You can be on the verge of success and not know it.
"Mom called, depressed," I wrote in my Waterstone's Literary Diary on Sunday, Jan. 21, 1996. "Which is ironic, since I'm feeling pretty down too. Just tired of working hard & not getting anywhere."
No exaggeration there. Almost nine years on the staff of the Chicago Sun-Times and still scrabbling on the lowest rung. A general assignment reporter, stuck on the night shift to keep me out of sight, which some days meant 7 p.m. to 3 a.m. I nicknamed my wife, "the gray oval" — an indistinct featureless face glimpsed in darkness. Our first son was born three months earlier, and I had taken the year-long, unpaid paternity leave permitted in the Chicago Newspaper Guild contract. Nobody did that — I never heard of another guy taking a full year. I did so, because I had nothing to lose at the paper. And I had a book to work on, my third. That paid the bills, though even the book wasn't exactly crackling with promise either.
"Nothing going on," I wrote the next day, a Monday. "No calls from Bill" — my editor at Doubleday —"or anybody. Went to gym & felt better." There I ran into an editor who was leaving the paper I was stuck at, Julia Wallace, off to greener fields in Atlanta. Then had coffee with John McKnight, who had just written his own book, "The Careless Society," reminding me: books are a dime a dozen.
Tuesday, Jan. 23, I phoned Games magazine and got an assignment. Freelance brought in both money and a sense of purpose. Phoned a Chicago magazine writer — and future food game show host — Ted Allen to "arrange lunch to discuss Chicago column." A column, anywhere, was what I wanted. Not having one, I used to say, was like being drowned. Not in a hazy abstract sense. But real, visceral. Like someone holding my face under water and killing me. I was 35 years old. Life had thundered past and was disappearing into the distance. While I was stuck at a job that involved random people yelling my name and demanding me to hurry to various addresses and figure out what's going on there, then write instantly forgettable stories about minor events.
And lately I wasn't even doing that, having swapped frantic insignificance for total obscurity, my life was a sleep-deprived rondo of changing soiled diapers and plugging bottles of formula into a little screaming mouth.
And lately I wasn't even doing that, having swapped frantic insignificance for total obscurity, my life was a sleep-deprived rondo of changing soiled diapers and plugging bottles of formula into a little screaming mouth.
We lived in the city, on Pine Grove Avenue. I went out to Great Harvest to pick up bread, When I returned, I found out I'd gotten a call from Nigel Wade, the new editor-in-chief of the Sun-Times, a great red-faced slab of New Zealand press lord, whom I'd met exactly once. The previous October, when he was still editor of the London Telegraph, but had come over to kick the tires of the paper. Most employees leap under a desk in such a situation. Reckless with ambition, I'd run to meet him, and we went out for a drink. I gave him my latest book, "Complete & Utter Failure."
"Something for you to read on the plane to London," I said.
"I called back. Nigel asked me if I would like to write a column for the Sunday paper. Astounding! He began by asking when my paternity leave was due to end."
In my memory, the query went like this: "STEINBERG!!! This paternity leave ... how long is it supposed to last???"
"I said, 'Nine months.' But after he offered the column, I said, 'I of course could return tomorrow.' I faxed him the NY Times piece."
I'd been working on it for weeks, trying to sell a Chicago column to the Times. People act like success falls in your lap, but a lot of futile pushing is involved. I've spent my life jiggling the handles of locked doors.
"Nigel sent back a note. 'This is it!'"
Of course it wasn't "it." The next day was spent redoing the column I had written to wave under the nose of the Gray Lady, then trying something completely different.
"Wrote new column — first tried something on Oprah, then settled on State St. Mall. Wrote column and faxed it to the paper. Talked to Mark Jacob in the afternoon. I need to change the lede since it refers to my niece (no kids) and to make it funnier."
The niece reference is ironic. Nigel had no children, so was puzzled about their possible appeal. My son became the one subject in my career I was formally forbidden from writing about, not that I listened. A key survival skill in journalism is knowing when to pay attention to your bosses, and when to just ignore them.
Dealing with consequences is the difficult part of the job. Readers thunder their disapproval. Colleagues too. In the few days between when I spoke with Nigel and when the paper hit the streets, I didn't tell anybody the column was coming. To make my getting it a pleasant surprise for my colleagues? Nah, I didn't want to give anybody time to stab me in the back, to try and stop it. A smart move, as afterward another columnist, whom I considered a friend, went around telling anybody who would listen that the last thing the paper needs is another 35-year-old white guy writing a column. I forgave him, but am not sure that he ever forgave me for poaching on his personal preserve.
I used to say that writing the column, I do for free. It's the dealing with the consequences that demands a healthy salary.
Not that the salary was particularly healthy, at the start. Because I was on unpaid leave, the paper paid me $250 a column. To my credit, I stayed out the rest of the year, writing from home. When I returned, I had one day a week to write the column. The other four, I was still a reporter. The column ran on Sundays — luring readers to the Sunday paper was a continual struggle for the Sun-Times, like the Russians quest for a warm water port.
A dynamic I copied myself. My midweek column began after I convinced Nigel that if I could attract daily readers, I could shunt them toward the Sunday paper. Then in 1997, my second son was born, and I took only three months paternity leave. I thought they'd be happy, my logic being, three is much less than 12, I thought I was being considerate, but Nigel thought it was insane, and when I got back, I was made the environment reporter (writing two columns a week wasn't a full-time job either. The other three days I covered some sort of beat. For a while, I was the charities, foundations and private social services reporter).
Covering the environment was so contrary to my nature — they wanted someone who cared about the environment, for starters, and could attend conferences and pick over reports, or who even liked being outside, none of which applied to me — that I quit on the spot, pausing only long enough to secure myself a job as features editor at Chicago Magazine.
But the paper didn't let me go. Goodies were assembled: I would be given a third column and three days to write them, which could be spent at home. And the paper would promote me. And a raise.
Why am I recounting all this? Nostalgia, I suppose. Five years ago, when I hit 25 years as a columnist, I merely reprinted that first column here, and did not mention the anniversary in the paper. Because heads were rolling. I decided to keep a low profile, and not leap up crying "Here I am; fire me!" Nor do I plan on remarking on the three decades in the paper because ... well, a lot is going on, dire doings at home and abroad, and there's enough self-indulgence in the world without my adding to it.
But I do have to fill today somehow. I figure, 30 years on, a person can pause to reflect. Heck, I might do something on the day itself, Jan. 28 — list 10 favorite columns maybe. Or might not. That sort of choice — being your own man, making your own calls — is the essence of column writing. They give you a regular hole to fill as you please. How you fill it is your affair. That's a great responsibility. And a joy. I've got nothing to regret. It was a good way to make a living, for many years, and still is, most days. The journey is nearly done, the coastline in sight, the safe harbor just around the bend. But not yet.
Ten years ago, I also paused to reflect on this job. Cultivating gratitude, I thanked 14 colleagues on staff who made life at the paper enjoyable for me. Of those 14, two remain.

I am grateful that just about every goddamn day, EveryGoddamnDay gives me something. Along with the appreciation for what you do and the reflection of the last thirty years, today you gave me “rondo”, which made me smile and fit perfectly. Thanks.
ReplyDeleteRONDO, in music: An instrumental form characterized by the initial statement and subsequent restatement of a particular melody or section, the various statements of which are separated by contrasting material (a-b-a-c-a). Perfect fit. First thing that word called to mind was the Dave Brubeck Quartet--and their classic rendition of "Blue Rondo a la Turk"--on their iconic "Time Out" LP in 1959. One learns so much at EGD.
DeleteVery interesting to read of the details of how you became a columnist. Tough and sad at times but all's well that ends well. Guys like Nigel won't understand about paternity leave.
ReplyDeleteCongratulations for hanging in there and making me laugh, cry and just want to keep reading. Continue on for another 30.
ReplyDelete“ I used to say that writing the column, I do for free. It's the dealing with the consequences that demands a healthy salary.” I wish I’d had this perspective instead of guilt when I made such good money doing what I loved.
ReplyDeleteCongrats. When you change the way you look at things…the things you look at change
ReplyDeleteCongratulations on 30 years!
ReplyDeleteMazel tov! Time to update your headshot in the paper?
ReplyDeleteThank you for 30 years of your unique and necessary perspective. Todays post is the reason I come back every goddamn day. Bravo...
ReplyDeleteI really enjoyed this, Neil.
ReplyDeletethank you.
Congratulations! I still remember the email you sent me on the day your first column ran. It said something to be effect of “you won’t believe how low they have stooped in promoting a new columnist." This sent me scrambling for the paper – I was a home delivery print subscriber back then — and was delighted to see that you had been recognized and given a pulpit. Well used, my friend.
ReplyDeleteThank you Eric. I used to say, "The trick isn't getting a column — everyone in journalism gets a column, at one point or another. The trick is keeping it." Glad you're still going strong with the Picayune.
DeleteLove that last line, Mister S. It's so true. My dream job, as far back as grammar school, was to be a columnist. Finally got the opportunity in junior high. Had a great time for three semesters. Loved doing it.
DeleteBut my column gradually became more and more of a snarky gossip column, and during my final semester, I was unceremoniously fired by the faculty advisor. Didn't yet know who Kup was (we got the Daily News), and there I was, at twelve and thirteen, trying to be a half-Kup, and never revealing my saucers [sorry...but those were just too good to resist.
Congratulations on your column's thirtieth anniversary!
ReplyDeleteCongratulations. I was in my mid fifties when you started and have been reading you faithfully ever since. You have made me laugh, cry, and think. observing your gifts with the pen has improved my own ability to communicate on paper. (I still write letters).
ReplyDeleteThank you, as always. Remember that when you get to that safe harbor, you can still paddle around and have fun with the rest of us.
ReplyDeleteKudos, sir. I always envied your gift of gab.
ReplyDeleteCongratulations on 30 years! Quite an achievement, especially these days. I’ve probably read your column for most of those years. I even got picked to go to the opera with you once! Guess the paper’s budget doesn’t allow for those kinds of things anymore.
ReplyDeleteNo, it wasn't the paper. It was the Lyric. I referred to Christine Goerke, the soprano singing The Ring, as "generously proportioned" and they shut down the whole program and told me never to come back. To this day, they even don't return my emails.
DeleteThe reaction of the Lyric Opera certainly proves your point about the land mine nature of writing a newspaper column.
Deletetate
Is that what they call “fat shaming”? A phrase I really dislike. You have been such a great supporter of the Lyric. They really ought to be getting down on their knees and fervently apologizing. I’m sure there are many Chicagoans new to opera that you have brought into the fold
DeleteIf you'll keep writing, we will keep reading. Congrats on 30 years...well done!
DeleteWell, I just googled her, and you weren't wrong. Solid reporting.
DeleteIf it makes you feel any better, that was my last time there.
DeleteWow. The cold shoulder. Totally shunned. It's actually sort of amusing, in a way. You were being polite and charitable, and they took offense and got pissed off anyway. Does it bother you?
DeleteHell, there are a zillion jokes and one-liners about something not being over until the fat lady sings. The beefy blonde Teutonic (two-ton-ic?) opera singer with the long ropy braids and a Viking helmet on her head, horns and all, has been a standard trope for a very long time. I mean, like, screw ''em if they can't take a joke, right?
The point of the column — posted on the blog — is that most people can't imagine SITTING through five and a half hours of "Siegfried," and there you are on stage the whole time, leaping from rock to rock, singing, let's talk about the physical demands of the opera. I did bring up the "opera ain't over until..." trope, but going out of my way to refer to the Brunhilda character, not her specifically. It did bug me, for a number of years. But then they did "Cav/Pag" and I couldn't resist.
Deletethe sad irony is that Mr S singlehandedly, and with joy and genuine enthusiasm, probably introduced more Chicagoans to opera than any single Lyric-sponsored promotion during all those years. And he lowered the average age of opera-goers in attendance on the nights of his events, too. The Lyric needed paying customers and subscribers even then, and a younger customer base wouldn't have hurt, either. I doubt Renee Fleming knew of this kerfuffle or she would have advocated for the Suntimes group to be invited back. The banishment didn't make sense at the time, and still doesn't makes sense all this time later.
DeleteFor a few years after, we started taking 100 readers to the Goodman. But the Goodman doesn't have the yawning space to fill that the Lyric does. And they do still have ticket giveaways with the paper, just not with me. I have no regrets — though I remember telling Magda that I did not in fact work for the Lyric, nor did I write for Opera News, and I had to make the pieces about the opera interesting to regular readers, and sometimes that involves cracking a few eggs. That was the saddest part for me, because we'd been friends for years — we worked on Spy magazine's takedown of Bob Greene together (or, rather, I wrote the sidebars to her piece). Ross had a phrase when he was a child, "People are the worst," which sadly proves more and more true as the years accumulate. We never spoke again.
Deleteneil, i have second jill's position. the lyric's struggles mirror that of many companies. it was a typically boneheaded response to a rather innocuous remark. almost as if the pr team had posted a headline "prominent, yet struggling cultural institution's spited face displays smug smile after chewing off nose."
DeleteNice recap. Keep up the good work!
ReplyDeleteI still have that banner from your first day. While it's hard to believe that it's been thirty years, at this point it's hard to believe that anything has been thirty years. But you have been able to mark each intervening week with your reflections, neatly encapsulating where all that time has gone. Congratulations! (Which Games magazine piece was it?)
ReplyDeleteThanks Robert. That's a very good question. I'll have to yank my file and see what date lines up.
DeletePerhaps it's time to get the band back together ...
DeleteEGD is a BFD, and so is a 30-year tenure with the same employer. Congratulations on your milestone and many thanks for sharing your journey with us.
ReplyDelete(fwiw, I would have very much liked if you had remained the Environmental reporter for the Suntimes)
"...I was stuck at a job that involved random people yelling my name and demanding me to hurry to various addresses and figure out what's going on there, then write instantly forgettable stories about minor events."
ReplyDeleteThat is the most succinct, accurate description of the life of a general assignment reporter I've ever read.
Neil, you and the column are local treasures. Hope it's a long time before you run out of ideas.
I still have that banner, published the day your column was announced. While it's hard to believe that it's been thirty years, at this point it's hard to believe that anything in our lives has been thirty years. And yet your columns have marked that time week by week, to our benefit. Congratulations, Neil. (BTW, what was the Games magazine assignment?)
ReplyDeleteCongrats Neil. What a great story. You inspire me to write more. We probably were neighbors on Pine Grove all those years ago. John
ReplyDeleteCongrats Neil Steinberg! Navigating the turbulent waters of column writing takes perception and creativity! Keep up the great work! Keep up the fight for what is right on the one hand, and keep making us laugh on the other! Kudos!
ReplyDeleteWow, thanks for the history of your career. I like the first column! It had your stamp: turns of phrase and just the right snark. Congratulations and keep it coming; I look forward to it EGD.
ReplyDeleteThe surprising thing is to me that it took you so long to get a column. The Sun-Times only had Richard Roeper as a reporter a few years before they made him a columnist. He wrote a decent column, but really upped his game with his well-crafted film and television show reviews. There were a number of columns that were over the years at the CST inferior to yours, notably by a guy who hired and fired columnists the ST columnists. He was fired for completely filling his column one day, with a column he plagiarized from a Washington DC paper. Must have driven you crazy to be overlooked while inferior writers got columns, some who couldn't write at all, for which you ghosted (an old style reporter who called his stories in to the paper, where a rewrite scribe would put it into publishable form.)
ReplyDeleteIf someone hadn't come in from the outside, I'd have never gotten one. Sometimes you need a pair of fresh eyes.
ReplyDeleteI always enjoyed it when you checked in with the elderly man who ran the hotdog stand on Lake Street. Toward the end he went to work as a greeter at some Greek breakfast restaurant near the Edens. He was almost 100 years old by then. You made him interesting for us.
ReplyDeleteCongratulations on 30 years! Enjoyed reading your column in the S-T and love reading everygoddamnday!
ReplyDeleteRed Smith, the sports columnist was asked if turning out a daily column wasn’t quite a chore. "Why, no,” dead-panned Red. “You simply sit down at the typewriter, open your veins, and bleed.” Here's to thirty years of being a blood donor. Mister S. Would love to see you hang on for another five years, if only to be able to see you top Greene and Royko. Longevity has its place.
ReplyDeleteSun-Times readers, and the regular readers of EGD, have to be grateful that the paper didn't say: "You quit? Fine. Bye. Felicia." The niche market that reads Chicago Magaziner? Their loss. But your continuation at the Sun-Times? As a columnist? All Chicago's gain.
Would it not have been impossibly difficult to be the environment editor, Mister S, and not give a hoot-owl about the environment, or even the outdoors? A beat reporter probably needs to possess even modicum of interest in order to be the master of his domain. In college, my beat was the Music Department. Could only feign enthusiasm about the marching band or the madrigal singers for so long. Sources noticed eventually.
Can't remember whether or not I pissed off the band director one time too many, but I was switched to general assignment reporting, features, editorials, and protests. Nothing like seeing one of your best friends get physically dragged off a picket line and arrested by state troopers at 6 AM, during a strike by union food service workers. Fun times.
A daily column is plum...a dream job. Especially for someone with the plethora of interests that you possess. They dig you a hole...every goddamn day...and you have to fill it with the material of your choice...whatever strikes your fancy. For a Renaissance man, what could be more ideal? That's gold, Neil. Gold!
What a great piece! Please tell me this is an excerpt from your your forthcoming memoir of your career in journalism.
ReplyDeleteThanks Kier. Yeah, a huge market for THAT. No, I just whipped this up the other day. My memoir days, I fear, are over. They glance at my meh Bookscan figures, and I could have written "Walden" and it wouldn't matter.
ReplyDeleteI'm late to the party, but this is a marvelous post, in its own right, and particularly for EGD fans. I've always much enjoyed reading whatever behind-the-scenes accounts you share here. I thought the same thing as kstrejcek about how your fascinating career could surely make for a fine book. Your response to him is yet another reason to lament the state of the current culture.
ReplyDeleteMy wife and I were lucky enough to be among the winners of the opera contest one year. It was quite a treat, made much more special by having the opportunity to chat with you and Edie.
As noted by Jill A. and others, the Lyric's response to the Goerke column was so out of proportion and wrong-headed as to beggar belief. As usual, you walked a fine line adroitly, and the overall nature of the piece was certainly very positive. Their cutting you off was just SO stupid and petty -- the New Coke of opera promotion.
I didn't realize that you and "Professor" Eric Zorn were acquainted that long ago. First-class columnists at competing local dailies -- not a lot of that going around anymore. Congratulations on the anniversary, all your excellent work over the years, and for remaining as compelling a read as you've always been.
"Covering the environment was so contrary to my nature" Pun intended? Kidding aside, you are the one columnist I read religiously. Every goddamn day. Thank you for sharing your intellect, insight, and humor; some days it's the only thing that makes our current three-ring circus--with the big orange clown--bearable.
ReplyDelete