jung, Dickens, Twain, Thoreau, Churchill, Mann, Joyce and Dinesen.
     With all the interesting distractions in Bookman's Alley, it would be a mistake to overlook the books—Carlson estimates he has around 18,000. The vast majority are hardback, with an emphasis on American history and 20th century literature. Carlson also carries a good selection of rare books, autographed volumes and first editions. A glass case displays rarities like a signed 1874 copy of Mark Twain's The Innocents at Home and an 1850 first edition of Hawthorne's The Scarlet Letter. But most of the books fall into the $5 to $10 range, with the most expensive item being a five-volume set of The History of England, published in 1732, selling for $1,200. The cheapest is a bin of books offered free for the taking.
     Adding to the ambience at Bookman's Alley is Carlson himself: a tall, jovial gray-haired man of 58 with an impish grin and twinkling eyes. Except for infrequent occasions—a wedding or an emergency—Carlson is there, usually sitting on a comfortable chair at the front of the store, reading a book.
     "I'm afraid I tend to think I run the place better than anyone I could hire. That's not entirely ego. I know where everything is since I bought it and priced it and shelved it. I have 80 classifications, and sometimes a book could fall into several categories. I know where something belongs. If I'm not here and a person inquires about something, he may well walk out empty-handed, even though the book is here. I would have been able to find it. I have some good friends who play guest host. But I enjoy it enough I don't feel the need for a day off."
     Carlson has been a fan of books for as long as he can remember. As a child he would go to his room at night and, tossing a carpet in front of the door to prevent the light from shining underneath, regularly read until 4 or 5 in the morning.
     Despite his love of books, Carlson did not set out to be a bookseller. His dream was to be a writer, but when he found he lacked the ability, he drifted into advertising sales, a profession that didn't suit him, and which he languished in for years. "It didn't start out being terrible. But it got that way."
     In the late '70s, Carlson took a sobering look at himself, and decided to change his life as an ad salesman. He always had enjoyed reading and collecting books, and began selling them from his home. "I sold by mail and by appointment, rare books and collectible things. But it was clear to me quickly it was no way for me to make a living. You have to spend your day selling books and I didn't want to sell books—I wanted to read them—so I knew I had to have a shop."
     When Carlson first opened his store, he had so little money that he was forced to stock the shelves with several thousand books from his own collection. Carlson takes a pragmatic view of the loss. "It was something I was able to face without any particular problems because I was so close to the wall. It was really sell or die. I could comfort myself with the thought that at least I had the chance to see the books and handle the books."
     Ironically, though he is able to part with first editions of Hemingway and signed copies of Fitzgerald without regret, Carlson does wish he held onto a particular volume —a book by Willard Schultz.
     "It wasn't especially valuable, but the inscription was so great. He was a white man who was raised by the Indians in Montana, I think. This was a book published in the '20s and his inscription was, `So few of us left who lived upon the buffalo.' I thought that was a very sad inscription. I only sold the book for $50 or $60, but it seemed to have a meaning far greater than its monetary value. But at the time I needed the $50."
     Nowadays, things are not quite so tight for Carlson. Business is good, and a poster and framing store has moved into the other building sharing his alley. Carlson can do what he loves most, read books, supported by his friends who stop by to chat, browse, rest, ponder and, occasionally, buy books.
     "A lot of really interesting people come into bookshops. A bookshop can be a nice kind of social center, if that's the way you want to operate, and I do."

     —Originally published in the Sun-Times, Aug. 17, 1986

 
 

Wednesday, August 9, 2017

Unsweet




     Grocery shopping has much weird psychology to it. The one-way doors, the music, the dairy in the back. The allure of end-caps. It doesn't all make sense, but that's people for you.
     Add the nostalgia of familiar brands; reach for a box of Maypo and I'm back in the Pick & Pay with my mom in Berea, Ohio in 1966. The satisfaction of food. The dizzying abundance.  It's never as simple as picking up a loaf of bread.
     I haven't even mentioned price. As a successful man of the world, I seldom pay attention to prices. It's a supermarket; whatever I buy here is going to be far less than the steak sandwich at Gene & Georgetti. The fact that I'm food shopping at all is sacrifice enough; don't ask me to cut coupons too.
     So Toni Preckwinkle's sweetened beverage tax almost blew past me. My heart wasn't awash with sympathy for anyone upset over an additional 12 cents for a can of soda. If that 12 cents helps weave together the fraying social safety net, well, happy to do my civic duty.
     Then my wife came home Sunday waving her Sunset Foods receipt. Dasani sparkling flavored waters, on sale, three eight packs for $6.99. Plus the new Cook County sweetened beverage tax of $2.88.
     Quite a lot really.

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Tuesday, August 8, 2017

If we can't fix the city we've got, we'll build a new one


The Tribune called this "a wondrous view of the Chicago skyline."

     Would you want to live here?
     I was reading the latest frisson of official excitement over the pending sale of the South Works site, nearly 500 acres of scrubland and abandoned industrial lakefront ruin. And journalists were doing what journalists do, echoing the lofty dreams of those with a financial stake in something farfetched working, channeling the enthusiasm of public officials with a vested interest: in this case, the mayor's office and two European firms buying 440-acres along the lakefront from 79th Street to the Calumet River. 
     They say they plan on building 20,000 homes. Plus, one hopes, streets and stores and sidewalks and fire hydrants and schools and a hospital and a train line and a bank and a few coffee shops because there's really nothing there. Bunches of scrub trees. A 2,000 foot concrete wall, 30 feet high, a monstrosity that used to contain ore off-loaded from barges, and now looks like some last ditch defense against alien attack, built 10,000 years ago and now crumbling in the Martian wind.
    The Tribune editorialized that the site has a "wondrous view of the Chicago skyline." With a telescope, maybe. You know where you can find better views? About 100 other places in Chicago.
     The mayor's office called the project "a major milestone." I guess if you can't fix the city you've got, you dream of building a new city from scratch. The murder rate here is certainly very low, there being no people. 
     I visited the site three years ago, when Dan McCaffery was pitching the area for the Obama Library. But the library said, in essence, "Yeah right, like we're going to settle there." 
     The Tribune story used the word "modular" for the homes, which I read as "pre-fab" and "cheap," and I suppose a builder could set up some kind of glorified trailer park and people who couldn't afford to live in desirable parts of the city might settle there. Homesteaders, on Chicago's version of the prairie. Though if you want that you can still move to Uptown. And nobody is so poor they want to live on a veldt. 
    McCaffrery spent a dozen years in partnership with U.S. Steel and ended up with nothing. He's quite a skilled businessman, and his failure to raise so much as a nail salon on the site should carry more weight in our assessment of the current effort. What's changed? People are leaving Chicago, remember? So it isn't as if we're in desperate need of land  to put the new residents who aren't coming here to live. 
     Maybe I don't have the vision: I also wondered who the heck would want to come to some pleasure dome on Navy Pier. But anyone who thinks the place has a future, I defy you to actually go there. I did. It's the moon. Bring a sack lunch, because there's nothing. Spend an hour. And if you aren't willing to do that—and I imagine you're not—how are 20,000 people going to move there? 


  

Monday, August 7, 2017

Why would anybody want to be governor of Illinois?

   

Chris Kennedy
       “The guy I really like is Dan Biss,” I said. “He’s a very in-the-trenches politician. I attended a seminar he held for seniors in Glenview, trying to help them navigate Medicare. Once I was at my sister-in-law’s in Skokie, and he knocked on the door, to talk about issues. So I felt guilty, seeing what he’s up against running for governor and wanted to do what I could. So I called his press office. Talked to one of the kids there. They never called me back, but at least now I can comfort myself that I tried.”
     “What you need to do is call him directly,” said Chris Kennedy, as we dug into our scrambled eggs on the riverside patio at Chicago Cut.
     Only later did I reflect on the ludicrousness of the exchange. I don’t know which is stranger — that I would tell Kennedy, also running for governor, that I prefer someone else, or that Kennedy would offer me a helpful tip for getting in touch with his rival.
     I had begun our conversation with, “Why would you want to be governor? If history is any judge, odds are 50-50 you’ll end up in prison.”
     “I don’t know . . .,” Kennedy mused. “I come from a long line of people who thought politics was an honorable profession.”
     “And you still believe that?”
     “I don’t think you should be in leadership and in the supply chain at the same time,” Kennedy said. “If you are, it makes it really hard to understand what’s right and what’s wrong.”

   
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Sunday, August 6, 2017

50 years ago: Chicago squirmed at its new "big, homely metal thing"





     Gwendolyn Brooks thought it looked stupid.
     Chicago's Pulitzer Prize winning poet hadn't yet set eyes on the new sculpture the city had asked her to laud. The 50-foot-high, 162-ton monument was being installed behind screens at the Civic Center, out of sheets of COR-TEN, the same steel used in the building behind it.
     She had only seen photographs.
     "The pictures looked very foolish," the future poet laureate of Illinois later said, "with those two little eyes, and that long nose."
     But a gig's a gig, though her foray into occasional verse reflected her unease.  
     "Man visits Art, but squirms," she read at the unveiling, Aug. 15, 1967 a grand public ceremony where 50,000 Chicagoans — at least according to police estimates — were serenaded by the Chicago Symphony Orchestra while waiting to meet the sculpture that some predicted might replace the Art Institute's lions as a symbol of the city.
     The city had certainly seen the sculpture before it was unveiled. The previous September, the 42-inch model that Pablo Picasso had donated to the city went on display at the Art Institute.
     The work had no title, and Chicagoans debated what it might be. A woman's head? An Afghan hound? A seahorse? A baboon? The Tribune called it a "predatory grasshopper." Mayor Richard J. Daley said he saw "the wings of justice" in the sculpture, and his was the opinion that really mattered....


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Saturday, August 5, 2017

Would you care for a blanket with that squash tangine?



     "Here's to summer," my wife said, and we clinked glasses, sitting outside Friday night at Lula Cafe on Kedzie Avenue.
      I don't think she was being ironic, even though it was about 65 degrees outside and the sun was setting fast. Besides, she was toasty warm with the lap rug the restaurant had given her when she arrived. I waved mine off, comfortable in a light jacket. 
    We were on our way to a party, and figured we'd have dinner first. It was a nostalgic visit for us—we lived at Logan and Mozart from 1990 to 1993, and had only been back a few times, certainly not since the area started to hop a bit. One of the reasons I remember moving away was because the place was so quiet, almost suburban, ironically enough.
     I had only been to Lula once—breakfast with Rahm Emanuel, believe it or not—and was happy to try it again with far more pleasant company. 
     When we first walked up to the restaurant, I caught sight of two men wrapped in the gray blankets, and for one vertiginous second I thought I was witnessing some heretofore unimagined new hipster fashion. We were after all in the up-and-coming Logan Square  neighborhood. They looked like survivors from a maritime disaster.
     Then I noticed other blankets folded neatly on the backs of chairs, awaiting diners, and I realized this was something the restaurant is doing for the comfort of its patrons on cool evenings. Which impressed me because, in a lifetime of dining out, I had never before encountered the practice. A big improvement over heat lamps. There was something charming about it.
     I did worry, when I thought to remark upon this here, that outdoor cafe blankets might be a long-established aspect of city life, and by admitting I was unfamiliar with them, I would be revealing a damning lapse in my life experience, a jarring cluelessness, like George Will admitting he had never worn blue jeans. 
     But other diners seemed pleasantly surprised as well. 
     "Oooh, blankets!" exclaimed a young woman in a fringed leather jacket that might have been stripped off the corpse of Neil Young, except that it was brand new.
     Anyway, not the most earth-shattering observation, but it's 11 p.m. and, besides, one of the bedrock convictions of this blog is that small wonders should not go unremarked upon. I did consider the hygienic aspects of the blankets. Do they launder them after each use? At the end of the day? Once a week? Never?
     I should have asked. But I pushed such thoughts aside. I wasn't touching one, so what did it matter? 
     Dinner, incidentally, was quite good. We split a generous appetizer of bruschetta with marinated baby kale, smoked pecans, shaved onion, beets and whipped goat cheese on excellent, complicated bread. I had a plate of spicy spaghetti with bacon, and Edie, a bowl of risotto which, she felt, erred on the side of baby food, with an over-pungent cheese they should have warned her about in red letters on the menu. But not so unpleasant as to make her complain, or send it back, or not be willing to return. Service was brisk, friendly and efficient. The blankets, our waiter said, were a new addition, introduced about two years ago.