Flashback 2000: Building model ships is a lost art

     The boys will be home, tonight, if the travel gods smile upon them. First time in, well, quite a while. Plus two daughters-in-law and a grandbaby. Quite the full house. Which I take as a compliment —nobody forces them back. They arrive of their own free will. I think having had a pleasant childhood helped, evidence to the contrary, such as this 25-year-old column, notwithstanding. 

     I am building a model ship. This will come as a shock to my friends, who know me as one of those relentless grinds who work and work and work and, as a break, gets together with co-workers to talk about work.
     I don't know where the ship came from. A Lindberg 1/64-scale model of a U.S. Navy Torpedo Patrol Boat, still in its shrink wrap. With the commotion of packing for our move, it must have been dislodged from whatever shelf or box where it has hidden for years. The copyright on the model box is 1976.

     My oldest son noticed the thrilling painting on the box of the PT boat bursting through a wave as its machine gunner trades bursts with a Japanese fighter.
     "What's this?" he said. I told him. "Can we build it?" he asked.
     As a young man I was terrible at models. I haven't the patience. The glue got everywhere. I didn't read the instructions right.
     But the prime directive I try to follow when struggling through dadhood is this: Don't say no unless you have to. As unappealing as the idea of assembling this craft was, as hectic as things are, as certain as I am that the boys will destroy the model the instant it is complete, if not before, the fact is, we could do it. I said yes.
     We spread out newspaper on the dining room table. I opened the wrap on the box. I lifted the lid. I looked inside.
     Ayiiieeee! A million tiny pieces. I considered slamming the top back down, leaping up with a "Whoops boys, no boat inside" and rushing it to the trash. But I saw the expectant look on their faces. I grimly began sifting through tree after tree of plastic parts.
     Instruction one began: "Place motor 55 onto mount 56 then flatten pins with pliers as shown in sketch. Next cement and press pulley halves 12 onto motor shaft and propeller shafts 46 as shown in photo. . ."
     A few years ago, I was at the New York Toy Fair and, filled with nostalgic memories of model planes and boats, I slid over to the Revell-Monogram showroom, where I learned that models such as this one, boxes of parts that have to be meticulously glued together over hours and hours, have gone the way of the realistic toy gun. Kids no longer have the time for them. Revell-Monogram's new line of "Snap-Tite" models could be put together in about 60 seconds, without glue or paint.
     Model-building, as a child's pastime, is a fading art.
     "We get a few kids," said Gus Kaufman, co-owner of the Ship's Chandler, a Mount Prospect store devoted to model ships. "But mostly it's the older generation."
     He said when he started, in the 1970s, models were popular among the young. Then they discovered computers.
     "When it comes to using their hands now it seems they're all thumbs," he said. "Nobody wants to take the time to build something. That takes too much effort. They've got to think."
     Do they ever. Some of these instructions are as cryptic as Mayan hieroglyphics.
     Progress is maddeningly slow. Every blower, every cleat has to be glued onto the deck. The cleats are 1/4-inch long. I try to involve the boys — it's their job to pry the pieces off their trees, to dab the glue on, to hold the piece so it sets, to scramble to the floor to find the tiny hatch cover that daddy drops.
     We've been building it for a week now, and I've spent long, agonizing minutes, squinting at some oddly phrased directive, the boys gazing at me with sagging admiration.
     But they keep gazing. And I do not give up the ship. Each day, it slowly progresses. Which is the entire point of these things. A 1/64 scale model of a PT boat will not help either them or me, in and of itself. The memory of having built one, however, the dogged determination and patience needed to not do a botch job, is priceless.

      — Originally published in the Sun-Times, May 11, 2000

Dolton mom forced to give birth at the side of the road, symptom of broken health care system

Alena Ariel Wells

     Both my boys were born in Evanston. Which at the time seemed wrong, since we lived in the city.
     "Why Evanston?" I asked my wife. I worried it would dog them, a nagging footnote. They wouldn't be "born in Chicago" but "born in Evanston." Not quite the same ring to it, right?
     Plus: Evanston Hospital was half an hour away. Northwestern Memorial, less than 10 minutes down DuSable Lake Shore Drive from our place at Pine Grove and Oakdale.
     "My OB/GYN is at Evanston Hospital," she said, with finality.
     End of conversation. Go where the best care is. Evanston gave us the red carpet treatment — when we showed up at the emergency room, nurses came running. Then again, my wife made her entrance in an unusual fashion. Or as I explained afterward: "If you want to get immediate help at an emergency room, crawl in on your hands and knees. It focuses their attention wonderfully."
     Unless it doesn't. Such as with Mercedes Wells, the Dolton woman who was met with "blank stares" and turned away from Franciscan Health Crown Point even though she was in active labor.
     "I felt like they were treating me like an animal," Wells later said.
     She gave birth eight minutes after Franciscan put her on the curb. In the cab of a pickup truck. On the side of the road.
     As awful as that story is, it's only the tip of the iceberg of the racial disparity in health care in this country. It isn't a few bad apples in Crown Point, but, in the words of one study backed by two federal agencies: "Systematic discrimination is not the aberrant behavior of a few but is often supported by institutional policies and unconscious bias based on negative stereotype."
     This translates into years of life lost — WBEZ and the Sun-Times are running a series about it. The girl that Mercedes Wells gave birth to can expect to live, on average, three fewer years than had she been white. If the baby were a boy, the gap would be five years.
     There are numerous economic and social factors at work, but plain racism is a major aspect.
     The bottom-line truth — and this doesn't get said enough, so I'm going to just say it — cuts across medicine, law enforcement, employment, the whole of American society: Too many whites, encountering a Black person, see the "Black" part immediately, but the "person" part, poorly if at all.
     Everyone suffers. The only explanation that makes sense as to why the United States, alone among industrial countries, doesn't have a system of national health care, is because white citizens are in horror at the idea of Black people receiving benefits, even if it means they are also uninsured — a reminder that racism is self-destructive and blows back, the way that Southern towns, ordered to integrate their swimming pools in the 1960s, filled them in with dirt instead, so nobody could swim in the hot summer.
     Good manages to come out of the bad. There is a classic Chicago story also involving a woman being turned away from a hospital, one I hope you'll forgive me for relating.
     The woman was Nettie Dorsey, who had already paid for delivery services at Provident Hospital, the "Black medical mecca" near her home on the South Side. But the day in 1932 she arrived, in labor, there was no room for her. Provident had 75 beds for 200,000 Black Chicagoans. (That number seemed low, until I checked. Today, Provident has 45 staffed in-patient beds.)
     Dorsey went home to deliver her baby. Both died. Her husband, Thomas Dorsey, a noted composer of blues and gospel songs, was devastated and first thought he'd give up music. "God had been unfair; I felt that God had dealt me an injustice," he said. "I didn't want to serve Him anymore or write gospel songs."
     That bleak mood lasted a few days, until Dorsey sat down at a piano, put his hands on the keys and poured out his anguish in a new type of gospel blues song, "Take My Hand, Precious Lord." The song was an instant classic —it was Martin Luther King's favorite song. Mahalia Jackson sang it at his funeral. Beyonce recorded it.
     Good has come out of Mercedes Wells' experience, too, and I don't mean the doctor and nurse who turned her away have been fired. Think hard — what is the wonderful thing that came from this whole episode? Many news stories didn't mention it at all. Any idea?
     The arrival of Alena Ariel Wells, weighing exactly 6 pounds, on Nov. 16 at 6:28 a.m., delivered without medical expertise but into the loving hands of her father, Leon. The baby is "doing well" according to her mother. The world she was born into, alas, not doing so good. But maybe Alena Wells will be one of the people who try to fix it.

Leon, Mercedes and Alena Wells.

Flashback 2010: Happiness is . . . an empty voicemailbox

     Nobody calls — well, scams, and automatic pharmacy reminders. That's about it. Rarely a real person. Emails too are mostly pellets from some ineffectual blunderbuss blast of scattershot PR pleas. Still, in the morning, as I scroll down in the vain effort to detect something significant, I define and delete them. Out of habit, I suppose, from the day when computer memory was limited and could fill up. A practice that was already out-of-date when this ran, 15 years ago. Back then, the column filled a page, and I've kept the original headings.

OPENING SHOT 

    With swollen, foaming rivers of information roaring across the Internet, we flatter ourselves that the netting of relevant data is a recent skill — as if the primeval forest didn't also offer an overload of information to every prowling hunter, for whom reading the sky, culling facts from the flutter of leaves, from the sound of snapping twigs, were essential abilities, certainly more significant than our talent at finding good local restaurants online.
     We data dinosaurs remember a time when we periodically drained our lakes of information — we flushed away old files, squeegeed off accumulated e-mails. Now, electronic storage capacity is so cheap that few need bother deleting anything. So it grows.
     A shame, because having to dispose of something prompts you to look at it anew before consigning it to eternal oblivion — or, more accurately, before making it harder to retrieve since nowadays nothing ever really goes away.

BERRY PAINT TO BUNCHED ELECTRONS

     My mother phoned. "Do you know your voicemail at work is full?" she asked. "No ma," I said. I don't often phone myself at work, because when I do, I'm never there.
     So I phoned my office.
     "Welcome to Avaya messaging," began the mechanical lady's voice. "You have . . . two new voice messages . . . one hundred, twenty-three, saved messages. Your mailbox is full. You will be unable to send messages. You may wish to delete unwanted messages. Main menu . . ."
     I "may wish?" I do wish! Let's get at them!
     First the two new messages — the anonymous angry guy who has been phoning at night for years (for a taste, click the video at the end of the column). He marks his messages "urgent" — the only caller to do so. Sometimes I delete his message right away, upon hearing that it is "urgent," pausing to savor the irony. Nothing signals a communication is meaningless as clearly as it being labeled "IMPORTANT! PLEASE READ."

     Sometimes I listen to the first few syllables. "Mister Steinberg, you LIBERALS make me pu . . ."
     Delete. God bless voicemail.
     "Thank you brother Steinberg," a minister begins, citing a few minutes I took to speak to a young man under his care.
     Onward, to the 123 saved messages, wondering what that first message will be. Like an archeologist with a toothbrush, working my way backward in time.
     A retired cop; a Metra engineer; a man abused by a priest. The Taiwanese Economic and Cultural Office in Chicago. The Mormon Temple in Salt Lake City.
     Delete delete delete. Most I saved for the phone numbers -- quicker than jotting them down.
     A few dozen messages and we're back to the fall, and the election. A campaign manager. A senator's aide. The National Confectioners Association; the BBC; the Chicago Bears; a newspaper in Norway; the American Embassy in London.
     The need to cull messages is a sign of our phone system's age. The e-mail pit, which once we were periodically hectored to dredge out, has apparently become bottomless, thanks to terabytes of storage. Or are we on to petabytes by now?
     There are 32,765 e-mails lingering in my e-mail queue, and nobody seems to mind.
     Back to voicemail. Some I kept as a record of the caller's remarks.
     "The weapon was not registered, therefore it was illegal."
     One was me, a nasal voice — cripe, I do sound like Woody Allen — caught without a notebook, calling my voicemail to read words from a plaque. A clever trick — if I say so myself — to have in your bag.
     A surgeon. A public defender. Leon Varjian, the man who created the Pail & Shovel Party at the University of Wisconsin at Madison in the late 1970s, phoning from New Jersey.
     Once this stuff is kept forever, will anybody bother with it? Scarcity creates value, and electronic communications' overwhelming quantity, coupled with its hasty, artless construction, will probably keep anybody from ever caring. Nobody is going to write a thesis on "Tweets of the Early 21st Century."
     Or will they?
     We haven't even read the stuff we've got. Most Egyptian hieroglyphics unearthed by archeologists still haven't been read yet.
     At least I think that's true. Better check.
     "There are massive amounts of demotic papyri," said Gil Stein, director of the Oriental Institute of the University of Chicago. ("Demotic" denotes the common form of ancient Egyptian writing; it relates to the familiar bird-and-eyeball hieroglyphics the same way shorthand relates to block printing).
     "It's the biggest single corpus of written records, because they used this stuff as packing for mummies."
     Stein did not want to guess how much is still untranslated, and passed me to professor Janet Johnson, editor of the massive Demotic Dictionary, which the institute has been assembling for the last 40 years.
     "Twenty years ago, I would have said that only 10 percent of all fragments have been read," she said. "But in the last generation, an inroad is being made on the backlog of unpublished things. Work on demotic is really moving forward."
     While I had her on the phone, I asked: How's the dictionary coming?
     "We're on the last three letters," she said. "We hope to be done in two years."
      We'll check back then. Meanwhile, the first voicemail was no forgotten complaint from Barack Obama, as I had hoped, but a Canadian lawyer offering a speaking engagement. Eventually the voicemail was scrubbed clean, and offered words I took unexpected pleasure in hearing:
     "You have no new messages and no . . . saved messages. Main menu."

TODAY'S CHUCKLE

From Alicia Brandt:
     The technological advance I wish I could get is an addition for my answering machine: a Get-to-the-Point button.
      — Originally published in the Sun-Times, April 28, 2010

A cautionary tale

"Praying hands,"  by  Albrecht Dürer (Albertina Museum, Vienna).

      

     Readers write to me all the time, sometimes sharing various personal developments. Like this on received Friday afternoon:

      Newspaper readers do tend to be an older crowd. I was sympathetic, and immediately replied:

   And this is the part that makes me cringe. Figuring, "No time like the present," I clapped my palms together, turned my eyes upward in the general vicinity of heaven, supposedly, and said, out loud, in the presence of my wife: "Please God, deliver a swift and full recovery to Jim Murray."

     The shame is not from the invocation of a deity I don't believe in, but in something revealed the next email.

     "Do you often shop online?" OMFG. A scam! I had fallen for a fuckin' scam. True, my only loss was dignity. But I had prayed for this piece of shit, in his miserable overseas scamster boiler room. I decided to string him along.

    That brought an instant reply.

     People fall for this shit? I mean, talk about a muddy narrative. I tried to string him along.

     But he must have sensed he was nailed —they do this all day long —and moved on to bigger dupes than me. And while I did not lose anything material, there was still an odd, visceral sort of violation. I'd dropped my guard. I had prayed for this guy.   

     No shame there. Still, we human beings, who take things on face value, or try to, are at a disadvantage in this online world. And it's only going to get worse.

Atop blog: "A Dip in the Lake," by John Cage (Museum of Contemporary Art)

Landscapers hit hard by ICE blitz, '...accused of the crime of working'

Barbara Kruger, The Art Institute

     Rey was just doing his job — cleaning up a yard in Rogers Park one morning at the end of October — when a Black Jeep Wagoneer slowed down, a group of masked men jumped out, slapped on handcuffs and dragged him into the vehicle, then drove off, taunting him as they did.
     News spread quickly.
     "I was heading downtown with my husband," said his boss, Kristen Hulne, owner of Patch Landscaping, with her husband Patrick, a newly-retired Chicago firefighter. "We get a call from a guy in the office: 'ICE just picked up Rey.' My other employee ran away and hid. The customer called and said, 'I'm sorry this happened; I took all your equipment off your truck and locked it away in the yard, safe.'"
     It's hard enough to operate a small business. Never mind a landscaping business in a city as weather-scoured as Chicago. The federal government's war on immigrants these past few months made that task even harder for landscapers here, a "cat and mouse game" Hulne calls it, trying to both rake leaves and avoid capture.
     "It's such an incredible burden on this industry," said Marisa Gora, owner of Kemora Landscapes, adding that ICE withdrawing recently is of limited comfort. "We don't know if they're going to come back in the spring."
     "As landscaping contractors, we're a targeted community," said Lisa Willis, owner of MINDSpace, "Our industry associations really haven't spoken up about it. It was really disappointing."
     The executive director of Landscape Illinois declined comment beyond, "we need to keep a low profile to protect as many of our workers as possible from additional enforcement."
     A worry everyone I spoke with raised — if I exercise my right as an American citizen, will our increasingly-vindictive government come after me or my business? It's like living in Russia.
     When a worker was abducted, everything else stops —for Hulne, it took time to locate the terrified worker who fled. The abandoned truck and equipment had to be collected. An increasingly Kafkaesque police state confronted.
     "We got a lawyer that day," Hulne said. "Before I could turn around, Rey's wife was in my office crying. Fifteen minutes after that I had a call from our alderman —'Oh my God I just heard what happened....' There was this immediate mobilization of the neighborhood. It was incredible."

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"Beauty emergency"

      Tuesday morning, after our walk, I went up our driveway to toss Kitty's morning contribution into the trash can by the garage and spied half a rabbit. Our dog, who, truth be told, can be slow on the uptake, didn't notice the offal, thank God. 
      After I squired Kitty into the house, I went into the garage, got a shovel, and returned to what indeed turned out to be the hindquarters of a bunny, the upper portion cleanly snapped away mid-spine, as if cleaved in two with an axe. I considered taking a photo but, yuck, right? I buried the lower half in the strip of woods running along our property, covering the grave with a log, to deter it being dug up.
    It was clear to me what had happened: an alien spaceship had bisected the rabbit with a space laser, taking the upper half for study, or whatever nefarious purpose inspires extraterrestrials to flit about our planet in a way that manages to be both omnipresent and elusive.
     I considered reporting my confirmed alien sighting to the proper authorities, but realized that, without tangible evidence, my information would not be given the weight that it deserves ...
     Okay, okay, not being serious here. With so much rampant credulity — really, we live in the Golden Age of Gullibility —  I don't want you thinking, "Oh no, not Steinberg too." I've gone on record about what I think regarding the tendency to automatically view UFOs as visiting aliens, for all the good it does. (The wistful, who want so much to believe, try to skew the issue into, "You don't believe there could be life anywhere in the vast galaxy?" A red herring, and not the relevant question, which is: "Are they here, now?" The answer to that must be a resounding "No!"  The whole UFO phenomenon is based on people not grasping the hugeness of space, nor the expanse of time. "Star Wars" nailed it: if there is life in the galaxy, the overwhelming odds are it was both "long ago and far away.")  

      Still, there is something useful here. When we consider how smoothly people make the leap, from a flash in the sky to a mothership from Rigel 7, the whole Trump disaster should be no surprise. We knew long ago, or should have known, that too many people are eager to believe the most jaw-dropping nonsense based on nothing at all; why is it surprising that this tendency functions in realms beyond specks in the sky?

     Wednesday, standing in the kitchen, I though I saw something flash in the back yard. Looking harder, I saw nothing. "These microships are fast," I thought. Again, not really. Ten seconds later, my wife said, "Look!" and I saw I had left the grill open the night before, eager to convey our steaks to the table. 
     "I must have left the ..." I began.
     "The coyote!" she said. I redirected my gaze, and there was maybe 40 pounds worth of loping piebald manginess, heading around our house and west down Center Avenue. My wife alerted the neighbors across the street, who are watching a dog for friends and might conceivable let her in their fenced-in back yard. 
    They saw the coyote, parked in front of their house, and one let out a shout they've developed to alert the other that a momentary phenomenon demanding attention is something marvelous, not dire. A pretty bird, not a car accident. "Beauty emergency!" she said. I'm going to borrow that one. Her husband snapped the above picture but, being a more modest sort than I, waved off the idea of credit.
     Given this new information, I'd like to revise my theory about what happened to the rabbit. Space aliens didn't cut the rabbit in half: they left the rabbit carcass there, as bait, trying to attract the coyote. That must be it.

With 'Amadeus,' Robert Falls shocks by not shocking

 

Ian Barford

     We legacy media skew old. The grizzled goat in front of me, picking up press tickets at the Steppenwolf Theatre on Sunday night, asked, "Where's the bathroom?" That seemed a smart idea.
     We were about to see the Peter Shaffer play "Amadeus," directed by Robert Falls, and with Falls you never know what mayhem is going to be unleashed onstage. One certainly doesn't want to add to the pyrotechnics, unintentionally: "That old man who leapt up with a strangled cry during the quiet monologue and ran gibbering out of the theater — was that part of the show?"
     "Take a right," we were instructed. We confronted a blood red corridor and a single red door labeled, "ALL GENDER RESTROOM." The men in front of us tottered in. I began to follow, but my wife froze. She wasn't going in there after them.
     I diverted my path, as well. Solidarity. We found a "PRIVATE BATHROOM" tucked to the left, and once we established there were no ominous males lurking inside, I sent her on her way and returned to the brave new world awaiting me — well, not so new; Steppenwolf was remodeled in 2021. But I hadn't been there since then. COVID kneecapped my habit of going places and doing things, aided, I suppose, by gathering senescence.
     What do you expect in a bathroom? Urinals, correct, if you're a man? Stalls with toilets in them? Ah, ha-ha-ha. There was none of that. A blank white corridor that seemed like a set from "2001: A Space Odyssey." I walked the length, found myself among the sinks, figured — hoped — that I'd missed something, that these weren't the new sink/toilets I hadn't yet heard about. So turned and tried a metal door handle I'd missed. Success!
     Something new. But a change that can be adjusted to. I've never felt the overpowering bathroom shame that seems a major force in American politics. Then again, I've traveled internationally, which is fatal to such prejudices. I remember standing at a urinal in Tokyo, hat in hand, so to speak, when a grandmotherly cleaning lady with rubber gloves and a bucket came in, knelt and began to scrub the floor, almost at my feet. What can you do at that point but shrug and proceed? The sort of cultural enrichment one roams the globe to experience.
     Then again, I'm a connoisseur of unease. On the drive in, I'd mused over the shocks that Falls has presented in the — geez — 40 years I've been seeing his shows, since Aidan Quinn slowly spray-painted, "To be or not to be" on a brick wall onstage at the Wisdom Bridge Theatre in 1985, turned to the audience, jerked his thumb at the dripping red paint, and said, "That's the question!"
     Full-frontal nudity, as in the "The Tempest." Gloucester's gouged-out eyes sizzling on a grill, from "King Lear." And the zenith of Falls' theater-as-a-thumb-jammed-in-the-audience's-eye splintery-stick-to-jam-up-the-audience's-backside directorial style, the surprise stabbing of Isabella at the end of "Measure for Measure." I thought patrons were going to rush the stage. The Goodman had to hold formal "conversations" immediately after each show, which were really just therapy sessions designed to help the audience find the strength to leave the theater and go about their lives.
     "Amadeus" seemed fresh meat for Falls, with the pompous, plodding Vienna court composer, Antonio Salieri, passing judgment on the giggling, carnal man-boy Wolfgang Amadeus Mozart. What Grand Guignol thrills were in store?

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