‘Stop the steal’ isn’t a new lie

     When someone learns where I work, they sometimes will fix me a sympathetic look and coo, “How is the paper doing?” Nodding with anticipation, they clearly expect me to share some tale of woe. Ready, it seems, to pat my hand sympathetically, if not give me a supportive hug after I burst out weeping.
     And not without reason. We are still in the age of the Great Newspaper Die-Off, where journalistic brachiosauruses regularly roll their eyes and collapse to the ground with a thundering crash.
     So it surprises them when I reply that the paper is doing great, really getting my back into that word, Tony the Tiger fashion: “grrreat!” Their faces betray disbelief and perhaps a little disappointment, the way you would react to news that Nana, 96, has checked herself out of hospice and gone on a Carnival Cruise to Antigua.
     But it’s true. The Chicago Newspaper Guild recently signed a three-year contract that, unlike past contracts, is not a full-face slap. There are raises. I can’t speak for anyone else on our burgeoning staff — they’re also hiring — but for me, it’s like being about to surrender to the icy chop, closing my salt-crusted eyes for the last time upon this storm-tossed world, only to open them later to find myself blinking in a bright stateroom, being dried off with fluffy towels as hot broth is spooned into my mouth.
     There’s also new equipment. The tech folks told me to come get my new laptop, even though the old Apple, circa 2012, still works. I almost argued. The long-established rule at the paper is, you can’t get a fresh pencil until you turn in the stub of the old one.
     First, I was instructed to go over the old laptop, removing my files. The laptop, with me from Tokyo to Tierra del Fuego, had thousands of photos. Instead of just transferring them, I saw a chance to cull.

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Don't be afraid, it's just a book...

     We can take living in Illinois for granted, as an oasis from the revanchist madness gripping parts of the nation. For instance, on Monday, the state banned book bans.
     "Book bans are about censorship; marginalizing people, marginalizing ideas and facts," Gov. J. B. Pritzker said, stating the quiet part out loud. "Regimes ban books, not democracies."
     Illinois was the first state in the country to pass a law cutting funding to any library that restricts books because of "partisanal or doctrinal" disapproval. And while the devil is in the details, it means that any censorious individual can't count on the state as an eager partner if they get bent out of shape because a book acknowledges the existence of LGBTQ people, or goes into America's racist past in detail that makes them uncomfortable. They'll just have to be satisfied with not checking out books they don't like, instead of pretending those books are dangerous for everybody, and forcing their narrow outlook on the entire community, a common practice in the red-tinted regions of the country.
     Books help, not hurt, as I was reminded Wednesday, when I introduced readers to Sara Bader's newest book on pet love and grief, mentioning a column, gulp, nearly 20 years ago, when I wrote about her first book.

HIDDEN IN PLAIN VIEW

     History once meant the lives of kings, which grew old before somebody had the bright idea to also look at the lives of common people: laborers and farmers and artisans. Suddenly we understood the past a little better.  

       Researcher Sara Bader has had a similar insight, realizing that she could learn an awful lot about the past through old classified ads, and her lovely new book, Strange Red Cow, is an illuminating delight. She uses classifieds, mainly from the 18th and 19th centuries, to riff from the whimsical to the heartbreaking, from ads for lost livestock (the title comes from a plea, beginning, "Came to my plantation . . . A STRANGE RED COW . . .") to ads for runaway slaves ("RUN away from the Subscriber, on Saturday the 1st Instant, a Negro Woman named JUDITH, who carried her Child with her. . . .").
     Bader discovered that if you, for instance, are wondering what people kept in their saddlebags in 1777, you could find out by consulting the advertisement of someone who lost two between Worcester and Hardwick ("Lost . . . a pair of SADDLE BAGS containing a Cheese, some pulled Sheeps Wool, a number of Apples, a striped small Apron, and a small pair of blue Stockings . . ."). She writes well, too.

     "We can untie the twine that once wrapped up their parcels, rifle through satchels, empty out coat pockets," she writes, in the lucid commentary surrounding the old ads. "That our collective ancestors forgot their books in carriages, left their capes on battlefields, and dropped their keys and their cash is oddly reassuring."
     Like classifieds, the book is divided into subject headings "Help Wanted," "Lost and Found," "Swap." You'll learn things you never thought of before -- how after the Civil War, former slaves took out poignant ads in the black press, searching for their lost children -- and you will never look at the classified section of the newspaper in the same way again.

     —Originally published in the Sun-Times Dec. 26, 2005

‘The one gift we cannot give’

     “How many summers does a little dog have?” poet Mary Oliver asks in her 2013 collection, “Dog Songs.” I usually mark lines that strike me with a Post-It note. Here there was no need. I carried it away, indelible as a tattoo.
     The question, well, I almost said it haunts me. But that’s over-dramatic. The question sits there like an unwelcome visitor in a waiting room, briefcase jammed with sorrow on its knees, looking around impatiently, tapping the face of its wristwatch.
     I thought of the line again recently, meeting Bella, a Bichon mix, like my Kitty. In front of the Northbrook Public Library. She was very thin and shaky and clearly not long for this world.
     “How old?” I asked, the usual dogwalker’s question, freighted with more than the usual significance.
     “Eighteen,” the owner, a lady about my age, replied.
     Kitty is 13. So five years. Relief. And concern. How fast does five years go? Will it be more? Or less? How many summers does a little dog have?
     In the past, when I thought of Kitty’s ultimate end, I sought shelter in a facile line. “I’m hoping to go before she does.” Now that seems too glib. Some pains demand anticipation. Luckily, pet owners now have a whole book to prepare and brace us: “The Book of Pet Love & Loss: Words of Comfort & Wisdom from Remarkable People,” by Sara Bader, a gorgeous volume intended to both celebrate our love of companion animals and bring solace when bereavement comes.
     “How do we make sense of the desolation that sets in so quickly?” the author asks.

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Stitcher Fast

 

     "It's me, hi, I'm the problem, it's me," I sang to a neighbor across the street Monday morning, setting down the hose I was using to water my vanhoutte spirea and doing a choppy little dance move with my arms. 
     "How did you know that?" she replied, startling me in turn. 

      How did I know?
      "I exist in the world!" I objected. 
      To provide urgently needed context, a) the opening line is from Taylor Swift's hit song "Anti-Hero" and b) the neighbor had gone to Detroit over the weekend with two  other ladies from the block and one very lucky elementary school girl, to catch the Swift show there at Ford Field. My foray into song was an attempt to acknowledge her adventure.
      For a moment, I thought that her surprise was because I'm old. How could an old person know a currently popular song? And there is truth to that. Working out, I listen to music, and it occurred to me that all my favorite songs are 45 years old. That was kinda depressing.

     Although in truth, I'm only a few years older than she, though not the sort to travel hundreds of miles to take in the hottest teen sensation.
     I do try to keep up. I've listened to Lizzo — bash, joyful, juicy, fun. I've made a point of hitting the "Browse" function on Apple Music and discovered lots of songs that are good to exercise to and bear repeated listening. "Tick Tick Boom" by Sage the Gemini and "Paralyzer" by Finger Eleven. "Mr. Brightside" by the Killers and "Float On" by Modest Mouse.
    As for Taylor Swift, it isn't as if the songs speak to my condition, though I admire the humor of the "Shake It Off" video, plus of course her pulchritude. Maybe because she first came to my awareness when Kanye West grabbed the microphone away from Swift at the 2009 MTV Music Awards, but there was always a pall of victimhood about her — her songs always seem addressed to the haters and fakers she refers to in "Shake It Off." I find myself wishing someone would share with her former Sun-Times City Editor Don Hayner's excellent advice: "Don't let them live in your head rent free."
      But we live in an age when obvious things sometimes shouldn't be remarked upon — that's why I used "pulchritude" instead of "beauty" — depending on who is doing the remarking.  I was reminded of that when a man about my age remarked on how Madonna had disfigured herself with plastic surgery and was set upon on social media as a sexist and a swine. Okay then. I haven't studied Swift's oeuvre, but I'm hoping her gigantic concert success this year is restorative for the young woman, who seems a genuinely nice person, constantly surprising fans by sending them presents and popping behind them on street corners. The video clips from the Soldier Field concert made me wish, well, not quite that I were there, but that I had been there (echoing something Dr. Johnson quipped about the Giant's Causeway — and thanks to John O'Rourke for tracking it down: "Worth seeing, yes; but not worth going to see.")

     Okay, I think we've had enough of this subject for today. Let's wrap up.

     As if seeing my face fall and immediately understanding the cause, my neighbor quickly explained that she was surprised I knew of the song because I am a man. No argument there.

     "There were probably 10 men in the entire audience," she said, recounting one in a t-shirt that read, "It's me, hi, I'm the dad, it's me."

      That's a shame. While I don't think I'd ever take the time or spend the $500 or a thousand bucks to see a Taylor Swift show on my own volition, should the opportunity come my way — the need to squire a young grand niece perhaps, or a newspaper assignment, or neighbor's spare ticket — I think I would embark upon the experience with an eager and open mind. After all, I once survived a live performance of "The Big Comfy Couch" children's television program without any noticeable ill effects. We can't stay young, but at least we can be vaguely aware of what the young are up to.

Democrats need to wake up

Dryer lint Donald Trump, center, at 2016 Republican National Convention. 

     This Friday, June 16, marks many things. It’s Bloomsday, the day in 1904 when the entirety of James Joyce’s great novel, “Ulysses” takes place. It’s also my parents’ anniversary — 67 years and still going strong. (Happy anniversary, Mom and Dad!) And my younger son’s birthday.
     It’s also the date in 2015 when Donald John Trump descended that escalator in the vomit-colored lobby of Trump Tower in New York City, declared himself a candidate for president and promised to save this country from the twin perils of Mexican immigrants and Muslims.
     Eight years. Three thousand days, most of which saw Donald Trump twirling like a demented ballerina in drippy orange makeup in the spotlight of American life. From that introductory moment — the first words out of his mouth a lie, natch, inflating the few dozen people present into “thousands” — to last week, when he was indicted by federal authorities on 37 counts related to seven charges under the Espionage Act.
     What a strange, terrible time in American history. Sometimes I consider it punishment for, having missed the tumult of the 1960s, wishing I could have lived in a momentous era of American history when great issues were being resolved. I take it back.
     No time for regret now. Not with Trump followers urging violence at the prospect of his being prosecuted for his crimes. Not when they question the value of law enforcement before they’ll ever question their Chosen One.
     Trump certainly will never pause from lying. Why would he? The lies work. The federal case, outlining his betrayal of national interest and endangering our security by exposing America’s military secrets to her enemies, was instantly shrugged off. Republicans have honed a variety of survival skills — perpetual imaginary victimhood, look-a-squirrel whataboutism, but-the-trains-run-on-time tunnel vision — allowing them to instantly ignore anything Trump does, did, or ever could do.
     If Republicans are in a trance, so are Democrats. Because we keep waiting for Republicans to wise up.

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"You better party"

     "Who is he? (And what is he to you?)" is a great title for a blues song, and Sugaray Rayford delivered it with power, sincerity and a surprising dance groove for such a big man.    

     "Six-foot-five, 365 pounds baby!" he enthused to the crowd at the Pritzker Pavilion stage of the Chicago Blues Festival Saturday night.

St. Regis Hotel

      As glad as Rayford said he was to be in Chicago, as opposed to all the other places all over the world the Texas native has performed, we were a seated crowd, and that just would not do. Rayford urged us to our feet, several times, until everyone was standing and swaying.

     "You better party," he half urged, half threatened, invoking the possible return of COVID to dampen scenes like this one. "It could shut down again tomorrow."

     That sense of urgent fun seemed the general mood on a jammed Michigan Avenue, packed with people enjoying perfect June weather. Lines of latecomers to get into the Blues Fest stretched around the block. Summer seemed in full swing. Musicians played, families strolled, children gawked.

     We couldn't stay for the end of Rayford's set — reservations at Miru, a Lettuce Entertain You Restaurant opened last month in the new St. Regis Hotel, the shiny green Jeanne Gang tower with its way cool two floor "blow-out" section to keep the 100-story structure from swaying in the Chicago wind.

     "It's a thrill just going in the building," I told my wife, as we went in. "The fact we also get dinner is just a bonus."

     We got off the elevator, edged into the young, hip crowd. From the maitre d' station, the restaurant looks small, intimate, but then as you step inside, it unfolds, through an expansive section out onto one of the great romantic restaurant decks in Chicago. Miru is Japanese for "view," and offers an expansive sweep across the river, from Trump Tower ("I'm going to be standing there when they take those letters down," I told my wife, leaving out the part about cheering) to Navy Pier, the Ferris wheel and the lake, and the biggest challenge of the experience was deciding which way to face at our table, and even then, we kept swiveling in our seats, admiring the glorious city all around us.  

     While we were being ushered to our table, we bumped into Lettuce founder Richard Melman. I don't know why I was surprised to find him there on a Saturday night, if not quite bussing tables, then midwifing the birth of his latest creation. He paused his efforts to join us at our table, advising us on the best things to order — grilled avocado in a spicy soy, which was truly wonderful. The broccolini gomaae in sweet sesame sauce was a fun twist on the classic spinach, the vegetables firm yet yielding. We had chopped Bluefin tuna on little leaves of crispy shiso, and smoked pork belly skewers in apple cider glaze. I couldn't resist trying the miso black cod, and Edie opted for their hamachi ponzu maki. Sometimes dessert is a trifle, a sweet afterthought, but dessert at Miru was perhaps the highlight; coconut cake and mango sorbet, and — my favorite — black sesame mochi with charcoal vanilla ice cream and black sesame praline.

     And the sushi.... I've eaten at some first rate sushi places — like the eight-seat Omakase Ume — and Miru is right up there with the best.

     The St. Regis is on Wacker, just west of Lake Shore Drive, and it's a 1.7 mile hike to Union Station. But my wife shrugged off my suggestion of a cab and we power-walked it in half an hour. Oddly enough, the sprint to the train was itself fun, almost marvelous, the capstone of a very busy day — my 63rd birthday. It like a dream — a good dream this time — to race across the Loop, through all the color and lights and noise and crowds, the familiar buildings sliding past, the cars and commotion. Our train car heading home was host to a cluster of loud, laughing girls, talking excitedly, as if they'd never been downtown before. Maybe they hadn't.  

View from the patio at Miru in the St. Regis Hotel.

Works in progress: Jack Clark

     The Works in Progress feature which had been running Saturdays ran out of steam — well, ran out of writer-friends, actually. I'd hope that readers who had various literary side hustles would step up. But they didn't. Since I try not to repost TOO much old stuff, I crafted a slice-of-life glimpse of my visit to Schuba's on Sunday, and that ironically flushed out Jack Clark, who I had invited to contribute a few weeks back. On Thursday, I posted a 2002 column on him, by way of introduction. Take it away, Jack.

     When Schuba's opened back in 1989, my first thought was, "Oh, oh. Here come the yuppies." I was driving trucks back then, moving furniture. My favorite breakfast joint, the Holiday Grill, was kitty-corner from Schuba's, one door off the corner. It was a single storefront, not very deep, ten stools and three or four small tables. That was the entire place, open for breakfast and lunch only. "Southern Cooking," the sign said.  

Jack Clark at the Grafton Pub

      Ruby was the waitress. Her husband was behind the grill. I forget his name. They were originally from Athens Georgia. I'm pretty sure that's right. They made the best biscuits and gravy I'd ever tasted. I also loved their French toast, a very light batter on fingerprint white bread. It didn't need syrup, strawberries or powdered sugar, just a touch of butter.
     I'd been stopping in regularly since the mid-'70s, usually along with a moving crew. We often ran into crews from other moving companies inside. It was a long way from a yuppie place, and I took it as a bad sign when Schuba's showed up. Rents would go up and the Holiday Grill would be priced out of the neighborhood.
     One day I walked in and Ruby was behind the grill. Her husband had had a stroke. I remember their daughter came in and worked as a waitress to help out. The food was as good as ever. But you could tell it was taking a toll on Ruby, cooking all day and then going home to take care of a sick husband.
     Ruby hired another cook for a bit. The gravy was as white as bleached flour, and I think that's all it was, flour and water. There wasn't a hint of sausage, no bits of meat scraped off the grill to turn the gravy that lovely shade of grey.
     The next time I stopped by, the place was closed. A few months later, I heard that Ruby was cooking breakfast across the street, in Schuba's back room. They'd decided to open bright and early special for her.
     I went in with a moving crew and she was smiling behind the grill. The food was as good as ever. The same room where the bands played at night was filled with morning light. I decided to forgive the Schuba brothers for being yuppies (if that's what they were).
     Ruby always had the radio tuned to WMAQ, which was a great country station back then. One day, George Jones came on singing, "He Stopped Loving Her Today." Ruby shouted from behind the grill, "Ain't no food going out of this kitchen 'til this song ends." You could hear Georgia in every word, and you knew without a doubt that Ruby was thinking of her husband, sick at home, waiting for her to get back to him.
     I was in and out of town in those days. Once I got back and a fellow mover told me that Ruby and her husband had died. "Her husband, you mean?"
     He shook his head. "Both of them." That's what he'd heard.
     I double-parked on Belmont Avenue and went inside. Ruby had been helping her husband across the street, the bartender told me, when they'd been hit and killed by a turning car. That was all the details he knew.
     I've been in Schuba's many times since then. I've heard plenty of good music. But it's Ruby's voice that comes clearly through the years.

     If you'd like to dive into Clark's work, start with his three-book Nick Acropolis private detective series. It's all Chicago based, and start with "Westerfield's Chain," then "Highway Side," and "Dancing on Graves."