My sympathies to the actual Irish. Being Jewish has its downsides, true, but at least we don't have to put up with a lot of crude expropriation of our religion (by people other than ourselves, I mean). I wouldn't want to walk to synagogue for Yom Kippur through a crowd of rowdies swilling Manischewitz from blue and white plastic cups, wearing fake beards and rubber noses and big black foam Borsalino hats, chanting, "Re-pent! Re-pent!"
I don't know how the Irish do it. How year in and year out they watch their proud and long and tragic history get put through the meat grinder of American culture. "Kiss me I'm Irish!" It breaks the heart. But I guess the Irish experience is a machine designed to break the heart, so why should this be any different? Still, resistance is both futile and necessary. Nearly 20 years ago, the Sun-Times published this guide, the idea being that the St. Patrick's Day revelers packed into Irish pubs and faux-Irish pubs might glimpse these portraits on the wall, through the crush, and be puzzled as to who those old guys might be, and it wouldn't detract from their celebrations, and might even help, if they were informed, and equipped with a bit of verse to recite once they are really in their cups, around noon.
One mark of a real Irish bar is the inevitable shrine of portraits of Ireland's greatest writers. Some are easy to identify -- George Bernard Shaw with his big beard, Eugene O'Neill with his cadaverous cheeks (he started writing plays in a tuberculosis asylum). But some are a puzzlement to the average Chicago bar crawler of today. Here is a quick guide:
William Butler Yeats, 1865-1939
How many loved your moments of glad grace,
"Mad Ireland hurt you into poetry," W. H. Auden said of Yeats, the towering figure of Irish literature. Yeats seems to bring together all the threads: 19th century dreams of romance, 20th century slaughter, mysticism and fascism, Greek history and the "mere anarchy" of the new. Unlike every other poet who ever lived, Yeats blazed brighter and brighter as he aged, dictating brilliant poetry even hours before his death.
One mark of a real Irish bar is the inevitable shrine of portraits of Ireland's greatest writers. Some are easy to identify -- George Bernard Shaw with his big beard, Eugene O'Neill with his cadaverous cheeks (he started writing plays in a tuberculosis asylum). But some are a puzzlement to the average Chicago bar crawler of today. Here is a quick guide:
William Butler Yeats, 1865-1939
How many loved your moments of glad grace,
W.B. Yeats |
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face.
And loved the sorrows of your changing face.
"Mad Ireland hurt you into poetry," W. H. Auden said of Yeats, the towering figure of Irish literature. Yeats seems to bring together all the threads: 19th century dreams of romance, 20th century slaughter, mysticism and fascism, Greek history and the "mere anarchy" of the new. Unlike every other poet who ever lived, Yeats blazed brighter and brighter as he aged, dictating brilliant poetry even hours before his death.
James Joyce, 1882-1941
. . . and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
Joyce left Dublin when he was 22 and, like so many expatriates, spent the rest of his life looking homeward. To the narrow-minded censors of his day, Joyce was a pornographer whose writing stank of sweat and dirt and sex. His masterpiece, Ulysses, was banned from the United States until 11 years after its publication, which only drove the curious to read it. E. M. Forster, a Brit, called the book "a dogged attempt to cover the universe with mud."
Samuel Beckett, 1906-1989
Pozzo: . . . One day we were born, one day we shall die, the same day, the same second, is that not enough for you? (calmer) They give birth astride of a grave, the light gleams an instance, then it's night once more!
Beckett was a 51-year-old obscure poet and novelist who had only recently stopped working as a shop clerk when, in 1953, his play "Waiting for Godot" took Paris by storm. The haunting words and dark wit of his masterpiece immediately hurled him into the company of Kafka as a bard of disjointed and menacing modernity. He won the Nobel Prize in literature in 1969.
Brendan Behan, 1923-1964
I am a cowardly man by nature, and to go there I had to take a couple of drinks and when I saw her so small and lonely in that stark, ether-smelling ward of the hospital, I knew that I loved her very deeply.
Behan was 16 years old when he was sent to a British prison for his activities in the Irish Republican Army, and, like Oscar Wilde, he used his time in prison to feed his muse. His play "The Quare Fellow" rocketed him to fame in 1956, and he divided his few remaining years writing amusing memoirs and drinking everything within reach.
—Originally published in the Sun-Times, March 15, 1996
. . . and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
Joyce left Dublin when he was 22 and, like so many expatriates, spent the rest of his life looking homeward. To the narrow-minded censors of his day, Joyce was a pornographer whose writing stank of sweat and dirt and sex. His masterpiece, Ulysses, was banned from the United States until 11 years after its publication, which only drove the curious to read it. E. M. Forster, a Brit, called the book "a dogged attempt to cover the universe with mud."
Samuel Beckett, 1906-1989
Pozzo: . . . One day we were born, one day we shall die, the same day, the same second, is that not enough for you? (calmer) They give birth astride of a grave, the light gleams an instance, then it's night once more!
Samuel Beckett |
Beckett was a 51-year-old obscure poet and novelist who had only recently stopped working as a shop clerk when, in 1953, his play "Waiting for Godot" took Paris by storm. The haunting words and dark wit of his masterpiece immediately hurled him into the company of Kafka as a bard of disjointed and menacing modernity. He won the Nobel Prize in literature in 1969.
Brendan Behan, 1923-1964
I am a cowardly man by nature, and to go there I had to take a couple of drinks and when I saw her so small and lonely in that stark, ether-smelling ward of the hospital, I knew that I loved her very deeply.
Brendan Behan |
—Originally published in the Sun-Times, March 15, 1996