Trump is a fascist who would destroy America

     “This is a crusade!" said Trump troll Stephen Bannon. "This is a Holy War against the Deep State! Donald Trump is our instrument for retribution!”
     If you haven't been paying attention — God, I envy you — then the past week has been a particularly grim news cycle. Publications such as the Economist and the New York Times outlined the meticulous efforts of Trump supporters to prepare for his second administration, a careful program of hobbling the government and concentrating power in Donald Trump's hands.
     You can read the Economist piece, "The meticulous, ruthless preparations for a second Trump term," here. And the NYT here (and stop whining about paywalls. Go the 7-Eleven and try to walk out with a can of Coke. Pay for stuff).
     The bad news is that the 2024 election is scarier than 2016 or 2020. Nobody expected Trump to win in 2016, least of all Trump, and he wasn't prepared to dismantle the institutional guardrails that kept him from going full-on totalitarian. Next time he will be. He had trouble attracting talent to help him, as many Republican operatives took a wait-and-see approach. Not this time — power not only corrupts, it attracts, and one of the most sickening aspects of the Trump experience is realizing just how many people are fine with him, if it means they get a slice of pie. They're busy preparing recipes to take full advantage of the next opportunity. 
     The good news is the situation is clear as day. Trump is a fascist. He is opposed to democracy because a majority of Americans are against him and the narrow religious bigotry he represents. So he must try to win by gaming the system — claiming a corrupt election, leading a coup against the Capitol, and dismantling the "Deep State" of institutional knowledge and democratic standards. Anyone who supports him is, knowingly or not, betraying the core values of American life. Period.

Fake abortion clinics ‘bigger than ever’

 

   I haven't done a lot of investigative pieces for the paper. But one of the very first stories I wrote for news side, back when I was still writing for the features section, was about fake abortion clinics, and involved me going around and visiting them, with the staffer from a pro-choice group posing as my girlfriend. That was 35 years ago, and it was disappointing — though not surprising — to find they're still a feature on the Chicago landscape. That's why I snapped at this when it came my way.

     Lizz Winstead was 17, a high school senior in Minnesota.
     “I was a Catholic teenager who found myself pregnant, making deals with God and myself,” said Winstead, now 61. “Pregnancy tests weren’t available.”
     There was no internet. She saw an advertisement on the side of a bus about free pregnancy tests. She went to the address, an old house, oddly.
     “I never forgot it,” she recalled. “There was a person in a lab coat, impersonating a doctor. She gave me a pregnancy test. It was positive, and she pulled out a book with all those pictures of bloody fetuses you see at protests outside clinics. She freaked me out.”
     Winstead had stumbled on one of the fake abortion clinics that anti-abortion activists run to lure in young women who fear they are pregnant, so they can be harangued about hellfire and the alleged horrors of a medical procedure far safer than carrying a pregnancy to term.
     Nor are these fake clinics a relic of the past — Illinois, despite being a blue peninsula of women’s rights jutting in an angry red lake of Midwestern religious intolerance, has three times as many sham abortion clinics as real ones.
     “They’re bigger than ever,” said Winstead, a comedian who went on to co-create “The Daily Show” and, in 2015, started a group that became the Abortion Access Front, which came to Chicago over the weekend to rally in front of one of Illinois’ 97 fake abortion clinics.

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The story right now

     As someone who mines his daily life for material, often of a truly insignificant nature — I wrote three columns in July, 2021 about picking up after dogs — I notice when I'm avoiding something that is actually quite a big deal, and pause to ask myself why.
     Usually I have good reason. The boys, for instance. I wrote about them for years and years. But they're not boys anymore — they're men, adults in their mid-20s, both lawyers, who are by nature circumspect. I want them to feel comfortable sharing information with me, and my not rushing the details of their lives into print, here, on Facebook, or anywhere else, seems part of that bargain. When one of them argues in front of the Supreme Court, or is appointed to it, I'll let you know.  If it's okay with them.
     Or COVID. I was diagnosed June 30, and while I've mentioned it a time or two, I decided to spare you the full range of particulars. Why? Being sick isn't that interesting, for starters. An off-putting mix of the squeamish and the dull, a variety of mundane symptoms like constant coughing, set into an empty day of exhausted langor. Plus I've seen older bloggers try to turn their medical woes into "Aida," and made a mental note to myself: don't do that.

     I did start a column this morning on the hideous side effects of Paxlovid, but liked it so much I thought I'd save it to run in the newspaper Wednesday — I've found myself still able to write, which is fortunate, if odd. I can be completely drained, sprawled on the sofa, a motiveless bag of skin, my mind a blank. Yet heave myself in front of the keyboard, the fire bell clangs, the old wagon horse stirs on its straw, and away we go. At least so far.

     Anything else? When my wife, who also has COVID was in the worst of it — and we seem to be trading off, back and forth, one sinking while the other improves and does the nursing  — and I was executing my caregiver duties, I came up with a term I feel could be worth putting into an empty bottle and tossing out onto the electronic waves: "chuppah sick."

     If you are not familiar with the term chuppah, it is the canopy that Jewish couples stand under when they marry. In my neologism, it refers to a situation so unspeakably gross that you flash back to your wedding day and wonder what you would have thought then had this particular aspect of married life been shown to you. A reminder that old marriage couples deserve respect, because we are tough old birds. We do what has to be done.

     I know where the term came from. There's a scene on page 50 of my memoir "Drunkard" where, in the first week of recovery, my wife and I go to Shir Hadash for Rosh Hashanah services. During a sermon on caregivers, Rabbi Eitan Weiner-Kaplow says: "How many couples look back to the day when they first stood under the chuppah and then look at their lives today and think, 'We never imagined it would be like this!"

      The book continues:

     Edie and I burst out laughing. No shit, Rabbi. We never imagined it would be like this. We laugh and don't stop. Not discreet, into-the-fist giggling. But big guffaws that draw curious looks. I don't care. We keep going, the chuckles beginning to ebb, until we glance at each other and then erupt again. We never imagined it would be like this. That helped. A lot. Laughter usually does. 

     We haven't quite managed to laugh at COVID, yet, though we have exchanged a fist bump or two, and do appreciate the besieged-soldiers-in-a-foxhole aspect of the past two weeks, when time has lost its meaning, and we have nothing better to do than wait, and care for ourselves and each other. Which itself is a kind of meaning.

Works in progress: "Good for somethin': A Twitter Tale"

     Writing for publication is hard. I sometimes forget that, because writing for publication is about all I do. But this Saturday feature, Works in Progress reminds me. Even professional writers can have a tough time with it — I had a pal whom I asked to write a single sentence about a current project. Just one; I'd fill in the rest. The pal phoned me, genuinely panicked, stuck. Couldn't get a handle on it. I of course replied there was no need. But it was surprising. Then again, I've always had the gift of facileness. Or maybe the curse.

     So it didn't surprise me when the Saturday "Works in Progress" spot began to go unfilled. Until this week, when there were two offerings — it never rains, it pours. One, from a fiction writer, went into the weeds over a comment on the Tylenol killings column, and I decided the matter had been aired enough. 
     But this, by perennial reader Jakash, I'm happy to share. "Jakash" isn't his real name; he asked if I could preserve the fig leaf of anonymity. It IS daunting, to hang your identity out there — another reality that often flies past me. Sure, I said, why not? Take it away, Jakash:

     Almost exactly a year ago, my wife and I were taking a casual Saturday stroll through one of the non-descript parts of Lakeview in Chicago. As we walked south on Ravenswood, we noticed workers on scaffolding taking the siding off a building near Addison. Crossing to the south side of the street, by Dunkin Donuts, we turned back to see that an old advertisement was being revealed as the siding was pulled off: "Ward's Soft Bun Bread," certainly unfamiliar to us. My wife took a photo of the partially uncovered sign, and we figured we'd come back later to see more.
     Everybody knows that Twitter has its problems. More so since having been picked up at the bargain price of $44 billion by that emerald-encrusted champion of free speech, Elon Musk. (It was recently characterized by our genial host in the Sun-Times as "a toxic hellscape run poorly by a right-wing South African egomaniac..." Personally, I never signed up for it, since a) I realized that it would be a huge time sink and b) I'm not really what you'd call a joiner. 

     However, enough people I respect are on it that I've haphazardly sought out maybe a dozen  accounts. Looking at just those is also a time sink, of course, but not to the extent of becoming the time drain it could if I were actually participating.
     At any rate, many of the folks I follow are local history, architecture, infrastructure or nature-minded Tweeters who are frequently posting interesting ephemera or more significant news about under-reported goings-on in the city. I knew from them that the sign we'd seen was a ghost sign, i.e., a sign painted on a building that used to advertise something which has either been blocked from view by a newer building, or covered up by renovations. 

     "The ghost sign people are gonna love this!" I thought. 

      Since the corner of Addison and Ravenswood is not exactly in an uncharted wilderness, I figured I'd be seeing tweets about it soon. So, I waited, checking my usual suspects each day, pretty sure that if anybody posted photos of this sign, they would go viral, at least among the select group of like-minded Chicagoans. 

      We saw the workers on Saturday morning, July 9. By Tuesday evening, still nothing to indicate that the building had been discovered. I felt people were missing a treat, and figured I had 3 options: a) keep waiting. b) Join Twitter and post about the sign myself. Or c) pick somebody that I followed and hope that he'd visit the location and put it on his timeline, to then be seen by others. 

      I went with the third option. That night I decided to email Robert Loerzel, a journalist and photographer whom I consider the King of Local Twitter (editor's note: he is correct. Robert Loerzel is indeed the King of Local Twitter). He has over 20,000 followers and maintains a very robust and interesting timeline, thriving in the midst of the hellscape.

     I was pretty sure he'd be interested in this sign. Alas, for whatever reason, he didn't jump at the chance to visit the site and I went back to waiting for somebody else to stumble upon it.
     By the following Sunday, still nothing about this building. I couldn't believe it. Especially since we'd gone back and there were a number of other ghost signs now uncovered on the north side of the building. I knew from looking at his interesting Twitter account that Bill Savage, a professor at Northwestern and a lover of local historical minutiae (and literature) (and baseball) (and bicycling) (and...) (editor's note: and hot dogs, and editor of my Chicago memoir) sometimes rode his bike on Damen Ave., which is two blocks away from Ravenswood. I thought perhaps he might make a slight detour sometime if he was riding by to see the signs. So I emailed four photos to him, specifying the location. 

     That worked. Within hours, he had stopped by, taken several of his own photos (much better than ours) and posted the news of these ghost signs to Twitter.
     And from there, it was off to the races. They were quite popular, among the people who find something like that appealing. Bill's tweet went viral in a low-key, non-Obama version of viral. (No doubt assisted in this regard by being retweeted by Robert Loerzel...) The signs were reported about and photographed by Colin Boyle on the news website Block Club Chicago and even made the TV news. Many folks took their own pictures and posted them. We had thought the building would most likely be torn down within a week. But the signs stayed up for over a month. People who are interested in preserving such historic material got involved and proceeded to painstakingly remove them. "Local experts dated the ads to the late 1920s and early ’30s," Colin Boyle wrote on Block Club. "They were painted directly onto wood panels as opposed to the common practice of painting onto brick, adding to their rarity.
     The moral of this tale is that Twitter contains multitudes. It's not just a free-fire zone for anybody with a wacky conspiracy theory to promote. There are a lot of folks who use it as the most efficient way to broadly share information. Though currently I don't even look at it, because Elon Musk, flashing his galaxy-brained brilliance, has decided that you must sign up in order to browse tweets now. And pay, if you want to enjoy certain features of the site. He's talked in the past about his wish for it to be a virtual town square, but doesn't seem to recognize the disconnect when it comes to his desire that people should pay one of the richest men on Earth in order to step onto the village green.
     Anyway, it was quite enjoyable for my wife and me to see what happened once this discovery became better known, and the signs ended up in good hands. As for the "Wards Soft Bun Bread" sign that we originally glimpsed? It's now in the possession of the American Sign Museum in Cincinnati.

https://blockclubchicago.org/2022/07/19/rare-decades-old-ghost-signs-revealed-on-ravenswood-building-facing-demolition/
https://blockclubchicago.org/2022/08/12/rare-lakeview-ghost-signs-saved-just-days-before-demolition-thanks-to-donations/

Enjoying life immensely at 109

 

Edith Renfrow Smith in 2022

   Happy birthday to you, Edith Renfrow Smith!
     While this column is not typically directed toward one specific individual, Ms. Smith, who turns 109 years old Friday, is no typical individual.
     Readers might recall her incredible story from two years ago, on her 107th birthday — she was the first Black graduate of Grinnell College. Class of ’37, who came to Chicago, where she became secretary to Oscar DePriest, Chicago’s first Black alderman. Future jazz great Herbie Hancock lived across the street, and taught her daughter to play “Chopsticks.”
     When Ms. Smith turned 108, we revisited, and were rewarded with sound advice (“This is a wonderful world and you need to take care of it”) and a jar of her homemade raspberry jelly. I figured, if turning 107 and 108 were noteworthy, how could 109 not be?
     Besides, I was curious: How’s she doing?
     “Oh, I’m just fine,” said Ms. Smith. “I’ve been doing fine.”
     I apologized for not visiting in person, as in previous years. But I had unwisely put off reaching out until July, and by then COVID had settled in for a prolonged stay. She understood completely.
     “You go keep that to yourself,” she said. “I don’t want it. I don’t need it.”
     What Ms. Smith did not mention — and this might be a clue to how one gets to be 109 — is that she herself already had COVID, last May.
     “She didn’t have COVID like everybody else,” said her daughter, Alice Frances Smith. “She was in the hospital for something else. They tested her, and the day she left, the doctor said, ‘You know she has COVID.’ And I said, ‘No, no one told me.’ My mother didn’t have a fever. She had nothing. That was her big excitement for the year.”

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A hot time below the old town

  

Under City Hall

     As a subscriber to the New York Times, it's interesting to see how that paper always gets Chicago just slightly wrong.
    Take the story on the front page Wednesday, "Heat Down Below is Making the Ground Shift Under Chicago," which begins, "Underneath downtown Chicago's soaring Art Deco towers..."
     Stop right there. Is there anyone familiar with Chicago who thinks of the city first as a place of "soaring Art Deco towers"? I hope not. I mean, we have them. The gilt-topped Carbide and Carbon Building comes to mind. But our most famous deco-era skyscraper, the Tribune Tower, isn't really "deco" at all, in a design sense, but a monstrous 1920s gothic cathedral pastiche rearranged into a high-rise.
     And the most purely deco building in Chicago, if you ask me, is the Rockefeller Center knock-off NBC Tower, finished in 1989. 
     The story is of the "professor publishes a study" genus, extending climate change to the earth below our feet. In the 20th century, "the ground between the city surface and the bedrock has warmed by 5.6 degrees Fahrenheit on average."
     As to the significance of this, there is talk of unpleasant subway conditions and "tiny shifts in the ground beneath buildings, which can induce structural strain." But if the city's buildings are actually sinking and cracking, that part was left out.
     The article is based on a paper, "The silent impact of underground climate change on civil infrastructure" by Alessandro F. Rotto Loria, an Assistant Professor of Civil and Environmental Engineering at Northwestern, published Tuesday in the journal Communications Engineering. 
     The Times story is written well enough, and climate reporter Raymond Zhong gamely accompanies the professor on a tour of the white temperature sensor boxes placed underground around downtown. Perhaps the most interesting fact, deep in the story, is the CTA wouldn't permit the sensors to be placed in its stations because they were worried that passengers might see them and think they're bomb detonators.
    Otherwise, the thing struck me as something of an oversell, given its page one placement. The ground is shifting, but the buildings seem unaffected. It should have taken the next step, and reported all the cracks and crumbling foundations, if they exist. My guess is, the buildings are designed to tolerate slight shifts. 
     Given the national shame being poured on Northwestern at the moment, thanks to its football hazing scandal, for one moment I wondered if this wasn't something rushed into print, trying to provide a positive light for the old purple and white — look, we have this important study! But that's conspiratorial thinking. Sometimes random events just line up.

Tylenol killings and the mystery of murder

Voodoo figurines, The Field Museum

     Domestic terrorism is a young man’s game. I have no idea why. You’d think it would be the other way around — old men, having lived most of their lives, tempted to go out in a blaze of imagined glory for whatever grudge is stuck in their wrinkly craws.
     But no. It’s the young who pitch away others’ lives, and their own, too, for what always amounts to nothing.
     Take the idiot who shot up the 4th of July parade in Highland Park last year. He was 21. You shouldn’t include the killer in the circle of sympathy, but I do think about that guy, sitting in jail, night after night. For the rest of his life. What must he be thinking? Maybe if you’re the kind of person who could do something like that, you don’t have the usual human feelings you’d expect to find in a person.
     Timothy McVeigh was 26 when he blew up the Murrah Building in Oklahoma City, killing 168 people, including 19 children in a day care center. He was executed in 2001; McVeigh is as eloquent an argument for the death penalty as I can imagine. Yes, it’s sometimes administered unjustly in an overburdened and racist criminal justice system. But some crimes cry out for it.
     Ted Kaczynski, the Unabomber, was a little older — his first bomb exploded, at Northwestern University, two days after his 36th birthday. Living in a cabin in Montana, he conducted his bombing campaign — 16 bombs over 17 years — while the government fruitlessly tried to track him down, distributing a drawing from a witness who saw him at a post office, a man in sunglasses and a hoodie. It wasn’t much help; his brother ended up turning him in, after recognizing the style of the writing in the rambling manifesto he forced two newspapers to print.
     Kaczynski died in June, a suicide — finally hurting someone who deserved it — bringing up his crimes all over again. The media is funny that way. We only need a pretext, a transition, any excuse to unspool the tale once again. “Tylenol? Funny you should mention that....”
     I guess the justification is that some people don’t know.

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