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Deering Memorial Library, Northwestern University |
The Fine Arts Building has to be on anybody's short list of favorite downtown buildings, with its elevator operators — the last in the city, soon to be phased out — its sun-filled fourth floor atrium and general air of seedy artistic casualness, home to violin makers and mouthpiece fitters, shoestring opera theaters and puppet troupes.
Yes, in recent years, there is a pang for the loss of the Artist's Cafe —I'm tempted to decry the singular possessive, but what artist worth his or her salt isn't pretty singular in nature? It was a splendid burger, pie and coffee diner that time forgot, with patrons including Johnny Carson and Mick Jagger, the perfect place to while away an hour waiting for a concert to start. Closed five years now.
I was there recently visiting a brass instrument showroom on the second floor, and returned last Friday to kill few minutes before the ACLU Luncheon at the Hilton down the block by browsing the lovely bookstore on the second floor.
My attention was drawn by an exhibit of paintings there by Don Yang. The paintings were created en plein air, or "in the open air" meaning it wasn't done in a studio, but painted on an easel outside, in front of the scene being depicted.
My attention was drawn by an exhibit of paintings there by Don Yang. The paintings were created en plein air, or "in the open air" meaning it wasn't done in a studio, but painted on an easel outside, in front of the scene being depicted.
I asked Yang about it — what does painting in the outdoors bring that can't be found painting, say, off a photograph?
"Nothing like painting and drawing the real thing on location seeing/feeling the true color and atmosphere," he replied. "What we see in photograph or screen shot is not ‘real’ in the sense of true color. Those images are heavily dependent upon the printer and paper (photo) or how computer/tablet screen is calibrated. Never same as what I ‘feel' with my eyes. Even the gloomiest day on location offers more vibrant colors and sense of presence than a photo reference.
"Though I do enjoy my studio work, and often have to work off of photo references, working directly from Nature is the best way to learn and experience the true light and color.
Different season, different day, different weather, and my different mood of the day yields different paintings.
"I didn’t understand how Monet felt he could ‘get away with’ painting the same haystack and consider them all different paintings until I started taking my own painting gears outdoors.
"To me, plein air painting is just as much of an experience as it is a result."
Born in South Korea, Yang came to the United States as a teenager. After a stint in the Army, he settled in Chicago, painting and teaching. He's chairperson of the fine arts department of the American Academy of Art College, a small, for-profit school teaching art and design.
I like the dappled light in the paintings, the rich natural colors, and the way he frames his images. Yang often paints familiar Chicago landmarks, but from unexpected angles. Another thing that struck me about the painting was how affordable they are — $500, $800. Not cheap, but not an unimaginable fortune either. They struck me as a good special event gift for someone, and yes, he does commissions, if there is a certain home or part of the city that you or a loved one has particular appreciation for.
You can see dozens more examples of his work on his website, or reach Don Yang at donyangart@gmail.com.
Different season, different day, different weather, and my different mood of the day yields different paintings.
"I didn’t understand how Monet felt he could ‘get away with’ painting the same haystack and consider them all different paintings until I started taking my own painting gears outdoors.
"To me, plein air painting is just as much of an experience as it is a result."
Born in South Korea, Yang came to the United States as a teenager. After a stint in the Army, he settled in Chicago, painting and teaching. He's chairperson of the fine arts department of the American Academy of Art College, a small, for-profit school teaching art and design.
I like the dappled light in the paintings, the rich natural colors, and the way he frames his images. Yang often paints familiar Chicago landmarks, but from unexpected angles. Another thing that struck me about the painting was how affordable they are — $500, $800. Not cheap, but not an unimaginable fortune either. They struck me as a good special event gift for someone, and yes, he does commissions, if there is a certain home or part of the city that you or a loved one has particular appreciation for.
You can see dozens more examples of his work on his website, or reach Don Yang at donyangart@gmail.com.