It takes chutzpah to critique the curtain call of a show you missed. So when an editor asked me to review Joseph Epstein's recent autobiography, I felt compelled to inform him that I had never heard of Epstein, 87, not even in the four years I went to Northwestern while he was teaching there. Nor have I read any of his 33 previous books, nor the intellectual journals he stewarded. This must be a lapse on my part.
Lack of familiarity, I suggested, either makes me totally unqualified to evaluate, "Never Say You've Had a Lucky Life, Especially If You've Had a Lucky Life," (Free Press: $29.99) or its ideal reader. Someone who brings fresh eyes to a book that should not be placed on the pedestal of his previous writings, but judged on its own merits as an independent work. Go for it, the magazine said. I'm glad they did. Handing the work to an Epstein novice turned out to be apt, because notoriety is a leitmotif running through it.
Epstein begins with laudable modesty. "Over what is now a long life, I did little, saw nothing notably historical, and endured not much out of the ordinary of anguish or trouble or exaltation," he writes. "What, then, is the justification of this book?"
His answer: chronicling the milieu he grew up in — "petit bourgeois, Jewish, Midwest America." And the formation of his right-of-center-views which, I'd describe as a soft revanchism — decrying the present, dreading the future, keening for the past. Plus frequent potshots at the left. The biggest ripple Epstein has sent out lately was in 2020, when he decried Jill Biden using her educational doctorate honorific as "fraudulent, not to say a touch comic." Prompting Northwestern to put out a statement observing that he hasn't taught there since 2003 and the university "strongly disagrees with Mr. Epstein's misogynistic views."
Epstein briefly limns Chicago of the 1940s and 1950s, the ugly corduroy knickers, and Chicago Cubs pitcher Johnny Klippstein working in a sporting goods store in the off-season.
Doing this affords him ample opportunity to pivot from his own life to the world at large. The child of inattentive parents — the style at the time — he turns neglect into a positive attribute. Epstein rejoices that he himself did not become "one of those fathers who these days show up for all their children's school activities, driving them to four or five different kinds of lessons, making a complete videotapes record of their first eighteen years, taking them to lots of ball games, art galleries, and (ultimately, no doubt) the therapist."
Setting aside the anachronism of videotape, the reader has to wonder whether the road to a shattered psyche is truly paved by dads showing up at their kids' events. In case the reader misses the point, Epstein decries "the almost crippling, excessive concern for the rearing of children." I wish he had shown his work here, perhaps revealing a few sources. I'm a fan of Lenore Skenazy and her Free-Range Kids. Yet I still went to my sons' games and concerts, and they seem to have emerged from childhood unscarred.
The trait that bothered me most is Epstein's tendency, as he marches methodically through his stints at various magazines, to tar his long ago coworkers in passing, by name, as drunks, incompetents, closeted gays (decrying, of course, the use of the word "gay" as it sullies a term for the kind of happiness he would enjoy if only nothing ever changed). He notes that a beloved Cub infielder married a prostitute, a needless jab that only confirms Epstein as reflexively vindictive, someone who can't pass a reputation without clawing at it. I'd credit him with candor, if I thought he were intentionally revealing himself as a score-settler abusing the corpses of his former colleagues as payback for their slights. But my hunch is this will come as unwelcome news to him.
Epstein mourns the loss of the word "Negro," as "once a term of great dignity." Yes, and "idiot" was once a neutral medical term. But times change. Epstein clutches at "Negro" twice — manfully restraining himself from daubing a tear for minstrel shows — never devoting a second's thought to the churning racial dynamics that drive such changes. I like nothing more than to hear a good argument, even for positions I don't hold. But Epstein views his opinion as so patently obvious, there's no need to make a case. He utters his opinion and QED.
Every book has a moment where its author either gains a reader's loyalty, or loses him entirely. Epstein lost me when, shortly after unspooling a dozen pages of detailed description of his pledging to Phi Ep at the University of Chicago, he delivers this sentence: "I went to poetry readers given by T.S. Eliot and Marianne Moore." That's it. A dozen words. If those two giants offered anything notable, he should have noted it. Otherwise Epstein is just dropping names, something he does a lot. I've met and interviewed my share of late 20th and early 21st century greats — including one that Epstein is quite proud to have regularly played racquetball with — but I'm going to withhold them all here, preferring to stand or fail on my own merits, without conjuring up a Justice League of the Famous to rub my elbows until I, too, ascend into their empyrean.
I blame his editor, for letting Epstein off-gas contempt for the current world leading to all sorts of wrong-footed moments. He meets his wife, they sleep together, then Epstein raises a finger and apologizes: "In our-hyper candid age, I suppose I ought here to describe in some detail our sex."
No, he ought not. No reader imaginable looks up from the book at this point, rattles its pages and cries, "Details! Tell us all about having sex with your wife!" Particularly a reader drawn to Epstein's work, who no doubt is nodding along in agreement at the deterioration all around, with Black culture being taught in once-noble universities as if it had merit and was not just victimhood rampant, to paraphrase his sentiments.
A meticulous editor would also have noticed that twice he shares his jokey fantasy headline about imagining Saul Bellow's death during their racquetball games. Once is plenty.
Here's a suggestion for Epstein's future books, sure to come so long as he draws breath: if you actually care about being embraced by readers in the future, perhaps you should avoid reflexive dismissal of every change that occurs on the way toward that future. Just a thought.
I've been panned by non-entities who rear out of the mist to plant a harpoon in my side, so do not relish filling that role for a far more accomplished writer. The best I can say about "Never Say You're Lucky" is it inspired me to want to seek out Epstein's other books and get a better sense of his work. His latest collection of essays, "Familiarity Breeds Content," begins with a rapturous introduction by Christopher Buckley, who compares Epstein to James Boswell, Christopher Hitchens and Philip Larkin. He also says Epstein's readers are no mere readers, but devotees, cult members. I apologize to them all. I must be slow on the uptake. Perhaps I will warm to him; though considering he calls society's triumph over tobacco "health fascism," maybe not.
Credit where due. At an age when many writers have furled their sails and found safe harbor, Joseph Epstein has bound himself to the helm, tacking against the future that will swamp all of us, like it or not. Joseph Epstein's long, well-lived life offers up yet another very readable and thought provoking book. I know I will think of it whenever I am tempted to drop a name or deliver an unmerited kick, and thank Joseph Epstein quite sincerely for that.