What's with all the naked women?
See, that's why people hate the media. Here Howard Tullman, investor, patron of contemporary art, the dynamo behind the 1871 high-tech incubator at the Merchandise Mart, a force on the Chicago scene, invites me into his home, his sprawling 5,000-square-foot River West residence crammed with hundreds of arresting artworks and what do I notice? The vibrant colors? The large scale? The dramatic chiaroscuro?
No. I fixate on that most images are buck nekkid women, pouty, chesty, except for the naked girls who aren't. What's the story here, Howard?
Tullman just laughs. You can see them for yourself, on the Leslie Hindman Auctioneers website, "Property from the Collection of Howard and Judith Tullman." The sale starts at noon Monday.
I've known Tullman since he ran Tribeca Flashpoint, a digital media arts college. He's a flashy personality himself, who rubs some people the wrong way — heck, sometimes he rubs me the wrong way.
But we both are able to get past that. Tullman because he likes publicity, and me because I like talking to a guy who regularly lets drop fascinating bits of information, such as when Rahm Emanuel couldn't get back into his home in 2010, he camped out in Tullman's harem.
"He lived in my home surrounded by a million naked women," Tullman said.
Tullman is stepping down from 1871 and selling off about an eighth of his collection for a variety of reasons, like raising money for his arts foundation.
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