LL Cool J, by Kehinde Wiley (National Portait Gallery) |
As a child, my favorite part of the Smithsonian was the Air & Space Museum. How could you not love all those planes? The delicate wood and fabric 1903 Wright Flyer. The indefatigable gray Ryan monoplane The Spirit of St. Louis. The orange Grumman Gulfhawk, which I had a personal fondness for because I had constructed a model of it — twirl the propeller and wheels retracted.
But I grew up, and began to really appreciate the National Portrait Gallery. For the hall of presidents, the gorgeous August St. Gaudens bronzes. But also the way its collection strained to embrace all America. It wasn't mired in the dusty past, but alive with the vibrancy of today.
You learned stuff at the National Portrait Gallery. The museum didn't just hang rapper LL Cool J, but juxtaposed it with John Singer Sargent's portrait of John D. Rockefeller, inviting visitors to notice how artist Kehinde Wiley, asked by VHI to paint the singer, used the oil titan's pose to convey power and authority.
But I grew up, and began to really appreciate the National Portrait Gallery. For the hall of presidents, the gorgeous August St. Gaudens bronzes. But also the way its collection strained to embrace all America. It wasn't mired in the dusty past, but alive with the vibrancy of today.
You learned stuff at the National Portrait Gallery. The museum didn't just hang rapper LL Cool J, but juxtaposed it with John Singer Sargent's portrait of John D. Rockefeller, inviting visitors to notice how artist Kehinde Wiley, asked by VHI to paint the singer, used the oil titan's pose to convey power and authority.
William "Kyle" Carpenter by Mike McGregor |
The sort of "divisive narrative," apparently, that inspired our president, as part of his war on history, at least history that includes Black folk, to fire National Portrait Gallery director Kim Sajet on Friday, even though Sajet does not work for him and the president doesn't have the authority to do so. What cares a dictator for such niceties?
What Donald Trump does care about — not that he ever visited the gallery nor saw the art — is the vexing display of works like Mike McGregor's photo of Lance Corporal William Carpenter, who used his body as a shield to protect his fellow Marines from an exploding grenade in Afghanistan in 2010.
Such a photo makes a viewer think, about many things really, including the way government policies have real effects on real people. We have no idea how the damage to the government, even of the Trump administration's first four months, will affect the people of the United States.
What Donald Trump does care about — not that he ever visited the gallery nor saw the art — is the vexing display of works like Mike McGregor's photo of Lance Corporal William Carpenter, who used his body as a shield to protect his fellow Marines from an exploding grenade in Afghanistan in 2010.
Such a photo makes a viewer think, about many things really, including the way government policies have real effects on real people. We have no idea how the damage to the government, even of the Trump administration's first four months, will affect the people of the United States.
And if the administration has its way, we never will.
A thinking population, alive to he possibility of personal courage, the meaning of sacrifice for a higher ideal, would never tolerate a liar, bully, fraud and traitor like Donald Trump. So sweep away the dynamic director, whom Trump called "a highly partisan person, and a strong supporter of DEI, which is totally inappropriate for her position."
A thinking population, alive to he possibility of personal courage, the meaning of sacrifice for a higher ideal, would never tolerate a liar, bully, fraud and traitor like Donald Trump. So sweep away the dynamic director, whom Trump called "a highly partisan person, and a strong supporter of DEI, which is totally inappropriate for her position."
In with another fawning toady, though I imagine Fox News is running out of second string hosts by now. No matter. There is no shortage of groveling cowards ready to betray their nation and everything it represents for a steady salary. When the concentration camps move from El Salvador to downstate Illinois, there will be no trouble hiring guards.
Next we'll see a purge of the artworks. I'm already planning to be in Washington in July, to rendezvous with a certain young lady I'll be eager to meet. I was looking forward, should a spare moment present itself, to hurry over to the National Portrait Gallery to enjoy its riches. That visit will be tinged with melancholy, knowing that the edgier material will be heading to storage, replaced by 19th century patriotic tableaus and Rogers Groups of Lincoln consulting his generals and boys fishing.
I assume the portrait of Trump can stay. Heck, they'll probably add more. A National Portrait Gallery filled with portraits of Donald Trump — that would be a moving musem-going experience.