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Folk art, Smithsonian Institution, Museum of American History |
We went to Wicker Park Friday night and saw Mitchell Bisschop's one-man show, "Royko: The Toughest Man in Chicago" at the Chopin Theater. I liked it, while at the same time felt my colleague Bob Chiarito nailed its shortcomings in his review. Both can be true because I'm the rare audience member who is also a working newspaper columnist. I actually choked up when, as the Chicago Daily News folded, Royko cast his reaction in the voice of a kid on the last day of summer pleading to play just a little bit more. C'mon guys! Don't end this yet. Just one more hour. I feel that way every day. Royko's widow, Judy, was there — she said it was her fourth time seeing it — and when a friend introduced us, her frosty, "I know who you are," before turning on her heel and walking off reminded me how her late husband hated younger columnists and treated us like crap at every opportunity — apparently deputizing his family members to carry on the tradition for him, from beyond the grave. Nice to see you too, Mike, and thanks for the reminder — that's why I'm always elaborately kind to whatever ambitious young journalist comes my way. Not that many do. The play highlights a Royko column about Leroy Bailey, and I mentioned it to a friend who invited me to see the play that I dredged up Bailey 20 years ago when the VA was in the news for treating its veterans shabbily. She expressed interest in seeing it, and I said I would post it here. It's from when the column ran a thousand words and filled a page, and I kept the other items here , in case you're interested. The really cool part is that, after it ran, Tom McNamee tracked down Bailey and visited with him. Alas, that column isn't online.
Opening shot
Of the several thousand columns written by Mike Royko, the absolute best is easy to pinpoint: It was published Dec. 10, 1973, in the Chicago Daily News and told the story of Leroy Bailey, the man without a face.
Bailey had had a face when he went into the Army and was shipped to Vietnam. Then a rocket slammed into his tent and exploded. Eyes, nose, teeth, gone. He was living in his brother's basement in LaGrange, knitting wool hats, when Royko found him. The doctors at Hines Veterans Hospital had told him nothing more could be done for him. But an Oak Brook doctor thought he could reconstruct Bailey's face enough so that he could eat solid foods, instead of taking his nutrients by squirting them down his throat with a syringe. The doctor began the series of operations that would allow Bailey to eat normally. But the VA had refused to pay because they decided that the treatment was for something "other than that of your service-connected disability." Eating like a person, the VA decided, was a needless luxury.
This will sound grimly familiar to readers who were aghast this past week as the Sun-Times detailed the delay and indifference of the VA here, how vets have to struggle for benefits they have already paid for with their blood, and how Illinois is among the most stingy states in the nation when it comes to helping vets. Not only is it a disgrace, but — as Royko's piece reminds us — it's nothing new.
Americans fall over themselves to pay lip service to our military. We love a parade, and act like anybody who doesn't support our troops is a coward and a traitor. And then we turn our backs on the most deserving — the wounded vet — not by accident, not individually, but en masse, as a matter of policy.
Whoops! Hey, sorry . . .
I know you're not supposed to think about the stuff on television. That, for the most part, it's moronic mush designed to roll unchallenged over viewers too tired and numb to extend critical thought. But my God. Perhaps the Orwellian name "The Learning Channel" implies some kind of higher, educational standard, but the lurid fare it serves up as entertainment gets under my skin. I was flipping the channels last week, and I settled on a TLC program. In my memory it was "Medical Miracles," but it could have been "Surgical Surprises" or even "Hospital Hootenanny."
The story was of a 6-year-old girl, severely burned after her father thought it would be a good idea to use gasoline to jump-start a fire in the fireplace. The story focused on the medical challenges, on the skin grafts and surgeries, introducing the heart-tugging aspect of the twin sister, who at age 6 consented to have some of her own skin stripped away so that her sister could live, complete with poignantly plinking pianos over photos of the pre-burn sisters hugging each other. While dad did address his judgment error that sent a fireball rolling out of the fireplace, burning his daughter over 80 percent of her body, the term he used, I believe, is that he felt "bad" (though he might have said he felt "very bad" or even "terrible." But that was it).
Call me a cynic. (And the choice nowadays seems limited to "cynic" or "idiot.") But if I had the members of this star-crossed family in front of a camera, happily re-creating their nightmare for a moment of TLC fame, I would have given another 30 seconds to the issue of dad setting little Mandy, or whatever, ablaze, and not just dismiss it with a two second kiss-off. And if I were that dad, I don't think I could bring myself to blandly sit in front of the camera and rehash my moment of bottomless stupidity that had so wrenched my child's life.
Funny. We relentlessly censor the bloody images of real carnage streaming in daily from Iraq because the public squeals if forced to see the handiwork of our policies. Then we fill the void with the wildest Grand Guignol TV can get away with. If there isn't an Autopsy Channel, it's not because somebody hasn't tried to start one. Maybe next year.
Yeah, that's us
Last week, I wrote about the unique Canadian ability to fixate and complain about the United States. Canadian sympathizers sent in a lot of flak (including a charmingly succinct if unpersuasive "You're wrong!"). But after the column was reprinted in the Nagging Neighbor to the North, a number of its denizens recognized truth when they saw it, such as Montreal radio host Ted Bird, who writes:
"Saw your Canada piece this week, reprinted in the Montreal Gazette. I'm no self-loathing Canadian, but man, have you got us pegged. It's actually quite embarrassing. Please be advised that the self-styled intellectual left doesn't speak for all of us, and there is a silent majority of Canadians who still consider America to be their closest friend and ally, and a force for good in the world. Most of the rest are system-sucking crackpots like welfare recipients, erstwhile flower children whose grandkids wish they would get a haircut, and students with heavily subsidized tuition practicing their right to free speech that was bought with blood in epic battles detailed in history books that they've never bothered to read. I wish they would find the energy to mobilize mass protest every time our outrageous income taxes take another jump, but then, they'd actually have to have jobs [to] be affected by taxes."
Was the sponsor Guinness?
Americans would rather be bored than offended; most places, it's the other way around. Thus, 500 art world types in Britain, surveyed by Gordon's Gin, sponsor of that country's prestigious Turner Prize, just voted Marcel Duchamp's 1917 "Fountain" — an ordinary porcelain urinal the artist signed — as the most influential work in modern art. They're right, sadly. The idea that an artwork should be finely wrought or — God forbid — beautiful went out along with sock garters. What I want to know is this: If the idea of art as whatever shocking item you can pluck out of the junkyard, is 87 years old and counting, and is aped in every museum and gallery in the world, doesn't that mean we can move on to something else? Something new? Or — dare I say it — old?
Neil Steinberg will discuss his new book, Hatless Jack, from 9 to 11 p.m. Tuesday with Milt Rosenberg on WGN-AM (720).
—Originally published in the Sun-Times, Dec. 6, 2004