The Stag at Eve

     It's been a while since I thought a New Yorker cartoon was funny.
     In fact, I can't remember when that last happened.
     I almost said, "It's been a while since a New Yorker cartoon was funny." But I have that superpower of stepping out of my own perceptions and realizing that I'm not the only person in the world. They still print them, after all. Young people might find them hysterical. They probably do. I sure hope so. Me, I just find them strange.
     Once, New Yorker cartoons were great fun. I just pulled seven large format New Yorker cartoon collections off my shelf, looking for a certain cartoon I mentioned in the comments Thursday in my cri de coeur about the New York Times muffing its coverage of our gathering national disaster. 

     Flipping through the pages, I was immediately reminded just how fleeting humor can be. Lots of bosses chasing secretaries around desks. Not so funny anymore. All the Black people were jungle tribesmen or servants. Not so funny anymore. A reminder that we communicators have got to change with the times. I try to keep my frame of reference current, but sometimes it feels like I'm always rushing to keep up with some change I don't care for in the first place. Sometimes I envy those guys who just fold their arms and stop adapting. Staying on top of things is exhausting. There are so many ways to screw this up. But I have a professional interest not to let myself be stuck in the 1990s.
     A couple rarities. "The Seventh New Yorker Cartoon Album" was published in 1935, 10 years after the magazine was founded. I can't find any information about it online, but my hunch is it's the first album and the "Seventh" is a joke, or an attempt at one anyway. Not to disparage that brand of chuckle — senior year of college, the humor magazine published its 50th anniversary issue, crafting a half century of clips to highlight, even though it wasn't four years old. We thought it a bravura performance at the time and maybe it was.
     And "The Stag at Eve," a thin, softcover 1931 volume of mildly risque cartoons, mostly prurient, a few vaguely anti-Semitic, by top New Yorker artists, including several by William Steig. "Trouble with you, Baby, is you need awakening," says a pint-sized Steig lothario, leering at a female pal with a big ribbon in her hair as he arches toward her on a sofa.
     My guess is an attempt to monetize cartoons that couldn't make it into the magazine — something New Yorker artists also did that in more recent years — see 2006's "The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker."

     The title, "The Stag at Eve," is worth noting, a reference to the male deer that often pops up in the background of paintings of Adam and Eve, a reminder of the introduction of sin into paradise and the, umm, need for redemption through Christ. A sly reference to the off-color jokes within).
     Oh, the cartoon. I was trying to capture the strange way the East Coast media is clinging to the rituals of a normal presidential election, even while covering the campaign of a liar, bully, fraud and traitor who very clearly will tear apart American democracy and impose a dictatorship if given the chance. And I thought of this cartoon. Odd, in my memory, the view of the boat was closer up, and I could see it in the style of Edwin Booth, a New Yorker cartoonist known for his daft, complicated eccentrics. But it wasn't.
     It was drawn by Bruce Petty, and ran Nov. 28, 1959.
     I did not learn that flipping through my stack of cartoon collections, of course, as pleasant an interlude as that was in the pre-dawn dimness of my office. But in three seconds searching online. The reality, once I finally tracked it down, wasn't as impressive as it had been in memory. That happens a lot.