Jack Higgins drew from the heart of Chicago

     His reputation preceded him. Long before I set eyes on Jack Higgins, the man, I knew of the gifted editorial cartoonist who, for some unfathomable reason, was stuck drawing for the Daily Northwestern.
     Actually, we all knew the reason: Jack was knocking at a barred door. Editorial cartoonist jobs were scarce even in 1978, the year Jack joined the Daily. The Chicago Tribune had Dick Locher and would soon add Jeff MacNelly — syndicated in almost 1,000 newspapers and drawing the popular comic "Shoe." And the Sun-Times had even better — Bill Mauldin, the World War II legend with two Pulitzer Prizes, plus John Fischetti.
     So where was Jack supposed to go? He couldn't leave Chicago — the son and grandson of Chicago cops, he had Chicago politics, like art, in his blood. So work for a tiny student paper at a suburban college he didn't himself attend? Sure!

     "He was a mensch," remembered Robert Leighton, Jack's editor at the Daily, now a veteran cartoonist for The New Yorker. "He was a sweet, sweet guy. He taught me how to draw clothing on people. He said you have his arm going up and the lines on his shirt going down."

     That was Jack. Helpful. Good-natured enough to take orders from kids. Not that he'd be drawing for a student newspaper long — by 1981, he was freelancing for the Sun-Times. He joined the staff in 1984; two years later, he was a finalist for the Pulitzer Prize, which he won in 1989.
     Like all the greats, Jack loved what he did. It wasn't a job but a calling, like being a priest.
     "Jack found politicians and their antics endlessly amusing," said his wife, Missy. "He tried to be a voice for the citizens of Chicago who had no voice and had a great feel for the regular working people, across many classes, in Chicago. He sensed their resentments, sadnesses and outrages, but, when he found something just plain ridiculous, he reveled in it."
     Jack was the last of a breed going back to Thomas Nast, who brought down New York's Boss Tweed singlehandedly. Editorial cartoonists were once household names drawing unforgettable images — Herblock at the Washington Post, having Nixon arrive at a campaign rally by crawling out of a sewer. "Here he comes now!" an enthusiastic supporter cries. Mauldin, at the Sun-Times, depicting the statue at Lincoln Memorial, face buried in his hands, weeping at the death of John F. Kennedy. No words needed. Just the perfect drawing.

To continue reading, click here.

In the 1981 parody issue of the Daily Northwestern, produced by the school's humor magazine,
cartoonist Robert Leighton, imitating Jack's already distinct style, poked fun at him for drawing
for a student newspaper.

Flashback 2010: No more wigs, but 'Candide' still relevant

     Off to the Goodman Theater tonight to see Mary Zimmerman's "The Matchbox Magic Flute." Which made me think of the last time I saw a production directed by my fellow Wildcat and former classmate. 

     That was "Candide," 14 years ago, so I thought I'd share this account of that performance. How I wrote about it without mentioning Candide's optimistic blurt that this was "the best of all possible worlds" — a parody of Leibniz — is something of a mystery. 

     If I had to point to one single historical episode to explain the entire human condition, I would highlight the little-known fact that a number of survivors of the atomic bomb dropped on Hiroshima Aug. 6, 1945, fled to Nagasaki in time for the second bomb dropped three days later.
     This out-of-the-frying-pan-into-the-fire quality, so horrible that it becomes comic — at least when happening long ago to people far away whom you don't know — flashed as I sat in the Goodman Theatre Monday for opening night of "Candide."
    Leonard Bernstein's 54-year-old musical version of Voltaire's 250-year-old satire should not feel current. But something about its deep cynicism, its chain of self-interested rogues, puffed up rulers and luckless victims, makes it perfect for these times, when we stumble from natural disaster to pointless bloodletting to political upheaval. The randy Jesuits Voltaire parodies, well, let's say they did not have the dust of the ages upon them.
     I loved it.
     Then again, I'm an odd mix of deep cynicism and childlike innocence. I enjoyed the way the play's characters were casually butchered, its cities destroyed, sailors drowned, maidens defiled, all with director Mary Zimmerman's full palette of cute theatrical devices — ships on sticks, stoic red toy sheep, ribbons as blood — sugar-coating the three hours of musical mayhem. How many plays are there where the line "Throw the Jew into a ditch" draws a hearty laugh from the audience?
     For those unfamiliar with the story, Candide is a pleasant young simpleton who gets evicted from the idyllic palace where he was raised. He's forced to wander our world of endless outrage, misery and atrocity, searching for his lost love, Miss Cunegonde (played with show-stealing zest by Lauren Molina).
     No experience, no matter how awful, blunts Candide's optimism — I hate to say it, but he is very Barack Obama-ish in his tendency to place his trust in obvious enemies and his reluctance to let a steady rain of betrayals dampen his worldview.

'A CHAIN OF ASTONISHING CALAMITIES!'

     The music, alas, is not memorable. Bernstein wrote it, but "West Side Story" this ain't. Though when you have lyrics like "What a day for an auto de fe!" who cares about melody? Several of my associates, more experienced theatergoers than myself, complained that Zimmerman's bag of stage tricks has grown stale, so maybe enjoyment reveals a Candide-like naivete on my part. But how could you not love a musical with a number celebrating the transmission of venereal disease, sung by a character with a silver nose? ("Untreated syphilis destroys the cartilage in your nose," I explained to my 14-year-old, eager to show off knowledge that I never thought I'd have the chance to use. "People really did wear those noses.")
     That either intrigues or repels you. Now that every new musical seems designed to help 12-year-olds feel good about themselves, it's bracing to be reminded that theater used to be something adults did to make our scary world seem less so.
     A few who fled Hiroshima to Nagasaki survived both, by the way, living to face life's fresh horrors. Which is the message of the play. You survive; well, some do.

           — Originally published in the Sun-Times, September 29, 2010

Flashback 2006: Sometimes, the denial is worse than the charge

Perseus with the Head of Medusa, by Antonio Canova (Metropolitan Museum of Art)

    No column in the paper today — an editor asked me to instead write something Sunday  about my late colleague, Jack Higgins. 

    In the meantime, Facebook served this up as a memory Thursday, and I thought, "I must have already posted that." But no. It's too fun not to. Yes, sad that Jesse Jackson Jr. was lost to mental illness and prison. But that was in the future when I wrote this column, a reminder that columnists used to throw their elbows a little harder than we do today. (If there even is a "we." Some days it feels like it's just a "me.")

OPENING SHOT

     A classic tale from the colorful career of Lyndon B. Johnson gives politicians of today nearly all they need to know about dealing with abuse.
     The late, great Hunter S. Thompson, of all people, tells a publishable version:
     "Back in 1948, during his first race for the U.S. Senate, Lyndon Johnson was running about 10 points behind, with only nine days to go. He was sunk in despair. He was desperate. And it was just before noon on a Monday, they say, when he called his equally depressed campaign manager and instructed him to call a press conference for just before lunch on a slow news day and accuse his high-riding opponent, a pig farmer, of having routine carnal knowledge of his barnyard sows, despite the pleas of his wife and children.
     "His campaign manager was shocked. 'We can't say that, Lyndon,' he supposedly said. 'You know it's not true.'
     "'Of course it's not true!' Johnson barked at him. 'But let's make the bastard deny it!' ''

I'M NOT DUMB !!! I'M NOT! REALLY!

     When the first smirking colleague passed along a letter purporting to be from Rep. Jesse Jackson Jr., I thought it was a joke.
     "You wrote this yourself, didn't you?" I accused. He swore it was legit.
     Could it be? Was the congressman really denying being dumb ? And at such length. He mentions the word "dumb" seven times: dumb , dumb , dumb , dumb , dumb , dumb , dumb.
And the amazing thing is, I never called him " dumb ," not directly. What I said was that he "isn't very bright" — a premise that he amply illustrates below.
     Just to assure you that this isn't some kind of elaborate parody — a fantasy sequence – I should say I spoke directly to Jackson 's press secretary, Frank E. Watkins, and he assures me, albeit a bit frostily, that the congressman did indeed pen the letter.
     But enough preliminaries. Let me step aside and present Rep. Jesse Jackson Jr., in his own words. He writes:
     "Neil Steinberg says he doesn't like me . . ."
     Actually, I never said that either. The fact is, I do like him. A lot. It's the Jesse Jackson Jr.'s of the world that make my life a bed of ease.
     ". . . because he has a bias that I'm not very smart. Note that he doesn't just say my ideas are dumb , but that I am dumb . . ."
     What I actually said was that Mayor Daley "isn't dumb " — which is also true. He sure didn't write me a long, aggrieved, self-indicting defense. The man's too smart for that.
     ". . . a very personal and subjective view without a factual basis. The last time I checked they don't award college, seminary, law and honorary degrees to dumb people."
     That's the dumbest — now I am using the word — part of the entire letter. I graduated from Northwestern University and, trust me, they slapped degrees upon some world-class idiots. Not to single out NU — I think anyone who ever attended any college, seminary or law school anywhere would heartily agree. With the exception of Jackson , that is.
     "Steinberg says I'm dumb because I've offered an amendment to the Constitution that would provide all American students with a 'public education of equal high quality . . ."
     The key weasel word here is "provide." If I thought Jackson's amendment had a chance to provide anybody anything, except perhaps a cynical chuckle, I'd be all for it. But it wouldn't. How could it help? Right now parents allow their own children to fail in school, even though it dooms them, hurts the economy, raises crime, drug use and a raft of social woes — if that isn't inspiration enough to make school work better, then what's a constitutional amendment going to do? Nada.
     "It's not a dumb idea to put one of our basic beliefs into our most important legal document — that every child in America has the right to a public education of equal high quality."
     Window dressing. Product placement. Chin music. How could kids across the country have a "right" to an equal high quality education when kids in the same school, even in the same room, don't get an equal education? It's impossible.
     "He says such an amendment would be a 'waste of time and make the Constitution a place for meaningless symbolism.' That's like saying the phrase 'shall provide for the common defense' is merely symbolic when it just resulted in a 2006 Defense Department appropriation of $453 billion . . ."
     Well, he prattles on from there, but you get the idea. Bottom line is: He stands by his charmed notion that a constitutional amendment would somehow fix our broken schools. Why stop there? The biggest problem in our schools — as any teacher will tell you — is not money, but parents who don't care. Why not get a constitutional amendment to fix that? A line demanding that parents love their children and take an active interest in their education. Jackson could call it "The loving parents amendment." And obesity. With fat kids being such a problem, why not tuck in a line that all children have a right to be healthy and of moderate weight. Why not put that in the Constitution, too?
     Because it would be . . . no, no, I won't say it.

BUT WAIT, IT GETS BETTER . . .

     Then, as if holding some kind of master class on ham-handedness, Jackson proceeds to send the offending column out to everybody he knows, begging them to support him (perhaps he sensed that, prior to his plea, I didn't receive a single communication backing the congressman. Not one).
     This provoked a mighty trickle of confused, automatic support — and quite a bit of name calling, which always helps one's case — as well as e-mails such as the following:
     "When I got an email from Jessie Jr. soliciting an attack on you I knew you must have been right on target. Bravo."
     Which should explain to my colleagues the hoots of laughter that have been echoing out of my office all day.

            — Originally published in the Sun-Times, January 11, 2006

Unpublished files 2020: Magnificent Mile looting Foxx’s gift to city

     This week, the paper moved from one computer system, Chorus, to another,  something called BrightSpot. My immediate concern was the advance obituaries written over the years, which I tend like a flock of prize sheep. Some I've been watching over since the days of glowing green Atex screens; people live a long time. I called their names, and nudged them with a crook, guiding them toward a new pasture.
     This was necessary because only published stories migrate over to the new system. The unpublished are lost. So my obituaries secure, I went looking for anything else worth rescuing before Chorus vanished down the well of time, and found just one, this. I didn't know why it wasn't published, but my blog post of that day — Aug. 11, 2020 — gives a hint:

      I wrote three columns—that's the good news. The bad news, from your perspective, is that none of them are running here today....

     As to when they'll run, well, that's above my pay grade. Both could run today, or neither, or one Wednesday and one Friday, or never. 

     Or three and a half years later. This must have failed to meet the light of day because of the trenchant editorial comments, which I've included — this doesn't happen very often and, rattled, I might have set it aside to consider them, then just forgot about the story in the commotion. Anyway, with candidates jockeying for Foxx's job, and the serial bumbler being nudged off-stage, at long last, this seems relevant. I was downtown twice this week and, given how empty certain stretches remain, my point certainly has merit.

     Thanks Kim Foxx!
     Before Monday morning’s looting of Michigan Avenue fades into memory, someone should tip their hat to our state’s attorney, who invited this mayhem by dropping charges against rioters in June. Hundreds of cases were tossed out.
     Yes, police can only do so much. Time spent trying to put away someone for grabbing an armful of Nike t-shirts is time not spent solving murders. I get that.
     But the flip side is, why bother arresting anybody if crimes short of murder are going to be ignored?
     If you can drive to Michigan Avenue, bust out a window, load your car, then drive away without being arrested, or secure in the knowledge that if you are, you’ll merely have the back of your hand patted by the Cook County state’s attorney, guess what? People will do it.

     there are two relevant points below from yesterday’s Hinton story below that we need to better address in here. they don’t negate your point but they do need to be incorporated somehow - you can talk the perception of “getting off the hook” as it relates to announcing that you were dropping all sorts of minor charges in June. BUT you can’t say looters were let off the hook if they simply haven’t gone to trial yet.
     Foxx said she hasn’t prosecuted any of those people arrested in connection with the May or June looting because the cases are just getting trial dates now, blaming the delay on the pandemic largely shuttering courts until July 1.     

     Foxx announced in June that her office would focus on dismissing charges stemming from arrests at demonstrations and for citywide curfew violations after a week of protests and civil unrest in the wake of George Floyd’s death.

     You can be the squishiest liberal in the world, like me, and not want to see Chicago descend into lawless chaos. You can be cheering Black Lives Matter, keen for racial justice, and not want BLM re-branded as a synonym for violent anarchy, assuming it hasn’t been already. When you see how badly Seattle botched its slide from protest into Jacobinism, you have to passionately hope that Chicago will not follow suit.
     Do I have to explain why? Let’s just touch upon the top three bad things that come from Monday’s spree:
     1. The loss to merchants already slammed by four months of COVID-19 and the rioting two months ago. Gary, Indiana also had a vibrant downtown once but, guess what? Now it doesn’t. Every day like Monday is a step in that direction.
     2. Chicago’s reputation is important. It guides investment, luring new residents and tourists, should the world opens up again. The Magnificent Mile being ransacked is big national news. I heard from a friend in Texas, for God’s sake, expressing sympathy. We know we’re in a bad way when Texans pity us.
     3. Donald Trump, the personification of bigotry and ruin, is hoping to distract voters from his miserable failures as a leader and human being by weaponizing civic unrest in places like Chicago. He was elected in 2016 by dangling the ooo-scary specter of Mexicans sneaking over the border to rape your sister; now he’s hoping for a repeat by holding a flashlight under his chin and describing what happened on Michigan Avenue before dawn Monday. If he hasn’t jubilated this news yet, he will. The fact that Lori Lightfoot felt the need to point out, “This is criminal activity,” is telling. The former prosecutor feels obligated to explain that breaking into stores and taking stuff that doesn’t belong to you is a crime. That means we’ve done enough ripping up the social contract and need to start taping the thing back together.
     These are days to challenge the best of us. New police superintendent David Brown seems to be at least talking the talk: “Criminals took to the streets with the confidence that there would be no consequences for their actions,” he said, certainly a grim nod in the direction of Kim Foxx giving lawbreakers a wink and a thumbs up in June.
     We’re stuck with Foxx — thank you, Toni Preckwinkle — and I hope she learns from this, improbable though that is. I’ve learned, but it’s a lesson I already know too well. When someone is inept in one area, they tend to be inept in another. When Foxx ran, I opposed her because she couldn’t handle her own campaign finances. A person who can’t run effectively can’t hope to govern. But she passed the not-as-terrible-as-Anita-Alvarez test and got into office, where she hopelessly bungled the Jussie Smollett case, then bungled her reaction to her own bungling. Now this. In her post-looting press conference, Foxx said she is “heartbroken, angry, confused.” Obviously. Time for her to shake that off.
     The city raised the bridges to cut off access downtown only after the looters had done their work. It’s harder to raise the bridges before trouble arrives, but that is the challenge we face. We can’t hold police officers accountable to the law and then not hold criminals accountable. That isn’t working.

Down the rat hole for Valentine's Day

Rat & Heart, by Banksy (Sotheby's)

     Once upon a time my wife-to-be lived in an apartment on Melrose, down the block from the Nettelhorst School.
     The two things I most remember about that apartment are both romance-related. First, on Feb. 14, possessing both the key to her place and more creativity than money, I let myself into her apartment while she was at work and cleaned it, thoroughly, as a Valentine's Day present.
     Second, on the south side of the sidewalk was a hole shaped like a heart. Not a perfect Valentine's heart. A lopsided heart, one lobe somewhat bigger than the other. The discrepancy made it extra endearing. 
     Whether you see what is coming next can be considered a test of how romantic you are. Take those two facts — 1) a young courting couple and 2) a heart-shaped depression in the sidewalk. 

     What happens next?
     Of course the heart becomes part of the pair's personal romantic mythology. One of us — I can't remember who, probably me — notices it.
     I say "probably me" because, in most relationships, the less attractive half tends to try harder. And as a stocky, large-headed, potato-nosed, endomorphic struggling writer improbably dating a lithe, strawberry blond stone beauty attorney sprinting up the big law ladder, try I did.
     One Valentine's Day she got in the car for our date, holding a card and a small box containing four chocolates. She handed me the gift. I glanced nervously toward the back seat. Waiting there was a red laundry basket filled with presents. A bottle of wine. Flowers. A balloon. Candy. I'd seen the basket, first, in some bazaar in the basement of Field's and decided to just fill it. Kinda pathetic, really.
     So I noticed this heart, stopped, and stood on it. She stopped. We kissed. Doing so quickly becomes a private tradition. We spent the better part of a decade in the neighborhood, first when she lived on Melrose, then when we lived together a bit south on Pine Grove. So we'd often stop on our sidewalk heart and kiss.

To continue reading, click here.

Genug shoyn

"Jews in a Synagogue," by Rembrandt van Rijn (Metropolitan Museum of Art)

     The rules for the comments section on this blog are fairly simple. I ask that remarks make sense. I expect them to be on topic, not to go on too much about other articles about other things in other publications, for instance. They should not suggest that I am an idiot.

     Otherwise, readers are free to expound upon ... almost anything. Their own lives. Related or semi-related situations. 
     But there are always exceptions. Novel situations arise. My November 6, 2022 post, "Everybody hates the Jews" recently started receiving numerous comments. At first I happily assumed that some group had noticed it, perhaps based on the latest surge in anti-Semitism, and were debating it among themselves. Pretty to think so. Then I saw what was being posted — long ruminations on Israel that had appeared elsewhere online. Written in the same style. Obviously posted by the same person. Because I agreed with them, I let them go.    

     They kept coming, usually beginning, "A person typed online earlier..." I read them, at first, then scanned them. Three dozen over the past two weeks. They kept coming and coming. And while discussion continuing on this blog, is one thing, I'm not running a bulletin board for fanatics to spew — even spew that I generally agree with. A meal is as good as a feast. Better.
     Monday I'd had enough. The only question was, how to express it?  I came up with a two-word phrase. I don't speak Yiddish, but I heard enough growing up that this remained tucked away in mind. A very useful, very Jewish expression, one that I am happy to boost here: genug shoyn. Pronounced "guh-NUUG shhhayn". Or in English: "Enough already." In the "stop it, you're bothering me" sense. Not entirely obscure — the New York Times explored the expression in 1998. Try it out: "genug shoyn. I have the sinking feeling it will be an increasingly useful concept in the near future.

We need to remember — people forget

 

     Talk about conspiracies!
     The first LVIII Super Bowl commercial I saw, days before that glorious pageant of sport and commerce, was the “Don’t Forget Uber Eats” spot pinballing around social media.
     It begins on a movie backlot with a young assistant handing Jennifer Aniston a green bag filled with flowers.
     ”I didn’t know you could get all this stuff on Uber Eats,” the gofer enthuses. “Gotta remember that.”
     ”You know what they say,” Aniston sermonizes. “In order to remember something, you’ve got to forget something else. Make a little room.”
     Then we’re off to the races, in a series of celebrity vignettes about forgetting. David and Victoria Beckham, in their kitchen, trying to put their finger on a certain 1990s pop group.
     “Remember when you used to be a Pepper Lady?” David asks, waving a jar of pepper.
     “Wasn’t it the Cinnamon Sisters?” former Spice Girl replies.
     Has to be a plot, right? Can’t be a coincidence. President Joe Biden is mercilessly grilled for being a forgetful octogenarian. And boom, the Super Bowl, already rigged to highlight Taylor Swift and thereby increase the impact of her eventual endorsement of Sleepy Joe, immediately unloads a highly effective ad that is basically a valentine to forgetfulness.
     None of the actors in the commercial are particularly old. Though David Schwimmer (who, for those just joining us, starred with Aniston in “Friends,”) does have a certain, ah, weariness in the best vignette, as he makes a beeline to his former co-star.
     “Jenn!” he says, arms spread for the hug. “Hey!”

To continue reading, click here.

Photos provided by Uber.