Tuesday, April 21, 2015

"Chiraq, Chiraq, that toddlin' town!"


     This ran in the paper Monday—I had been a little worried that the moment had passed, and was reassured when I noticed my colleague Laura Washington also wrote about the movie, and the Tribune had not one, but two stories in its Monday paper, including a pious editorial hoping that Spike Lee will balance whatever gripping story about violence he ends up telling with ... well, the Trib doesn't quite say. The implication is, with good stuff. Maybe a travelogue of popular tourist spots. Or something about our vibrant convention business. You wonder if they've ever seen a movie.

     Procrastination gets a bad name.
     Such as "foot-dragging." Or "He who hesitates . . ."
     But sometimes waiting can be helpful.
     For instance, last week, a colleague stepped into my office. Would I, he wondered, be taking Rahm Emanuel to the woodshed for his clumsy attempt to pressure Spike Lee into calling his movie about violence in Englewood something other than "Chiraq"?
     I reacted like a child whose ball was snatched away. "But I'm almost done with this!" I pouted, gesturing to my screen, where I was hobby-horsing over risible feminist efforts to put a woman on the $20 bill — sure to be a hot topic on the streets of Chicago. "Maybe Monday."
     The delay provided clarity. On Saturday, Chicago's epidemic of violence flared up again: two dead, 18 wounded in just over 24 hours. With a whole summer to come. (UPDATE: Four killed and 30 wounded in weekend shootings).
     Which drove home the unfairness of "Chiraq," of equating Chicago with the Iraq War. Unfair to the Iraqi war, that is. An average day there wasn't nearly as bloody as Chicago was Saturday.
     Ignoring the hundreds of thousands of Iraqi dead — an American tradition — U.S. forces suffered 32,223 wounded over eight years of war which, for the math averse, comes out to about 11 a day. That's considered light in Chicago. When it comes to deaths, the city does a little better — 432 murders last year versus 560 soldiers killed every year in Iraq.
     Still, nothing to crow about, and it's strange to see the mayor and his aldermanic stooges try.
     Isn't Rahm the guy who was just on his knees, explaining how he's changed and is now listening to people? And I know there are South Siders who resent "Chiraq." But if you polled people in Englewood and asked where on their list of concerns is whatever Spike Lee might call his new movie, I can't believe it would rank very high. Were I the mayor, I would say, "If this movie can dramatize the toll that gun violence takes in Chicago and spur people to change, Spike Lee can call it, 'Take Your Convention Business to Vegas' for all I care."
     Instead we get the same bullying that Emanuel is known for.
     Believe me, I'm no fan of "Chiraq." It's one of those terms like "Chicagoland" or "Chi-Town" that advertise the speaker's lack of connection. ("Chicagoland" is where car dealerships say they're located; "Chi-Town" is something DJs say). Emanuel telling Spike Lee all the good that happens in Englewood is like the mayor of Verona dragging Shakespeare on the carpet to lecture him over "Romeo & Juliet" being bad for business.      

     "Sure Will, the Capulets and Montagues were at each other's throats. But why focus on them? Why be so negative? Why not write your play about the Bonamini and Redoro families? Their olive business turns a nice profit."
     Not that Spike Lee is Shakespeare. But his movies are serious enough art that even a Midwestern Machiavelli like the mayor should have enough sense to let him do his thing.
     My colleague pointed out something else worth sharing. When people refer to Chicago as "The Windy City," some know-it-all invariably mentions that the term was coined, not due to the lake breezes, but as a comment on the talkativeness of Chicago politicians ballyhooing the 1893 fair. Maybe so. Maybe that's how it began. But people don't still call Chicago the Windy City because of something a 19th century New York newspaper pundit said. People call it the Windy City because — wait for it — it's windy here.
     Facts matter. It isn't all spin. The mayor should not fight Chicago's reputation as a place where people get shot all the time by trying to silence anyone who draws attention to it. The mayor should fight Chicago's reputation as a place where people get shot all the time by — again, wait for it — doing whatever it takes to stop the shootings. Change the facts and the reputation will follow.


Monday, April 20, 2015

The president's shoes


     Yesterday's post on my uncharacteristic purchase of a pair of ostentatious shoes, and a visit to the Wisconsin factory that made them, left it up to the readers whether to post the second part, or to hurry on to other topics. To my gratification, everyone was unanimous in wanting to see it. So here it is.

     When George Washington pressed his lips against the Bible after being sworn in as this nation's first president on April 30, 1789, he was wearing a suit of brown broadcloth, donated by proud Hartford weavers. John Adams was wearing the same suit, cut from the same cloth donated by the same weavers. "They might have been dressed as twins," wrote David McCullough, "except that Washington's metal buttons had eagles on them."
     The history of commerce coveting the limelight of the presidency is lengthy. Hatters sent stovepipes to President-elect Abraham Lincoln.
     With this in mind, during a visit to the Allen Edmonds shoe factory in Wisconsin, my attention was drawn to letters and photos of recent Republican presidents.
     "Reagan's father was a shoe salesman," said spokesman Colin Hall. "And sold our shoes, loved our shoes."
     "In Chicago," I interjected.
     "President Reagan was a huge fan and wore our shoes all the time," Hall continued. "He convinced Bush Senior to wear our shoes, and they started a neat little thing where every inauguration they wore Allen Edmonds. It carried on with Clinton and Bush Junior. The only man not to wear our shoes at his inauguration was Obama. He wore shoes made in China—Cole-Haans."
     "No!" I gasped.
     "They asked us for shoes, so we sent them shoes," said Hall. "But we looked at all the pictures, and he's not wearing our shoes. The reasons we decided not to say anything about it is the world was falling apart at the time, the last thing he needed was this company in Wisconsin throwing shoes at him."
     Everything about Obama spawns a conspiracy theory, and this is no different.
     "Made in China," mused Hall. "Why would he do that?" The obvious answer, Hall said, is that a favor was owed to Nike founder Phil Knight, whose company owns Cole-Haan.
     "Look at Obama as another athlete being paid by Nike," he said.
     In fairness, I couldn't find any evidence that Obama is indebted to Knight or would feel compelled to wear his shoes. But what chance has truth compared with a good story?

DO THEY SMELL?
     Had Obama worn out his Allen Edmonds shoes working the corridors of power, he could have shipped them back to the factory for refurbishing—buying a quality shoe is like buying a car, in that they service it.
     Every day, up to 100 pairs of old, shabby, scuffed, soaked, moldy, broken-down Allen Edmonds shoes arrive in the mail ("Do they smell?" I asked a worker, who emitted a rueful laugh. "Especially in summer," she said).
     The company does something very high-tech— it first takes a digital photo of the battered footwear, posed fetchingly against a white background—then, after the sole is stripped off and the shoe rebuilt, it takes another of the finished product and e-mails it to customers, to say their reborn shoes are on the way. "Remember these?" the e-mail asks.
     One customer, sending in his departed father's Allen Edmonds to be refurbished, asked that his ashes be blended into the hot cork mixture applied between the sole and the shoe. The company complied.
     One last thing, before we bid adieu to the world of shoe manufacture. The company owns a specialty lumber mill, in one of those odd business connections one sometimes finds (My favorite: Coors brewery once owned a large toilet bowl factory, not due to the usual beer/toilet dynamic, but because they made their own beer kegs, and the kegs were lined in porcelain).
     So Allen Edmonds owns Woodlore, a nearby lumber mill because . . . ready? . . . they were having trouble getting a reliable source of cedar shoe trees, so they went into the business in order to guarantee supply.
     And here I thought nature was the only source of wonder.

     —Originally published in the Sun-Times March 28, 2010

Sunday, April 19, 2015

Baby's got new shoes


     Shopping at Nordstrom's Rack on a Saturday is not my idea of fun. But it was mid-afternoon. I'd been working away since 5 a.m. My wife invited me to come along. It seemed a festive outing. 
      Now, it just so happened that these patent leather Oxfords with red stitching were just sitting there, in my hard-to-find size, 8 1/2EEE. Which normally I wouldn't touch, but as it is, I'm master of ceremonies again this year for the Night Ministry's fancy black tie charity ball at the Standard Club—June 4, if you're interested—and it struck me that I should get formal shoes to go along with my tux.  Street shoes made me feel, well, not quite dressed to the 9s as a master of ceremonies should be.
    The red stitching threw me off. I'd have to wear them with a red bow tie and cummerbund.  Some consultation was in order.
     "Honey," I asked my wife, holding up the shoes. "Do you think I can get away wearing these with my tux?"
     "You don't have to be boring all the time," she replied, and I must have looked like a puppy that had been stepped on, so she elaborated: "When I met you, you would wear these bright-colored shoes."
     Boring AND a shadow of my former flamboyant self. Thanks honey.
     That sealed the deal. Well, that and the fact they were 2/3 off, and made by Allen Edmonds, whose Wisconsin factory I visited five years ago, and developed brand loyalty toward, if you can have brand loyalty for a product you don't actually own.  This is the report I filed:

     Precisely 120 miles due north of the Wrigley Building is the largest men's shoe factory in the United States, the Allen Edmonds Shoe Corp. in Port Washington, Wis.
     There—not in China, nor in India—sheets of calfskin, miles of thread and gallons of glue are turned into about 1,000 pairs of men's shoes every day. Shoes whose given names — Bradley and Kendall, Grayson and Maxfield, Ashton and Powell—evoke both boardroom elegance and, at least to me, the class roster of a North Shore preschool.
     I spent hours prowling Allen Edmonds on Monday, and the good news is there's absolutely nothing moribund, doomstruck or woebegone about the place—it is perhaps the cleanest factory I've ever visited, with the possible exception of a flatbed scanner plant in Taiwan, and there we had to wear white paper suits and go through an airlock to blow the dust off our clothes, so it's an unfair comparison.
     A quality shoe is constructed around a foot-shaped form called a "last." But I must pause, before getting bogged down in the 200 steps it takes to make a shoe, from the person who circles imperfections in the hides so the pieces that become a shoe can be puzzle-cut around them, to the man who grinds away a small corner of each inner heel, so it doesn't catch on the cuff of your suit (as someone who has wrecked his share of pants cuffs on the knife point heel of my Church's wing tips, I particularly admired that detail).
     The true wonder of Allen Edmonds, beyond the fact that they will custom make a pair of size 21 AA brogues in purple leather for you, if you so desire, is that it's still in Wisconsin, since 1922, despite the triple whammy that gutted most of the American shoe industry.

WHAT WE DO MAKE: DEBT, FANATICS


      First, cheap foreign labor. Since 1968, some 98 percent of America's shoe production has tap-danced overseas. The Brown Shoe Co.— which made St. Louis into a shoe-making center, introducing Buster Brown Shoes at the 1904 World's Fair there—closed its last American factory 25 years ago. Cole-Haan stopped making shoes in Maine in 1999. Florsheim began in Chicago in 1892 and closed its last Illinois plant 100 years later
     You get the picture.
     Allen Edmonds employs about 300 people at the factory—with another 300 at stores and warehouses—and was purchased in 2006 by a Minneapolis private equity firm for $123 million. Its most dramatic change since then has been to open a small hand-stitching operation in the Dominican Republic—not, spokesman Colin Hall vows, as the vanguard for any overseas move, but to boost its casual line.
     American manufacturers survive by working the niches, and Allen Edmonds capitalizes on the fact that human feet range greatly in size.
     "Most guys are between an 8? and 11, most are D widths, which is the medium width in America," said Hall. "So people manufacture in that core size, and if you're a brand, and don't do your own manufacturing, you're basically buying from a company in China or India. You're going to buy heavy on the center of that bell curve, because you know you'll sell the most there. We'll have the bell curve, but we'll also have the extremes, we have 6AA, we can make you a size 23 EEE."

BUT THESE KLEENEX BOXES WORK FINE!

     The second blow has been style -- a young man who a decade ago went to work in khakis, a dress shirt and penny-loafers is now showing up in cargo shorts, a T-shirt and flip-flops that cost a penny to be shot-injected into a mold in Szechwan.
     Allen Edmonds has been trying to surf this trend by creating a range of casual shoes, such as white slip-ons stitched in red, meant to resemble baseballs.
     The third factor scuffing the shoe industry, whether domestic or foreign, is the recession, which hit quality men's shoes especially hard, since one of the attractions of a well-made shoe is that it lasts, and when times are tight you can give yours a quick buff and get by for another few months. Allen Edmonds shoes are not cheap—they start at $125 a pair and sail off to $500 and beyond.
     How tough has the recession been on the shoe business? In 2008, 2,300 shoe factories closed . . . in a single province in China.
     Allen Edmonds fights to stay alive through an intriguing blend of high and low tech. It might be applying the name of each shoe in gold letters, one sole at a time, by a worker at a machine, or burnish the finish of each toe over an open flame, but a running tally of the current daily production quality is displayed on a big electronic board on the factory floor.
     
     Who'd have thought that a shoe factory would exceed my one topic/one column policy? But I haven't even told you about the guy who requested that his father's ashes be molded into the soles of his shoes. Nor about Barack Obama's regrettable bow to Chinese totalitarianism at his inauguration, and how Allen Edmonds struggled to stop him—a true treat for all those readers who spend their days searching for things to blame on Obama, with the added bonus of actually being true.
     —Originally published in the Sun-Times March 26, 2010

This, obviously was the first of two parts. Since I don't want to overwhelm you with any given topic—I learned my lesson with the puppets—I'll leave it up to you whether we go with the second half of my Allen Edmonds visit tomorrow or feature whatever I write for the newspaper instead. Thoughts?

Saturday, April 18, 2015

Saturday fun activity: Where IS this?


     Would it be unfair to leave you only with this rather shabby and dimly lit bedroom, with its particle board interior? Frankly, my gut tells me you could crack it from that alone. But I don't want to be too maddening—the goal of this contest is to challenge, not infuriate. So I'm going to include another picture from today's mystery location, as a clue. Where is this place? And why is it on fire?
    The winner will receive one of my way cool—to me, anyway, the winner last week didn't claim it—2015 blog posters. Please place your guesses below.  Good luck.

Friday, April 17, 2015

Cardinal Francis George, dead at 78



     Personally, I was not a fan of Cardinal George. I found him harsher than he needed to be, and resistant to the new style embodied by Pope Francis. But I admired the cardinal's fidelity to the tenets of his faith, and his scholarship, and tried to write an obituary that was fair and accentuated his good qualities.   
     The day after Cardinal Francis George stepped down as leader of Chicago’s 2.3 million Catholics was a Sunday and Eleanor Franczak, a parishioner at St. Michael’s Church in Orland Park, summed the cardinal’s tenure this way: “He was one of us. He wasn’t any better or worse, just a normal person.”
     It was an assessment that Cardinal George, who died Friday morning after a nine-year struggle with cancer, would have wholeheartedly endorsed. When he learned that Pope John Paul II had named him as the successor to Chicago’s popular Cardinal Bernardin, the unassuming priest asked in surprise, “Are you sure the Holy Father has considered all the options?”
     But that modesty concealed a man who was an accomplished scholar, a skilled writer, and an unyielding defender of the faith. Raised on the Northwest Side, Cardinal George, 78, was the city's eighth archbishop and the first priest born in the Chicago archdiocese who rose to lead it.
     Archbishop Blase Cupich, who was the bishop of Spokane, came to Chicago in September to assume the role as George's successor, while George's title became archbishop emeritus.
     At the time of his appointment, in April, 1997, George initially set an inclusive tone.
     "The bishop is to be the source of unity in any archdiocese," he said the day he was introduced to the city. "The faith isn't liberal or conservative."


To continue reading, click here. 

  

So Marilyn Monroe is out of the question?


     I try not to burden myself with guidelines when writing this column.
     But I do have one rule: Try not to advocate the impossible. Thus no modest proposals, no utopian dreams. Live in the world of the practical.
     Wasn't always so. In the past, I've pushed quixotic quests, such as getting rid of the paper dollar, lulled into a false sense of possibility because less hidebound nations are capable of it. Great Britain has no paper pound, Canada no paper dollar, for instance. Saves them billions.
     But we can't. Americans think of themselves as dynamic and fearless — and maybe we were, once. But now we're skittish and change averse.
     That said, I see the appeal of impossible quests, such as the effort to boot Indian-slayer Andrew Jackson off the $20 bill and replace him with a woman.
     It's an odd piece of tokenism. Just as being on a U.S. postage stamp has lost its cachet — I could create legal U.S. postal stamps honoring my dog — so currency is about to be mooted by cash cards.
     But it's still significant enough for advocates to create a website and get a bill introduced into the Senate this week by Sen. Jeanne Shaheen (D-N.H.) forming an advisory committee, as only the Treasury Department could actually make such a change.
     Before we visit the website, let's ask: What woman should have the honor of debuting on U.S. currency? (A real woman, I mean, discounting all those allegorical figures of liberty and electricity and such.)
     A tough question. She'd be going head to head with Washington, Lincoln, Hamilton, Grant (the latter two don't really belong; maybe Jackson should stay and one of them go).
     Four candidates? Off the top of my head, I'd go with Emily Dickinson, Clara Barton, Amelia Earhart and Jane Addams. It isn't a diverse list — no women of color — but it's my list, and I didn't want to pander.
     Not a concern for those advocating the change. Go to their website, womenon20s.org, and you're introduced to their four finalists: Eleanor Roosevelt, Harriet Tubman, Rosa Parks and Wilma Mankiller.
     Heartbreaking. While energetic and independent in her own right, Eleanor Roosevelt's claim to fame is she married a man who became president. Harriet Tubman and Rosa Parks — if you're looking for a black woman, they're two. But compare either, historically, to, say, Martin Luther King and I don't think I'd be alone in preferring they choose King and shelve the whole honor-a-woman idea.
     Wilma Mankiller? And she is? "First elected chief of a Native Nation." Died in 2010. An utterly unknown woman whose name expresses the fears of half of America when contemplating feminism. That's a good idea.
     Those four were voted in, supposedly, from an list of 15. Looking at that list, Rachel Carson popped out. She'd be the best call, part of a top-to-bottom currency redo focusing on the environment. (See how these impossible quests draw you in?) Or Susan B. Anthony, though she's already been on the dollar coin, and what a failure that was. Margaret Sanger? Really? The birth-control advocate? A person responsible for far more deaths, at least in the conservative view, than Andrew Jackson ever caused. Yeah, that'll go over well. We'll end up with a third of the country refusing to touch a $20 bill. I'm surprised they didn't include Emma Goldman and Madalyn Murray O'Hair (notorious red radical and fierce atheist, respectively, if those names don't ring a bell).
     Looking over their list of candidates, I caught myself thinking, "Women really haven't had much impact on U.S. history, have they?" Which can't be the intention. Women have had an impact, of course, but if we're honoring the gender, we should go back to allegory: suffragettes, pioneers, textile workers, mothers. It's so strange to push Wilma Mankiller and ignore their contributions. Then again, the whole effort is going to amount to nothing, so no need to get too worked up over which specific woman won't be honored on the twenty.

Thursday, April 16, 2015

You need a friend on the inside


     You don't get a job without someone on the inside.
     In most cases, that is. You need someone both rooting for you, encouraging you, and also boosting you among the harried, hostile mucky-mucks you are trying to impress.
     At the Sun-Times, for me, that someone was Wilma Wall. A tall, calm, editorial assistant in the features department, she took my phone calls, helped me strategize, soothed my disappointments. Not that, in my early 20s, I was anything special. But Wilma was nice to everyone, and I fell into that broad category.  The features editors at the time—Carol Stoner, Susan Axelrod, and Scott Powers—were a fortress of shrugging indifference, and I can't say I remember them with a half teaspoon of affection, collectively. Wilma Wall, however, was my ladder over the rampart.
     She made me think I could actually get a job at the paper, and after two years of freelancing and constant, gerbil-on-a-wheel effort, along with a helpful union complaint filed against me claiming that I wrote so much I constituted a non-union scab, they did grudgingly hire me, 28 years ago. 
     When my mother first visited my new place of employment, to be proudly shown around the bustling newsroom on the fourth floor of 401 North Wabash, I of course introduced her to my champion, Wilma Wall.
     "We did it!" she cried, leaping up and hugging my mother, who never forgot the moment. Nor did I, which made me sad Thursday to see Maureen O'Donnell's fine obit of Wilma, and sadder still to see that she was living right in Northbrook all this time. I wish I had known. I'd have visited her, and thanked her, yet again, for all her kindness to me.