If cutting-edge architecture were pleasing to the masses of ordinary folk, then it wouldn’t be cutting edge, would it?

“I’m not in love with George Lucas’ Space Mountain design,” I tweeted. “It looks like landscape of the planet the UFO landing on Soldier Field comes from.”
A little awkward, that last sentence. But Twitter’s 140-character limit can throw you off your stride.
“Space Mountain,” of course, is the cheezy roller coaster at Disney World.
I am not an architecture critic, so I figured it is a done deal if they’re releasing the sketches, and understood that, not being an expert, the wonders of Yansong’s design were perhaps beyond my ken.
So I was gratified to see that the Tribune’s Blair Kamin, who is an architecture critic, and a good one, gave both barrels to the Lost Alp last week, calling the “widespread public revulsion” toward the design understandable because “this cartoonish mountain of a building would be glaringly out of place” on Chicago’s lakefront. Amen.
If you want to see where a building like this belongs, look at the Denver International Airport, a series of peaks not unlike a CGI droid army of the ski slope that George Lucas plans to build downtown. The style was sorta hip 20 years ago, but even located in the middle of a Rocky Mountain nowhere, it’s hard to view it kindly. I’ve been through it many times, and my primary thought is: I bet they saved a bundle, putting up a tent, as opposed to constructing an actual roof.
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