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Art Petacque |
I might never have heard the name "Abraham Lincoln Marovitz," whose life brought us Monday's and Tuesday's icons, were it not for Art Petacque, the unofficial mob reporter at the Sun-Times, back when our staff was deep enough to have such a thing. So it's natural to feature him next, while I'm on taking time off from the paper, doing what I normally do on vacations: working.
Reading this again after many years, two omissions stand out. First, I can't believe I didn't mention the pride Art took at giving mobsters their colorful nicknames—John "No Nose" DiFronzo lingers in memory, as well he would—and that if you look at one photograph of the crime scene of the 1955 Schuessler-Peterson killings that the Sun-Times splashed across their pages, sickeningly graphic by today's standards, there is a rumpled figure in a raincoat clomping around the naked bodies of the boys: Art Petacque.
Art Petacque was a police captain when he needed to be a police captain, and a doctor when he needed to be a doctor. He could be a burglar, too, if necessary, slipping into a basement window to snatch a photo for a story.Reading this again after many years, two omissions stand out. First, I can't believe I didn't mention the pride Art took at giving mobsters their colorful nicknames—John "No Nose" DiFronzo lingers in memory, as well he would—and that if you look at one photograph of the crime scene of the 1955 Schuessler-Peterson killings that the Sun-Times splashed across their pages, sickeningly graphic by today's standards, there is a rumpled figure in a raincoat clomping around the naked bodies of the boys: Art Petacque.
"He was the ultimate go-to guy," said former Sun-Times Editor in Chief Ken Towers. "When you needed the story and needed it fast, Art never let you down. He always came through. He was a classic reporter, of the old school."
Mr. Petacque, who received a Pulitzer Prize for his reporting at the Chicago Sun-Times, died Wednesday at Northwestern Memorial Hospital. He was 76.
He was a colorful presence from a vanished age, with wild, unkempt eyebrows and a soggy cigar, drawing scraps of paper and matchbooks out of his pockets, reading notes on the doings of mobsters and madams. A reporter, not a writer, he gathered facts for stories that were written by others.
"Art Petacque was a classic Chicago character, and that was his charm," said Metro Editor Don Hayner.
In an era when Chicago had four major newspapers and fierce competition for scoops, Mr. Petacque was relentless. Every colleague had a story of him placing a call and identifying himself as a detective, or the coroner.
Or the time he called a mob restaurant hangout, told them the police were on the way for a raid, then strolled in the deserted place to swipe a photo he wanted of a gangster hanging behind the bar.
"He was an aggressive reporter; he screwed me out of a lot of stories," said former colleague Jim Casey. "He had contacts on both sides of the fence, law enforcement and the outfit. That's what some of the talk was."
Mr. Petacque was born in Chicago. His father was the second Jewish captain the Chicago Police Department ever had. He went to Austin High School and played football, then attended the University of Illinois.
In 1942, Mr. Petacque became a copy boy at the Chicago Sun, one of the precursors to this newspaper. He got his big break in 1944, covering the mob hit on Ben "Little Zukie" Zuckerman, and organized crime remained his specialty for the rest of his career.
"He was never threatened by the mob," said his brother, Gerald Petacque. "People respected him."
Mr. Petacque once brought a wife-killer to justice, tracking down a key witness, then arranged for another killer to give himself up in 1962. He forced a New York firm to back out of a Chicago real estate deal by revealing its mob connections. He covered the Gacy murders, the disappearance of Jimmy Hoffa, the kidnapping of Patty Hearst.
In the Summerdale police scandal, when Mayor Daley and Police Commissioner Timothy J. O'Connor had a private meeting that led to O'Connor's resignation, Mr. Petacque had the dramatic details.
Unable to get close to John F. Kennedy during a 1960 campaign visit to Chicago, he persuaded the manicurist at the Drake to pepper the candidate with questions while she did his nails.
Mr. Petacque received the Pulitzer Prize, along with the late Hugh Hough, in 1974 for a series of stories implicating convicted robber Francis L. Hohimer in the 1966 slaying of the teenage daughter of Sen. Charles Percy.
In the old-style division of duties, Mr. Petacque was the reporter, and Hough was the writer. When news of the Pulitzer hit the Sun-Times newsroom, Hough was out and Mr. Petacque was asked—so the story goes—to express his emotions.
"I wish Hugh were here to tell you how I feel," he said.
Mr. Petacque also won a local Emmy for his TV reporting for Channel 7, and numerous other awards. When he retired in 1991, the North Avenue Bridge was renamed in his honor.
"He had so much to teach today's generation of reporters," Towers said. "About aggressiveness. About persistence, about making his editors look good and his paper look good. . . . He made news interesting, and he made it lively and exuberant. His whole life was news. He was one of a kind. There will never be another Art Petacque—his name will live forever."
Survivors include his wife, Regina; daughter, Susan Block; son, William, and two grandchildren.
Services are 10 a.m. Friday at Piser Chapel, 5206 N. Broadway. Burial will follow at Memorial Park Cemetery, Skokie.
—Originally published in the Sun-Times, June 7, 2001