"Do you mind if I take a photograph of your monkey lamps?" I asked the woman behind the front desk at the St. Jane Hotel, 230 N. Michigan. "It's for my blog."
Lauren Kaczperski, the hotel's executive meetings manager, said she did not, and added the lamps were custom-made for the St. Jane in Europe.
"They're certainly special lamps," I said, stepping over to a corner of the lobby and snapping a few shots. I was on my way to Northwestern's downtown Medill graduate school to talk to a friend's class. But had a few minutes to spare. The Carbide and Carbon Building is one of my favorite Chicago buildings, for its brawny industrial name, Art Deco trim and hard-to-pin-down black/green color, so give it extra scrutiny in passing. Which is how I noticed the monkey lamps through the window.

Nor were the lamps the only artistic touch. The wallpaper in the entrance is marbleized like the endpapers of a 19th century book. Hanging there is "Hustle Coat," where Chicago artist Nick Cave had lined a street vendor's black raincoat with the kind of glitzy baubles being sold. The St. Jane says "Hustle Coat" is one of only two Nick Cave public art installations in Chicago.
Maybe not quite “Domplatz, Mailand," the enormous square Gerhardt Richter painting that the Pritzker family bought for $3.8 million in 1998 to decorate the lobby of their new Park Hyatt up the street. Fifteen years later, perhaps realizing how the work had appreciated, they sold it off, fetching $37.1 million at Sotheby's, a record for a living artist. Think what a modern Jane Addams could do with that kind of money.
We talked a bit about the hotel, someplace to bear in mind if you are trying to place out-of-town guests: funkily designed, well located and courteously run. And they accept dogs at no additional charge. She offered me a tour, but I begged off—couldn't be late for that class.
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"Hustle Coat," by Nick Cave |
We only get to Chicago once a year for a family outing to Wrigley Field. I enjoy reading about these places you write about.
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