Tuesday, December 15, 2015

Closing the Los Angeles school system is a mistake


     I said it before, at the end of November, when the University of Chicago cancelled classes after what turned out to be an empty threat, posted by some angry idiot and retracted, but not quickly enough to keep someone from sending it to the FBI.
     But it merits saying again:
     We over-react to these online threats at our peril. The Los Angeles public school system cancelled class Tuesday for nearly 700,000 kids.
     Dumb.
     Why?
     Someone who intends to carry out a terror attack doesn't issue threats—they don't want to scare their targets away. Threats are issued by hoaxers or mopes or idiots or someone who wants to cancel something for some small personal reason and hasn't thought through the Now-I-go-to-prison part.  There might be instances of threats being followed by action, but I can't think of any.
     Closing down a school system like Los Angeles' doesn't just deprive hundreds of thousands of kids of a day's worth of education. It also puts the students at very real peril, because instead of being in classes they'll be at home or on the streets or somewhere they could be hurt or injured or get into some other kind of trouble. I would bet money that no true peril will be found from whoever is behind this threat. But the peril of keeping the kids home is very real, a more tangible threat than the threat that prompted authorities to close the schools in the first place.
    It also represents a cowardice on our parts. When I wrote that U of C made a mistake, a number of people replied along the lines of : We must do EVERYTHING to stay safe!!!
     No we must not. That is the direction of tyranny and totalitarianism and defeat. New York City received similar threats and did not shut its schools. Places that have regular random attacks know the importance of carrying on. You sweep the glass away, right the tables, mop the blood up, and re-open the next day. Otherwise we're cowering in fear, no one goes to school and whoever wants to carry out an attack will still do it.
     There's an easy way to tell that this is a mistake: ask yourself, if LA gets another threat tomorrow, what will it do? Close? And the day after that? And the day after that?

"I'm a homeless child in need"


   
     Yesterday's Letters to Santa column mentioned my attempt to play Santa to a needy child in 2011. I went back and looked at that column to check which distant street I traveled to—West 123rd—and discovered that it was actually two columns, and it struck me that maybe you guys might enjoy seeing them. Coincidentally, both Monday's column and the pair in 2011 began with a quote from my wife.

     "Feel my hair," my wife said. I did what I was instructed, taking a handful of reddish golden locks.
     "Soft," I ventured, hoping it was the right response.
     "It's that oil!" she said. That what? Oh right, the oil — "L'or D'Afrique — 100% Organic Argan Oil," the pride of Morocco; a sample had been delivered to me months ago by Tarik Khribech over at the Billy Goat Tavern. I sure wasn't sure what to do with the stuff, so I left the sample for my wife.
     "Do ladies really oil their hair?" I said.
     "You know how women brush their long hair 100 times?" she said. "It's done to get the oil from their scalps to the ends."
     Who knew? I'd read about brushing but never knew why they did it. See, that's how we stay married — I make her laugh, she claims, and she always surprises me.

     Another example of her catching me off-guard. A kindhearted editor passed me a homeless child's letter to Santa. Might I, she asked, help this poor girl? Sure, in an ideal world. I foot-dragged for days. The editor prodded me — what about that little girl? I finally read it, each letter printed in a different color, underlined in yellow, decorated with colorful hearts.
     "I'm a homeless child in need," it began. "My situation is bad and I know it's bad because my mom doesn't talk about it, that means she's trying to protect me."
     Touching. But it's a bad world, and we're all busy. The last thing I wanted to do was play Santa to some child I'd never met. I have my own children to worry about.
     Besides, she wanted a lot: "LPS" — whatever that was — "A Secret Password Journal, Monster High dolls, and Bratz."
     Google told me LPS is "Little Pet Shop," an ultra cute animal play set. But it was the journal that pierced my indifference — as if being homeless weren't bad enough, homeless and a budding writer, too. The poor waif. We writers must stick together.
     My wife announced she was going to Target. They sell toys at Target. "I'll go with you," I replied, worried that, being frugal, she'd balk at my buying gifts for unknown girls. I told her about my mission.
     "Only $20 or $30," I promised, since "$10 is too little and $40 is too much."
     At Target, we started with Bratz. "Platinum Shimmerz Yasmin" with purple hair and extra "Shimmer Powder," a doll that makes Barbie look like an Amish widow. Price: $12.99. Then Monster High. "Cleo De Mummy." Another $10.99. Our limit reached, I was ready to head for the registers. But my wife was off talking to a clerk. Did they have Password Journals? ("Of course not!" I answered, to myself, hopefully) Sure, next aisle over. The journal cost $23.89. Obviously a deal-breaker. As I went to put the box back and make our escape, my wife took it from my hands and added it to our cart.
     "Don't be cheap," she said, a cast coming over her eyes, a fierce determination I knew better than to question. We pushed on to the Little Pet Shop section to discuss which "Shimmer and Shine Pet" was the cutest.
     "A girl wants four toys, you get her four toys," she said, returning to Monster High to swap the basic Cleo I had selected for a more complex and expensive — $18.89 — doll classroom set. By then this girl might as well have been our own daughter.
     "How's she going to carry all this stuff around if she doesn't have a home?" my wife fretted, sadly, and I realized I'd be lucky to be out only 60 bucks and not end up with my wife inviting this gal's family to move into our guest room.
     See, that's the drawback of caring. Once you start, who knows what'll happen? Not that I'm complaining — it was worth it to see my wife click into this unimagined cost-be-damned, mama-bear-feeds-the-cub mode. Even I felt odd, unfamiliar stirrings of altruism. And heck, maybe it'll make this little homeless girl happy.
     Anyway, if you still want to help, despite all your valid reasons not to, you may request a child's letter — and they still have 500 to place by Friday — at www.suntimes.com/santa, or e-mail elves@suntimes.com or call (773) 890-7373.
     Or donate money by going to suntimes.com/santa or by sending a check or money order made out to Chicago Sun-Times Charity Trust to: Sun-Times Season of Sharing, P.O. Box 3596, Chicago, IL 60654. But don't say I didn't warn you. Caring is addictive.
                        —Originally published Dec. 14, 2011

     Some days, it all makes sense.
     I was standing at the kitchen counter early one morning last week when my older boy knocked over his lunch bag. It fell to the floor and the can of Diet Dr Pepper he had snuck inside cracked open in such a way that it sent a sheet of soda pop spraying four feet into the air between us.
     I was regarding this phenomenon, not with distress, but a certain bovine curiosity, musing that you couldn't re-create that curtain of mist if you dropped 100 cans, when my younger son's voice shouted from the next room. "There's a dead mouse!" he cried.
     "You get the soda, I'll get the mouse," I said, grabbing a paper towel, choking back my snarky comment ("You wear size 12 shoes; take care of the mouse yourself.") I did the dirty work, returned to the kitchen, and thought, sincerely, "I'll miss this."
     Half an hour later, I strode out of the house, toward the train station, got half a block, remembered, "Oh, the gifts!"—the shopping bag of neatly wrapped presents, the purchase of which, for a Season of Sharing letter, was outlined in a recent column.
     I pirouetted, raced back, grabbed the bag—"Can't talk!"—and bolted for the train.
     At the office, I asked the editor who gave me the letter where I should deliver the gifts. I thought she'd say a certain room on the 10th floor executive offices. Instead, she gave me an address on West 123rd Street. I didn't know there was a West 123rd Street in Chicago. But there is, in West Pullman.
     "The donors are responsible for hand-delivering the gifts," she said.
     Now you tell me.
     I assessed my options. I could go down to the street and try to press the gifts on random passing girls— "Here honey, take a present." But considering our world today, that might not go well. It seems fraught.
     I asked a hotshot colleague who lives in Pullman. Could you . . . ? "Busy!" Clarity descended on me, and I had what I call a "Nineveh Moment." If you recall your Bible, God tells Jonah to go to Nineveh but, also being a busy, can't-be-bothered kind of guy, Jonah tries to shuck the task, a storm comes up, buffeting the ship he is trying to escape on, and Jonah gets tossed into the sea.
     That happens. Shirking certain missions only backfires and you end up in a big fish. I told my editor that I'd take care of it.
     My intention was to drop the gifts off the next morning then flee downtown. Between the round trip the day before and today, I had already schlepped the gifts 100 miles. The lady at the shelter had a different idea.
     "I want her to meet you," said Marshe Owens, a case manager at the shelter, located in an old convent house, the floors and woodwork worn, the ceiling patched in places, the space tight —60 people living in 13 small rooms. But clean and homey.
     I sputtered, trying to back off: aren't donors supposed to be anonymous? But that was brushed aside. First I met the mother, a bright-eyed lady to whom fate has handed some bad breaks. I had jokingly supposed her daughter wanted to be a writer, based on her asking Santa for a journal. But more than a glib line, that turned out to be true. The girl has the optimism that gets writers through the disappointments of our profession, ascribing significance to trivial matters such as meeting a newspaper columnist.
     "She said, 'I'm on my way, Mom! This is a big break!' " her mother told me. I've been having that thought daily for the past 30 years. So the girl, 12, was sent for.
     There we should draw the veil. Suffice it to say that I found myself driving north up South Halsted, really, really, really glad that I had, with prodding, paused from dancing around the bonfire of my own ego to think of someone else for once. I felt nestled in a rare bubble of happiness and tranquility. A very—dare I say it?—Christmassy feeling, followed by a realization: Don't wait until next Christmas to do this kind of thing again.
                          
                                                  —Originally published Dec. 23, 2011

Monday, December 14, 2015

Brighten the Christmas of a needy child, damn you!


     "I wish you wouldn't say that," my wife said.
     "Say what?" I replied.
     "Say, 'I'm not a social service,'" she said, mimicking some pompous dope's voice; me, apparently.
     A favorite phrase of mine when I'm ducking some do-goody task somebody feels I ought to do.
     "Well, I'm not!" I blustered. Helping people is a fool's errand. 
     When I saw the table set out in the newsroom for the Chicago Sun-Times Charity Trust's Letters to Santa program this year, my first, unvarnished thought was: Hell no! Not AGAIN!  I've done that in the past. Talk about a hassle. You have to track down some obscure toy for an anonymous child. One year I was late getting it, and was forced to drive to West 123rd Street to deliver the gift. I bet you didn't know Chicago has a West 123rd Street; it sounds like it should be in New York City, and by the time you drive there, it might as well be.  I ended up being pressured into meeting the recipient at a shelter, face-to-face. It was awkward and ate up half a day.
     Besides, it costs money. I've got two boys in college. I'm helping kids plenty already.
     And then I would have to write one of those stiff Letters to Santa" columns trying to gull others into joining me in perdition. Who reads those?
     Well, I do. At least I read Dan Mihalopoulos' Nov. 17 article. I noticed his name and picture and figured, "Maybe he's blowing the lid off the whole Letters to Santa scam. The toys end up being burned into the fireplaces of Bruce Rauner's nine homes, because the sight of flaming toys intended for underprivileged kids is the only thing that can bring a smile to his thin, cold, lipless face....
     No. It turns out that Mihalopoulos was merely promoting the program, how it's "making wishes come true" for impoverished kids at Christmas.
     Fuck you, Dan, I thought. If you think you're better than me, you have another thing coming.
    I marched over to the table, intending to grab a letter. But which letter? Not a girl's letter, obviously — outside of my skill set, maybe even creepy. I'd end up lingering by the Barbies, trying to find the specific outfit demanded by my tyke, only to catch the paranoid attention of some gimlet-eyed mom and, trying to explain my mission find myself arrested.  "EX-COLUMNIST NABBED LOITERING IN BARBIE AISLE."
     The first letter off the boys pile wanted a pair of soccer shoes and a soccer ball and a soccer net and maybe an entire soccer team, too, for all I know. I stopped reading and tossed it back: too expensive. The next few seemed similarly unpromising, until I hit upon one from Diego O., age 7, a second grader from the Burroughs School. He did not, like other kids, begin his letter "Dear Santa," but "Dear santa's helper." As if the boy saw through the entire charade. He knew he wasn't appealing to the supposed good nature of some ludicrous aged elf who, despite his morbid obesity, nevertheless brings presents to good little boys and girls in one physically impossible orgy of global generosity each Dec. 25. He knew he was trying to touch the heart of some anonymous henchman who, like himself, was trying to navigate a harsh social structure maze built on guilt and lies. A kindred spirit.
     He continued: "tonk you for the gifts I will receive...."
     I'd offer that "tonk" as an indictment of the Chicago Public School system, but I distinctly remember taking a spelling test in 2nd grade where we were asked to spell "of" and, stumped, I wrote down "ove." Another commonality; we were also brothers in poor spelling. 
     Diego went on:
I hope you have a great christmas with your family. I would like you to bring me toy soldiers, minecraft legos or a sniper nerf gun. may god bless you and all your family? I greatly appreciate it, you are truly a nice person for thinking about the child from school.
     Laying it on a bit thick, aren't we kid? Still, I admired the fulsome praise in return for expected benefit — he could have a future in Chicago politics. And "thinking about the child from school." The third person, it was, well, somehow touching.
     There are no toy stores anymore, but Target had a whole section of Minecraft Legos, ("Minecraft," I assume, is a video game where the play constructs roadside bombs). Minecraft Lego sets topped out at $110, I noticed with stomach-dropping dread. But I found a set that didn't look too paltry for $21, and then went over to the armory of Nerf weapons. No designated "sniper" gun, so I picked a long rifle that looked like something Oswald left behind in the Texas School Depository, only with orange parts to encourage member of the Chicago Police Department not to shoot him if he's bold enough to play with it outside.
      It only set me back $15, which left room for the toy soldiers, not that Target had any. American servicemen are fighting all over the world to preserve our freedom, yet parents dab a perfumed hankie to their lips in horror at the thought of their kids playing with soldiers. 
     Now all I have to wrap the stuff, and get it to whatever staffer at the paper has been saddled with this task, assuming I don't end up having to drive it down to West Pullman again.
    Cynical? Sure. But I would draw your attention to one germane point: I did it. A Jewish agnostic who never celebrated Christmas in his life, who thinks of all organized religion as dueling fairy tales. A bitter alcoholic whose entire life is an ash heap of disappointment and failure. Yet, somehow, out of a vague spark of professional jealousy toward Dan Mihalopoulos, I roused myself, and helped make a child's Christmas a little brighter, assuming the gifts don't end up as Yule logs at Bruce Rauner's ski chalet.
     If I can do it, so can you. but time is short. Go online at www.suntimes.com/santa or call 312-321-3114 and asking for a Letter to Santa. You can be a solipsistic bastard concerned with only your own comfort the rest of the year. Who knows, it might even make you feel good. It didn't do a thing for me. But it might do something for you. Stranger things have happened. 

Saturday, December 12, 2015

"Training for the marathon of life"

Therese Schmidt
In my career, I've found myself in some odd positions trying to research a story: hitting the beach with Marine Reserves on maneuvers on the coast of California. Climbing a communications mast atop the John Hancock with the men who were changing the light bulbs on it. Interviewing a nurse who was giving me a prostate exam. Tied naked to a St. Andrew's cross at a dungeon. 
      This story really stands out, because it required running along the subterranean streets under the Loop with Therese Schmidt, watching her deliver packages for her store, Atlas Stationers.  She really moves, wasn't about to delay her deliveries just because she had company, and I struggled to keep up while jotting down her comments as we ran. 
    I go to Atlas all the time, for all my office supply needs, and always stop to chat with Therese if she's in the store and realized, last time we did, that with the cold weather coming on, eventually, I should  post this story. Every business owner should be so determined to serve customers. 

     'This is where the dead guy was," Therese Schmidt calls over her shoulder, taking a quick right at Post Place and hitting Lower Wacker Drive at a brisk trot.
     She gestures at a gathering of dumpsters underneath 205 W. Wacker, where a corpse once turned up, while pushing a cart of $2,000 in office supplies: toner cartridges, binders, batteries, bubble wrap.
     It's Thursday, just past 8 a.m.
     Schmidt, 53, delivers office supplies for Atlas Stationers. She's also co-owner; her husband's grandfather founded Atlas in 1939. Nevertheless, five days a week she spends hours sprinting around downtown Chicago, fulfilling the store's promise, posted on a sign in the window of its Lake Street store: "Free Loop Delivery."
     "I always run when I'm making deliveries," she says.
     Then again, she always runs when she's not making deliveries - she ran two miles already today, about 4:30 a.m. around her neighborhood in Lake Villa, before coming downtown to run more.
     And sometimes, to unwind after running in the early morning and at midday, she'll run again in the evening, on a treadmill at home.
     She has run when it was 30 degrees below zero and 105 above. When the blizzard struck last February she ran behind a snow plow.
     "I never miss it," says Schmidt, who was a three-sport athlete at Morgan Park High School. When her four children were in athletics, she'd drive them to practice, and run until they were done.
     "I run every day," she says. "I run through sprained ankles. I've had minor surgery I've run through. All our vacations. It's one of those things. If you don't run you're afraid you won't run again."
     So she never skips a day? "Not 100 percent," admits Schmidt, estimating that, over the past five years, she has not run on a total of five days. Otherwise, she averages between four and 10 miles a day.
     Why run? That's complicated.
     At 222 N. LaSalle, Schmidt transfers 14 packages from her hand cart to the basement loading dock - these buildings are meant to accept deliveries from trucks, not runners. She chats with the guard at the desk, chats with the men in the mail room accepting the packages.
     "How you doin' today?" she says. "Nice to see you." By 8:20 a.m. she is sprinting back to Atlas along Lower Wacker. Crime doesn't worry her —"Cameras!" she says. She picks up another two orders, already packed on a smaller cart — $17.39 worth of vinyl covered paper clips and $109.73 in mailing labels — heading to two law firms at 1 E. Wacker.
     Schmidt is not one of those inner-focused runners oblivious to the world. She notices and ponders everything as she passes it by, such as a knot of half a dozen homeless men sprawled at Garvey Court.
     "Those guys are always out there sleeping; I feel bad for them," she says, though giving them a wide berth. "You just don't know if they're schizophrenic or not."

   She spies an inert form under a blue and white quilt on Lower Wacker, wrapped head to toe in plastic, and stops to investigate.
     "Is there someone in there?" she says. "I feel bad, all these guys. They came from somewhere."
     As Schmidt runs, she lets her mind roam too; this morning about veterans and post-traumatic stress. "How could they not all have it?" she thinks. About atheists. "They must have faith," she muses, "in their atheism."
     At 1 E. Wacker, a lady in a green scarf gets on the elevator.
     "Hello, how are you doing?" Schmidt says. "That's a pretty scarf. It looks great on you."
     "Thank you," the lady says, adding, "I wish it was Friday."
     "Well, it's almost there," Schmidt replies brightly. "It's Thursday. Thursday's good because tomorrow's Friday."
     "She always upbeat," says Bryan, who works security in the lobby at 1 E. Wacker. "It's always good to see her smiling face."
     Schmidt has a degree in economics from Knox College in Galesburg.
     She shrugs off some ribald humor overheard on an elevator.
     "I have five brothers," she says, and two sisters. She now includes one who died when just a few days old.
     "It wasn't until Daley," she says. "He always talked about, always included, his one son who died, Kevin. Once he did that, my sister and I started to acknowledge our little sister Francine."
     Gozdecki, Del Giudice, Americus & Farkas; Pfaff & Gill; The National Association of Charter School Authorizers; Michael B. Rosen Architect.
     She hands over her driver's license, chatting happily with a variety of guards, some stern, some smiling. She unpacks her cart to put each package through a metal detector. She is given temporary passes, buzzed through doors.
     "You're always smiling," a secretary says to her.
     "Well, it's always a good day," she answers.
     

     Floor 17. Floor 33. She used to design offices for a living. She just made a sale to a company she was delivering something to after observing that their chairs would wreck the new carpets. They ordered 10 vinyl floor mats; she delivered them the next day.
     "They're all really nice," she says, of the people she interacts with. "People don't realize, they're working two jobs. Some are going to school. One girl on Hubbard has three jobs. . . . But extremely nice."
     Schmidt notices nuances. "The building moves," she says, standing still, for once, in the lobby of Willis Tower — and it does, you can feel vibration under your feet.
     She hands out yellow gel highlighters to three security guards in gray blazers at the front desk.
     "Look where this is going!" says Omar, genuinely delighted, tucking the pen into his sportscoat. "Thanks, you made our day. I love it. We ALWAYS need highlighters!"
     "It's a Uni-ball," Schmidt says upstairs, offering a pen.
     "Oooooh," the law clerk enthuses. "It feels really nice."
     "It's a great pen," Schmidt says. "Of course, if you need 100 of them, you know where to go."
     She runs full bore down Adams, heading west, past the J.W. Hotel, and thinks about Occupy Chicago, coming up quickly.
     "I kinda feel bad for them," she says. "They need some direction. Everyone needs a leader."
     Schmidt feeds off the energy of those she encounters - the only time her mood sags is upstairs at the Monadnock Building, its hallways shadowy and dim.
     "You always feel like a church in this building, because it's so quiet," she says, striding on the 16th floor.
     Returning from the Monadnock, she turns on the gas, rounds Jackson and cuts north on La Salle, passing the three, count 'em, three Occupy Chicago protesters.
     At Monroe, running hard, she notes a homeless man and his "homeless dog" who used to always be there when she passed.
     "I get kind of nervous, thinking what happened to them," she says.
     There are hills in the Loop - not just down to Lower Wacker, but also at Franklin to the River.
     "You don't even notice it," she says. "It's a slight hill. You don't notice it until you're pushing some weight, when you're doing 500 pounds of paper."

     By 1 p.m. she has done 17 deliveries. When not running, she's in the office of the store, where her son Brian also works. "The time goes by so fast," she says. She'll slip out at 3 p.m. for an 18th delivery.
     Why all the running? She had plantar fascitis once, she says, both feet, "before anyone knew what it was."
     "I could not do anything," she says. "Two years. I used a cane." Surgery cleared that up. "Once I could run, I never wanted to stop. I'm always afraid my feet will start hurting again."
     But that isn't the main reason she runs. Running does her heart good, literally.
     "My dad was 47 years old," she says. "He had a heart attack and died in front of me. I was 16. That was a little traumatic."
     "That's why she runs," her husband, Don, adds.
     "Nothing's ever as bad as that," she says, smiling. "I'm training for the marathon of life."

                    —Originally published in the Sun-Times, Dec. 4, 2011




Nicole Cabell: "I was always drawn to unusual music"



     My older son is in town, visiting from college this weekend, and we slid by the Civic Opera House Friday afternoon to hear Nicole Cabell sing Hanna in the Lyric Opera's production of "The Merry Widow"—she's sharing the role with the great Renee Fleming. A few weeks earlier, we had sat down and talked about the part, her career, and opera in general.
     When the Californian was cast in Franz Lehar's delightful frolic, she had not only never appeared in the opera, she had never seen it.  That did not deter her, even though she doesn't have a lot of experience with frothy operetta. 
    Well, why not? she thought. 
    "I know the music will be good for me," she said. "Everything I'm doing this year is outside of my comfort zone. So why not do this crazy thing and come back to the Lyric and just have fun?"
     I  began our conversation by pointing out that she seems to put out more recordings than the average soprano.
     "I think it's really good, especially if you can put unusual repertoire into recordings," she said. "Because people are making them less now. For me it was, okay, this is stuff you don't find."
     The reviving of obscure works is interesting to me, but I've always come to it from an audience perspective, as experiencing, if not enduring, compositions put on for your edification more than your enjoyment, a painful shot delivered to improve the general health of opera as an art form. 
     I never thought about how the artists themselves view it, and Cabell quickly took me to school, explaining such pieces offer an opportunity to shine.
     "You have your own special interpretation of A, B and C," she said. "But if you also have something unusual, like I did a Ricky Ian Gordon record. He doesn't have a lot of recordings of only his music. [So I do] that as opposed to doing another version of 'O Mio Babbino Cara.'"
     On the other hand, you don't want to just do unfamiliar works either.
     "You have to have a balance," she agreed. "For me, of course, I like to bookend, to alternate my popular recordings with unusual recordings. Or my roles. I need it as an artist. I need to be challenged and to go outside of my comfort zone. If I just sing the Top 40 of opera, I get a little bit bored. You have to consider your audience, and they might get a little bored. I was always drawn to unusual music,  I think because there is a freedom in that. You get a little bit in the box when you sing stuff that's been sung a million times. People look at you as an artist in a fresh way if you're singing something that is not something they always see. 
     "For instance, 'La Traviata,' Everyone has seen and has an opinion on 'La Traviata'" [you can find mine here]."So all they do is compare you to other people. When I sing "Capuletti e i Montecchi," that is not done very often, and they say, 'Oh, what does she have to say?' I would like to make everything my own." 
     Cabell is not alone in this.
     "Most artists, probably love to be challenged," she said. "You feel fresh. If you haven't heard it before, or not very often. You think, 'Oh, I'm giving birth to something new, something very fresh.' But I'm also a traditionalist in a lot of ways, so I need to come back to my Mimis, to my Juliets, to my Violettas. I need this as well.
"
     Speaking of being compared to others, how is sharing a role with Rene Fleming? Does that invite comparison?
     "Totally different, apples and oranges, right?" she said. "If somebody compares me to Rene Fleming I feel they have no imagination. It's apple and oranges. She's a beautiful, red delicious apple. I'm a tangerine."
     She tries not to obsess over reviews or the techniques of others.
     "I try not to watch people too much for fear of becoming a poor man's version of them," she said. 
     On the subject of comparisons, one detail of Cabell's resume demands being shared, because Chicagoans, particularly when it comes to the arts , can feel as if they're dwelling in the shadows of New York. Cabell was a young singer, accepted into the Juilliard School in New York, when a chance to audition for the Lyric Ryan Opera Center came her way. 
   "What happened was, I sang for [then Ryan director] Richard Pearlman back in 2001," she said. "At the time I had already been accepted to Juilliard. The summer before I was to start at Juilliard. It was totally a fluke I sang for him. I got to the finals. I thought, 'I'm already going to Juilliard. There's a snowball's chance in hell I'll actually get into the [Ryan] program.' That was my thinking. I went to Juilliard for ... two days. Then I went here to audition for the program, got into the program, flew home Sept. 10, 2001. Sept. 11, 2001 was my third day of class at Juilliard. Of course I only had two periods before they shut down everything."
    What made up her mind?
    "I had been thinking over the course of the weekend, 'Do I stay or do I go?' When Sept. 11 happened, that was my official date of withdrawal from Juilliard. "
    Did the 9/11 attacks factor into her decision?
    "I hadn't made up my mind if I was going to stay the semester," she said. "I remember watching the TV, thinking, 'I don't feel safe anymore.' For somebody 23 years old, to say that, that anything could happen at any moment and everybody living on borrowed time. When they finally reopened a week later  I had already made up my mind: I don't want to stay in New York. I stayed for another three weeks then I left."
    Not that leaving was easy. It took her a while to find the proper perspective. 
    "I told somebody at Juilliard that I got into this program and I was going to drop out," Cabell said. "They said, "Oh, but this is Juilliard, you can't do this!' Then I talked to another person, one of the counselors there, and said they were giving me a hard time, and she said: 'This is what you go to Juilliard to do. To get into a program like this.' And I said, "Oh. Right. Goodbye.' Of course it was the best thing I could have possibly done."

     Nicole Cabell sings Hanna in this season's final production of "The Merry Widow" on Sunday, Dec. 13.


    
     
     

Friday, December 11, 2015

Rahm's crocodile tears



     Oh please.
     I don't know which is worse. The drama and self-importance of the protesters, reeling around Michigan Avenue, venting their demands, insisting that Rahm Emanuel resign, as if that would do anything. Or the dewy-eyed performance of the mayor, who can quiver his lip and apologize and take responsibility and insist that Things Are Going to Change without giving any indication of what that change might be.
     First, the protests. I would bet none of them have the foggiest idea who would be mayor if Emanuel quit, which he won't. Do you? It would be the city's vice mayor, Ald. Brendan Reilly (42nd). Sure, he's the man to fix everything. Just last month, while black aldermen were condemning Garry McCarthy, Reilly was most prominent among the white aldermen genuflecting before the doomed police superintendent, singing his praises.
     "Yours is one of the most difficult jobs in the City of Chicago, and we just want to make sure that you've got the resources that you need to complete the mission," Reilly warbled.
     So that's the guy who'll fix the police department when Rahm resigns? Which he won't. Reilly would soon be replaced by the Chicago City Council, and we all know what kind of genius they've made mayor in living memory: puppet Eugene Sawyer.
     Yet the mob calls for Emanuel's head. Long term strategic planning is not the strong suit of mobs.
     Leading us to the man who is never resigning, Rahm Emanuel. He's been mayor for nearly five years. Don't you know him yet? This is the guy when Hillary Clinton fired him, refused to go, but wrapped his arms around Bill Clinton's knees and pleaded until he was allowed to stay. He doesn't quit, because that would mean he hasn't won, and Rahm has to always win. It's a rule. He aims high.
     "Nothing less than complete and total reform of the system and the culture that it breeds will meet the standard we have set for ourselves as a city," Emanuel said Wednesday, somehow restraining himself from adding, "except of course the mayor. The mayor stays."
     Empty words. "The standard we have set for ourselves as a city." Since when? When did we set that standard? On Wednesday? And why was it set? Because after nearly five years of ignoring police malfeasance Emanuel finally snapped to attention. And why did he snap to attention? Because the blood of Laquan McDonald touched whatever spider web of a soul is to be found within the mayor? It sure didn't for the first 13 months after it happened. Emanuel couldn't even bring himself to watch the video. Or so he says.
     No, the New York Times published a call for his resignation—that's gotta hurt—and the The Magnificent Mile Association keeps phoning, shrieking, "Can't you get these people out from in front our stores. It's Christmas!" And suddenly he's solving our nation's racial biases on the backs of the police department.
     Sure, they could do a better job of weeding out bad apples. But protecting incompetents is what unions do: I've belonged to one and watched it operate for nearly 30 years, and while I think unions are important organizations, I also know that no reporter could be so big a screw-up or head case that the union wouldn't go to bat for him. In a newspaper, it leaves you with goldbricks, in the teacher's union, lousy teachers, but with the police that kills people. Every cop involved in one of these horrific shootings has a jacket as long as my arm, where nothing was done. The only reason we're worked up now is because of advances in video technology, which the whole ossified buddy-buddy Mount Greenwood cabal of inbred law enforcement has yet to figure out how to sidestep. But they will. Meanwhile, it'll be interesting to see how the mayor creates the illusion of change, so he can get through this, see out his term, and then go on to wherever it is mayors go, exiting with all the dignity he can muster, citing figures and statistics like an auctioneer that proves, to him if no one else, that he was the best mayor ever.
     Speaking of ex-mayors. You know who must be having a good laugh right now? Richard M. Daley? I really wish he dwelled in the temporal world so I could ask him. But he's on some whatever astral plane, being ferried on his buddies private jets from the Gold Coast to Shanghai and back, chuckling so hard his shoulders shake. Here's the guy who shrugged off pleas from Amnesty International to investigate torture allegations against Jon Burge, who sold off the city's assets to cover the commitments he traded for votes but couldn't keep, and left the city a stinking financial mess sliding toward utter ruin. Lauded as the best mayor in the country, rode off into the sunset as the city blew kisses at him. Meanwhile Rahm, twice the administrator Daley was, has fallen and can't get up.
     That's my takeaway from his speech. Don't be fooled by emotion. Rahm Emanuel is just the latest politician signing a check he can't cash.

Thursday, December 10, 2015

Housekeeping note.


We are a family here at Every goddamn day, so therefore....

Okay, maybe not a family, but a community, like the Amish, in that...

No, not the Amish. Not even a community. An amorphous mass, perhaps, a constantly-mutating blob of pixilated opinions and semi-shielded identities that....

Oh, heck, cut to the chase: A reader, Bill O'Callaghan, sent me this note Thursday, Shaving off the preliminary niceties, he said:
    I asked quite some time ago in the comments section of EGD if it wouldn’t be better if the sign-in process could be changed to require people to sign in using something other than “Anonymous.” At the risk of being a presumptuous pest,     I’m renewing that request today. There are clearly others who find it confusing and annoying to have to try to figure out which “Anonymous” is which in order to follow the back-and-forth in the conversation each day; and from one day—and column—to the next. Yes, often one can figure out who is who based on their tone and style and viewpoints, but wouldn’t it be far less cumbersome if each comment had a unique name or screen-name attached to it?
    The comments section has grown to be quite vibrant and the site of a great deal of healthy and illuminating debate. Obviously there are also some meatheads, mooks and morons (or do I repeat myself?) but for the most part the comments and commenters are thoughtful and interesting. It would just be improved (IMO) if one didn’t have to guess who is who for so many posts.
     People don’t have to use their real names (and many have good cause not to want to, for good or bad reasons) but if everyone used a unique name the threads would read better and the posts by both the worthy and the assholes could be more easily identified. That way, a decision could be made immediately whether to engage or ignore the comment, without the guesswork and wasted time.
    Obviously it’s your playground and you get to make the rules. You can take a poll or dismiss the idea again, but I’d bet there are many others who feel the same way I do on this issue. My only goal is to try to help transform the debate in the comments section from very good to truly outstanding. If your reluctance to make the change is because it would be a giant pain to change the protocol, I suppose I understand, but maybe one of your techie friends or readers could do the initial legwork to make the change?
    In any case, thanks again for listening and for being an ongoing resource for interesting and thought-provoking material to read and discuss.

    Makes sense to me. I gotta admit, keeping track of all the "ANONYMOUS" could be a pain-in-the-ass, even for me. You want to reply to some bit of madness, and you have to tag the time and the person reading it has to check back and it becomes a chore, like reading all the footnotes in Infinite Jest. Anyway, beginning tomorrow, in order to comment, you'll have to log in. You don't have to use your real name, but you have to use some kind of name. I can't see how that would rock anybody's world, but feel free to weigh in today, anonymously if you wish, and I'll make the change at midnight.  Thanks for reading, thanks for commenting, and I hope this improves your Every goddamn day reading experience.