The Saturday Snapshot #25

     I don't think I took any photographs during the astoundingly cold pair of days we had midweek. It was just ... too ... cold. I'd have to take my gloves off. Madness. In fact, Wednesday and Thursday, I left the house six times: to walk the dog. Otherwise, the cold seemed in my bones, and I sprawled around the house, too tired to even read.
     But reader Nikki D. stepped into the gap, snapping this Wednesday, noting:

     I took this today during the polar vortex cold, and it's an unaltered photo. This is the view of my side yard, our neighbors are there in the background. It seemed as though it was too cold for colors, almost like I stepped into a film noir.  

     "Too cold for colors"—I like that. Poetic. That could be the title of a children's book, something starting in the black and white winter, with perhaps a trace of bluish snow, then bursting into floral yellows and reds and purples come spring—Friday morning certainly felt springlike, a balmy 7 degrees...
      Scale is hard to tell in this photo, at least for me. Is the tree small, a crab-apple perhaps? It looks that way, at first glance. Or is it large? It seems to grow if you compare it to what seems like a brick outdoor stove nearby.
      Anyway, I don't want to overthink this one today. Thanks to Nikki for sending it in, and I encourage other readers to get off their cans and share a shot or two of their own. It's a game anyone can play. 

What’s next? ‘Hi, this is a scam! Grab your wallet so we can cheat you!’

"First Scene of Thieves," by Gror (Metropolitan Museum of Art)

  

     My iPhone rings. An 800 number, calling me. Which might as well flash a red “SCAM!”
     But I am a curious sort.
     “Dear citizen …” an ominous robotic voice begins. “Due to a certain suspicious activity, we are forced to suspend your Social Security number to immediate effect. Due to this your benefits will be cancelled …”
     I’ve received this call 14 times over the last two weeks of January.
     “In order to connect with a Social Security administration officer, press '1' now,” it continues. “In case we do not hear from you, your Social will be blocked permanently. Press '1' now, and you will automatically be connected with a concerned department official.”
     I admire that “concerned” — a nice touch. Who doesn’t want to believe there is a soul in the government who cares? Once I broke down and pressed “1,” though the person I then connected with sounded, to me, not so much concerned as confused. A harried drone in a Third World basement boiler room. They immediately asked for my Social Security number. “You’re the one who called me,” I said, hanging up.
     “Social Security numbers do not get suspended,” the Federal Trade Commission points out on its web page devoted to this scam. “Ever.”
     Are there people who don’t know this? Apparently so. Which raises the question: Why base your scam on something a halfway savvy person knows to be false?  

"Second Scene of Thieves," by Gror (Metropolitan Museum of Art)

   
     For exactly that reason. Because scammers want to weed out those with discernment. Fraud isn’t about duping everybody. It’s about identifying the most credulous, the choicest marks, and going after them. It’s a manpower issue. What scamster wants to laboriously lead a would-be mark along, only to have him balk at buying $3,000 in Apple gift cards to pay off a delinquent tax bill? Falling for the obvious initial gambit means you are more likely to keep giving, information and even cash.
     Scams fall into two categories: fear and greed. The Social Security number is a fear scam. The terrifying and mysterious government is about to drop kick you into oblivion. There are similar scams involving the IRS, which will never call you demanding payment. Or Com-Ed, calling to say your power is about to be cut.

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It isn't the cows

Metropolitan Museum of Art

    It's amazing how long you can know something without ever thinking about it.
    For instance.
    Chicago, "hog butcher for the world," yadda yadda. Union Stockyards. We all know it. Cows to slaughter. "The Jungle." Familiar to us all.
     So what was the revolutionary part? The big breakthrough that allowed Chicago to kill all those cattle?
     The chutes? The pens? The hooks? The railroads?
     No.
     Don't feel bad if you don't get it. I'd never get it; I never even thought to ask before Tuesday, and I was reading about ...
     No, before I give away the game, lets do a thought experiment. You run a Chicago slaughterhouse. It's 1877. The cows show up, I don't know, from Kansas, and Iowa, and wherever cows come from. They're led, snorting and foaming, into your slaughterhouse. Where you have all these big Lithuanians with cleavers, Stav and Jurgis and whatever. They kill the cows, and the pigs.
     Then what? Think. It's August. You have all these dead cows and pigs in a bloody heap in your slaughterhouse. What do you do with them?
      Sell them, right? Where do you sell them? To whom? Chicagoans? It's a big city, but we can eat enough to make you a titan.
      Hint: "hog butcher for the world."
      Right. You sell your beef and pork to the world.
     How do you get it there?
     On trains, right?
     So it's August, you kill all these cows and pigs, cut them up, load the meat on trains and ship it to points East.
     Do you see a problem? What happens to the meat? It spoils, right, in about six hours. Which is why the meat slaughtering industry was seasonal. You didn't slaughter in summer. The meat went bad too fast.
     Okay, enough mystery. You need to cool the meat. Which is why, in 1877, Gustavus Swift sent an open railcar filled with sides of beef in the dead of winter back to his former home in Boston. To show it could be done. And how he shipped meat for the next five years, until contracting with the Michigan Rail Car Company to design special insulated rail cars to hold ice, yet keep it from touching the beef and turning it black. He had to set up ice depots along the way to replenish the ice, and overcome resistance from the railroads, which preferred bulkier (and more profitable) live animals, as well as public revulsion with "mummified" meat (butcher shops would display signs, "No Chicago dressed meat sold here") which he did by selling it for far less, since it cost less to ship. Swift was the Uber of his day: a big chain driving out the locals with a vast system.
     It was an enormous organizational effort. Swift "had to buy ice-harvesting rights in lakes all over northern Illinois and Southern Wisconsin so that he might have the ice for chilling his beef and loading the ice boxes of his cars at Chicago," his son recalled. "He had to develop icing stations all the way across the country to his markets in the East—the railroads would not build them. Then he had to get the ice-harvesting facilities to supply these stations. he had to build ice houses of huge capacity."
     The railroads wouldn't build them because they preferred shipping live cattle—more profit. But Swift wanted to maximize the value he was shipping. Swift also pushed other innovations: butchers did not typically display the meat they sold. Swift wanted customers to see it, which meant they came to value particular cuts and pay more. He almost didn't care what people paid for his beef, as long as they bought it and became customers. As I said, the Uber of his day.
     "Dressed beef profoundly disrupted the traditional American beef trade," William Cronon observed in"Nature's Metropolis." "Dressed beef brought the entire nation—and Great Britain as well—into Chicago's hinterland."
    But not without resistance. In 1887, the Butchers' National Protective Association was formed with the central purpose of deflecting Chicago beef.
    Not to get lost in the details. What's important to remember is, it was the ice that changed things particularly the car designed by Andrew Chase, at Swift's request: Chase used ice to chill air that chilled the beef. Suddenly slaughtering cattle was a year-round business, a round-the-clock business, since any refrigerated rail car that left Chicago with an empty cubic foot of space was wasting money. Which also led to the huge, consolidated system, because it was expensive to create and maintain this cold supply chain, first with ice, then with mechanically refrigerated cars and warehouses. Driving the small fry out of business.
     Swift's competitors leapt in. Philip Armour created the Armour Refrigerated Line in 1883, and by 1900 it owned 11,000 refrigerated railcars.
     This was supposed to go into yesterday's column. But I had that opening sentence about freezing to death, and sailed off from there, and this was all so complicated, that I never got to what I thought was the most interesting part. Just as well, because I get to tell you now. History, like life, is not fair, and it does not always emphasize the most interesting part. We think it's the cows. But it's not; it's the ice.

Someone is going to freeze to death Wednesday: don't let it be you

     "Freezing to death" is actually a misnomer, since humans begin to die of cold if their core temperature drops below a summery 85, long before ice crystals form.
     But it's too common an error to hope to correct now, and with the Chicago area expected to be plunged into a hellish 20 below zero—the high for Wednesday is predicted to be a record 14 below—this seems an apt moment, among the warnings to stay indoors (my plan) or bundle up in layers if necessity or foolishness lures you outside, to give careful consideration to the long tradition of fatal cold, and the rich literature it has inspired.
     "Hellish" for instance, was not a casually chosen adjective. Despite its famous flames, Hell is often frozen in Dante's travelogue. In the 9th circle, he comes upon figures encased in ice, describing a scene that will no doubt be reproduced on CTA platforms citywide today: "I saw a thousand faces after that/All purple as a dog's lips from the frost/I still shiver, and always will, at the sight."
     And in the lowest pit of Hell, Satan himself is buried to his chest in ice.
     But those people are mostly fictional. Browsing over a century plus of Chicago deep freeze death reports, those real souls most apt to die from cold tend to fall into broad categories: the old, the poor, the old and poor The impaired, typically drunk. The mentally impaired are also vulnerable—in January, 1979, two 8-year-old boys boys, clad only in their pajamas, slipped out of the Joseph P. Kennedy School for Exceptional Children in Palos Township, were locked outside and froze to death on the stoop. It was 5 degrees below zero. Nor where they the only state charges to die that year.
     Hypothermia as a form of suicide is not unknown. In 1898, Maud Alexander, 30, "concealed herself in the dark entrance of the vacant Horse and Harness Exchange building, 1633 Wabash avenue, last evening, and sought to freeze to death," according to a report in the Tribune. "I want to die," she told the policeman who discovered her and saved her life, explaining that she was "friendless and had no money."
     About 25 people die in Cook County every year from exposure to cold. According to the Centers for Disease Control, Illinois is in the top five states for number of cold deaths, though ranks 15th per 100,000 people. About 1,300 people die a year of hypothermia in the United States, 2/3 of those being men, since men are more prone to impairment from substances and what is considered an adventurous spirit.

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Au revoir L'Affaire Covington

Medusa, by Damien Hirst

 
     Last week, I asked the paper for Monday off, because I would be in Raleigh researching a story, and didn't want to be distracted. But I had time in the airport Thursday, and so wrote the following about L'Affaire Covington, thinking I might run it Monday. But the government shut down ended, I came back a day early, Covington suddenly seemed Old News, and a profane, Trump-loving cabbie gave me a column I felt more topical than this. It's a little rough, but will have to do on a Tuesday. And if not, well, there's always tomorrow. 

    One of the glories of my job is that I don't have to swing at every pitch. If I feel I'm going to dribble it into the dirt, or a topic is coming in a little tight and inside, I'll let it sail by and wait for another more my liking.
     The Jason Van Dyke verdict? Pass. With the entire city in full cry, I didn't feel anything to add, or, rather, my perspective seemed too minor league. To me the triumph was that he was tried at all. Six years and change isn't much of a sentence, but it's an improvement over nothing, which is what Van Dyke certainly would have gotten had that video not been released. Also, at the back of my mind, it's a policeman on duty trying to do his job. Whatever else you can say about firing 16 shots, it isn't something someone does after carefully weighing the options. The shame is the man was too afraid, or too hyped up, or too something, to simply pause. 
     Never underestimate the power of waiting. Those boys from Covington High School in Kentucky, caught on video in some kind of exchange with a Native-American man? The first critics who leapt out of the blocks, attacking and defending, what was the point? Initially, the incident was cast as mockery, and the internet exploded in condemnation. The main kid in the video, was to be hounded to his grave for that smirk.
     With Twitter lighting up like a pinball machine, I thought I would join the fun. My initial thought did not pass the smell test—let's say it was an unkind observation about the level of Jesus-like love that one can expect from the inmates at Catholic boys schools. That's the thing about unkindness—it's impatient, it wants to leap, it feeds on itself, and encourages others to join in without really thinking either.
     But I did think, and what I thought was: "Don't say that." So I didn't. Upon reflection, I decided to tack the other way, and find someone to sympathize with.
    "Call me a softie," I wrote, but I can't help feel a little sorry for the administrators and teachers at Covington school, who did not expect to see their national reputation turned to shit in a day.
    Or words to that effect. I had to quickly deleted it as a blunderbuss of contempt was fired in my direction. "Apologist!" cried someone I don't know, while someone I do know crafted a mocking parody. Usually deleting ill-advised tweets is pointless—it's already been copied and passed around derisively. But I figured, I don't need this, and returned to the living world: assuming that hasn't become online, and the flesh and pancakes world just a squishy necessity until we become brains-in-jars wired into the Internet.
     Before I weigh in on my actual opinions on Covington, let me explain a theory that I have, based on lots of interactions with bigots. I believe the central harm they do is to themselves. Sure, they sometimes find a victim and inflict damage, such as was directed supposedly at Nathan Phillips, that Native-American drummer—if being elevated from complete obscurity to nationwide lionization can be considered a kind of harm; it strikes me as ample compensation for an awkward five minute encounter.
    But day in and day out, the people the bigots are hurting are themselves. They're the ones always around, forced to squint through their tiny keyhole of a perspective at the wide green world. As the Covington Affair unfolded endlessly—the boys may yet show up at the White House to meet with their spiritual leader—a profound sadness settled in. I couldn't muster any anger toward them and was disappointed that so many of my fellow libs could. My main thought was: how poorly prepared they were to encounter the world, one filled with all races and backgrounds. Some are hostile, such as the Black Hebrews who supposedly catcalled them, priming them for this interlude (though how being insulted by group A allows you to then mock Person B is something of a mystery). Some are enigmatic, like a chanting Native-American beating a drum in front of you. The impulse to mock what you don't understand, on full display here, will not serve those boys well.
    Unless it does. Unless it carries them to the presidency. It certainly didn't hurt Donald Trump. I have the sneaking suspicion that I'm working off an old playbook. When raising my boys, nothing earned stronger paternal disappointment than when I thought they were being cruel or deceptive. I hope I didn't hobble them for the nation we are becoming.
     I focus on Right Wing lapses plenty, though the Left has nothing to feel good about here. The Left reflected what I call Slasher Movie morality. You know how slasher movies work (or did, I understand there are also variation on the classic theme)— establish a bad guy, who does these horrible things, and then the hero finally gets the upper hand, and inflicts all the sadism and brutality on the bad guy that we supposedly condemn him for doing. Only it's alright, because he deserves it.
    The Trump era is an open invitation to be vindictive. The question isn't, "Does the person you are heaping your scorn upon deserve it?" The question is, why are you doing it? Toward what end? And does the act say more about you than the person you are supposedly condemning? Because everyone deserves contempt, more or less, at one moment or another.
   

"Let them know Africans do love Trump"

    "Everyone here loves Trump," said the friend I was staying with while working on a story in North Carolina. "Even black people."
     How do you know? I thought, but did not say—guestly manners, and I suppose the restraint that puts Democrats at a permanent disadvantage in our current national tug-o-war. 
     I had barely seen a person, never mind a person of color, during my stay in this lovely suburb of Raleigh. Lots of tall, straight southern pine trees—growing telephone poles is big business here. Many old tobacco smoking sheds, little rough cabins preserved as a hint of the rustic charm being pushed out by suburban sprawl. But most people were obscured behind the tinted windows of wide-hipped Ford F-150 pick-ups.
     The government shut-down finally ended while I was away, and the victory for Nancy Pelosi and the Dems was being ululated on the pages of the liberal media.
     But the permanent opposition is having none of it. My friend roundly damned Pelosi while I pursed my lips, and is convinced this re-opening is but a three-week pause before Trump, master tactician, presses his struggle anew. Meanwhile, United Airlines sent an email pointedly suggesting I slip home early, ahead of Monday's polar vortex snowstorm. So I gratefully changed my flight, to find O'Hare oddly congested for Saturday night at 9 p.m.
     No matter. I confidently dialed American Taxi, with the relief felt when you spy your mother's face at the window. I was practically home.
     American Taxi let me down. Rather than briskly dispatch a taxi, an automated voice informed me they were short of cabs. It took my order, yes, and said they'd send a text. But no text came as I stood shivering outside. Only one or two American Taxis slipped by. Not promising. I called American Taxi back, busted through the electronic shells and found a real person, who told me there is a shortage of cabs. Several times, while I tried to pry out the information I needed: would there be, not only cabs available some time in the foreseeable future, but a specific cab available for me? And when might that be? He wouldn't say, and eventually I realized I was on my own. The government is being run by a egomaniacal fraud. Congress is seized up. And now, betrayed by American Taxi. It was as if they had snarled, “walk!”

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The Oriental Institute is no doubt next

"Western Gentleman in Oriental Costume" by unknown British painter
Metropolitan Museum of Art

     Workmen changed the letters on the sign of the Oriental Theater Wednesday night—a Facebook friend sent me a video of himself and a pal, having just seen "Kinky Boots," heckling the workers.

    "Blasphemy! Sacrilege!" one cried, while the other chimed in, "Boooo! Boooo!"
    Yes, change, how we hate it, sometimes.

     The official renaming, to the James M. Nederlander Theatre, is Feb. 8—my pal Chris Jones has a comprehensive story in the Tribune. He explains that there is no reason to get all weepy over the loss of the "Oriental" name; that wasn't even the original name of the  original theater in the site: The Iroquois Theater, the one that notoriously burned in 1903, with a loss of 600 lives, which puts disputes over names in context.
      "Oriental" has to go because the term is now considered offensive. I don't have a dog in this race, but my opinion on the subject was well-expressed by Jayne Tsuchiyama in the Los Angles Times in a 2016 piece headlined "The Term 'Oriental' is outdated, but is it racist?"
     She quotes Erika Lee, , director of the Immigration History Research Center at the University of Minnesota and author of "The Making of Asian America: A History:" 

"In the U.S., the term 'Oriental' has been used to reinforce the idea that Asians were/are forever foreign and could never become American. These ideas helped to justify immigration exclusion, racial discrimination and violence, political disfranchisement and segregation." Lee also claimed that continued use of the term "perpetuates inequality, disrespect, discrimination and stereotypes towards Asian Americans."

     Tsuchiyama doesn't buy it.
     "I don't see it that way," she writes. "I see self-righteous, fragile egos eager to find offense where none is intended."
     Racial analysis has a strict set of rules, manners and conventions. Tsuchiyama, being Asian herself, has standing to take strong stands that I couldn't prudently adopt.  Though even unfettered, I wouldn't put it that strongly, not only because it would be unwise, but because I have a vague sympathy for those who indulge in such semantic hurtmongering. We're all scrabbling around in society, and there is an immediate power and dignity that comes from objecting to something, from insisting you are being wronged somehow. That's why the Fox crowd, no matter the topic, always veers into their own victimization, whether notional, as is usually the case, or in certain instances real.  It's easy, rewarding, and many people itch to plug into it. Who knows, it might even be sincere. This is not to deny actual oppression. Asian-Americans of course have suffered their share of discrimination, from the abuses against Chinese railroad workers to World War II Japanese interment camps. But there are people who leap to object. The word "oriental" is dying out on its own, as Tsuchiyama notes, and trying to back form it into something offensive is of marginal utility.

     The Federal government banned the word from official documents and now it is being scrubbed from a marque in Chicago. I'd like to say that human tolerance is thereby improved. But I don't see the connection. Maybe the reason we agonize over the frills and trappings is because we can't get close to the heart of the problem.